India’s ‘Brown Beauty’ Make-up Influencers Go Global

In this photo taken on March 16, 2023, social media beauty and lifestyle influencer Debasree Banerjee does her make-up while going live on her YouTube channel in Mumbai. (AFP)
In this photo taken on March 16, 2023, social media beauty and lifestyle influencer Debasree Banerjee does her make-up while going live on her YouTube channel in Mumbai. (AFP)
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India’s ‘Brown Beauty’ Make-up Influencers Go Global

In this photo taken on March 16, 2023, social media beauty and lifestyle influencer Debasree Banerjee does her make-up while going live on her YouTube channel in Mumbai. (AFP)
In this photo taken on March 16, 2023, social media beauty and lifestyle influencer Debasree Banerjee does her make-up while going live on her YouTube channel in Mumbai. (AFP)

Under the glow of a ring light in the spare bedroom of a Mumbai high-rise apartment, Indian make-up maven Debasree Banerjee has found fans across the world with a simple philosophy: brown is beautiful.

Banerjee's audience includes women from as far afield as the Middle East and United States who also have a deeper complexion but have historically been overlooked by the cosmetics industry.

"I actually have a lot of followers who are outside India, and I feel like it's probably because our skin tones match," Banerjee told AFP.

"They can see how the product looks like on my skin tone, how the lipstick applies on my skin tone, and just have that sense of belongingness."

Banerjee, 34, began experimenting with make-up videos in her spare time a decade ago, after graduating from university and moving to Mumbai to work in sales.

She is now a full-time beauty and lifestyle influencer, teaching more than half a million followers how to beautify themselves on Instagram and YouTube.

Early inspirations included British beauty content creators Tanya Burr and Fleur De Force -- both white and with millions of followers between them.

But Banerjee said she had found no role models who resembled her.

She credits Rihanna for the seismic shift towards greater inclusiveness in the cosmetics industry.

In 2017, the pop superstar launched her make-up line Fenty Beauty, which offered 40 shades of foundation and turned her into a billionaire.

"Fenty Beauty really, really changed the game," Banerjee said. "I think that's when people knew that this is important."

While other international brands have tried to keep up, many still have "miles and miles to go" before they can be considered truly inclusive, she added.

"I still see products being launched in three shades, in four shades, calling them 'universal'. And it's just ridiculous," Banerjee said.

"In India, everywhere you go... you see our features changing, our language changing, our skin color changing. So it's very, very important to have more inclusive make-up."

'Learning to love ourselves'

Cheap internet data, rising income levels and the world's largest population of young people have fueled an explosion in India's beauty and personal care market.

The industry is now worth $15 billion nationally each year, with Euromonitor projecting that figure will double by 2030.

Homegrown e-commerce platform Nykaa -- which helped make global cosmetic brands easily available to Indians for the first time -- was one of India's most-anticipated IPOs in 2021.

"People thought brown skin is not pretty," Faby, another beauty influencer living in Mumbai, told AFP. "But now we've started learning to love ourselves."

Faby has nearly 900,000 Instagram followers and has established herself as one of India's top cosmetic stylists, recently teaming up with top Bollywood actress Deepika Padukone to promote a skincare line.

Almost her entire apartment has been refashioned into a studio with professional lights, camera equipment and retractable backdrops to stylize her regular online tutorials.

The work can be taxing, with some daylong shoots lasting until well after midnight, but the money Faby makes from brand collaborations is enough to comfortably support both herself and her mother.

"It has been difficult, but now I can have my own Dior bag, I can have whatever I want," said Faby. "It's all because of the followers who are watching."

'Look more beautiful'

India's government belatedly recognized the explosive growth of online content creation last year, announcing a 10 percent tax on promotional gifts worth over 20,000 rupees ($244).

That move brought part of the country's $120 million influencer market under the tax net -- chiefly those advertising products beyond the purchasing power of the vast majority of Indians.

A single lipstick by a prominent international brand can cost around 2,000 rupees ($24) locally -- more than what half of India's households pay for their weekly groceries, according to British market research firm Kantar.

But the gap between material desires and means has proven to be fertile ground for other Indian influencers showing their audiences how to keep on-trend without breaking the bank.

"There are many people who cannot afford expensive products, so my DIY shows them how to look more beautiful," Kavita Jadon, 34, told AFP.

From her home a couple of hours' drive from the capital New Delhi, the housewife and mother-of-two makes videos showing how to make ersatz concealers out of moisturizer and coffee grinds, at a fraction of the cost of name-brand products.

Despite filming from a cheap phone, editing with free software, and lacking Banerjee and Faby's elaborate studio setups, Jadon has amassed more than 169,000 followers on Facebook.

Many of her homemade product ideas are the result of painstaking trial and error, with her audience eagerly sharing their own ideas or petitioning her with requests.

"Using products from big brands is not essential -- it's possible to use local products and create beauty products at home too," she said.

"That's why my page has grown so significantly."



As Fast Fashion's Waste Pollutes Africa's Environment, Designers in Ghana are Finding a Solution

Attendees at a thrift and an upcycle show pose for a photograph in Accra, Ghana, Sunday, Oct. 27, 2024. (AP Photo/Misper Apawu)
Attendees at a thrift and an upcycle show pose for a photograph in Accra, Ghana, Sunday, Oct. 27, 2024. (AP Photo/Misper Apawu)
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As Fast Fashion's Waste Pollutes Africa's Environment, Designers in Ghana are Finding a Solution

Attendees at a thrift and an upcycle show pose for a photograph in Accra, Ghana, Sunday, Oct. 27, 2024. (AP Photo/Misper Apawu)
Attendees at a thrift and an upcycle show pose for a photograph in Accra, Ghana, Sunday, Oct. 27, 2024. (AP Photo/Misper Apawu)

In a sprawling secondhand clothing market in Ghana’s capital, early morning shoppers jostle as they search through piles of garments, eager to pluck a bargain or a designer find from the stalls selling used and low-quality apparel imported from the West.
At the other end of the street, an upcycled fashion and thrifting festival unfolds with glamour and glitz, The Associated Press reported. Models parade along a makeshift runway in outfits that designers created out of discarded materials from the Kantamanto market, ranging from floral blouses and denim jeans to leather bags, caps and socks.
The festival is called Obroni Wawu October, using a phrase that in the local Akan language means “dead white man’s clothes.” Organizers see the event as a small way to disrupt a destructive cycle that has made Western overconsumption into an environmental problem in Africa, where some of the worn-out clothes end up in waterways and garbage dumps.
“Instead of allowing (textile waste) to choke our gutters or beaches or landfills, I decided to use it to create something ... for us to use again,” said Richard Asante Palmer, one of the designers at the annual festival organized by the Or Foundation, a nonprofit that works at the intersection of environmental justice and fashion development.
Ghana is one of Africa's leading importers of used clothing. It also ships some of what it gets from the United Kingdom, Canada, China and elsewhere to other West African nations, the United States and the UK, according to the Ghana Used Clothing Dealers Association.
Some of the imported clothes arrive in such poor shape, however, that vendors dispose of them to make room for the next shipments. On average, 40% of the millions of garments exported weekly to Ghana end up as waste, according to Neesha-Ann Longdon, the business manager for the Or Foundation’s executive director.
The clothing dealers association, in a report published earlier this year on the socioeconomic and environmental impact of the nation’s secondhand clothing trade, cited a much lower estimate, saying only 5% of the items that reach Ghana in bulk are thrown out because they cannot be sold or reused.
In many African countries, citizens typically buy preowned clothes — as well as used cars, phones and other necessities — because they cost less than new ones. Secondhand shopping also gives them a chance to score designer goods that most people in the region can only dream of.
But neither Ghana's fast-growing population of 34 million people nor its overtaxed infrastructure is equipped to absorb the amount of cast-off attire entering the country. Mounds of textile waste litter beaches across the capital, Accra, and the lagoon which serves as the main outlet through which the city’s major drainage channels empty into the Gulf of Guinea.
“Fast fashion has taken over as the dominant mode of production, which is characterized here as higher volumes of lower-quality goods,” Longdon said.
Jonathan Abbey, a fisherman in the area, said his nets often capture textile waste from the sea. Unsold used clothes “aren’t even burned but are thrown into the Korle Lagoon, which then goes into the sea,” Abbey said.
The ease of online shopping has sped up this waste cycle, according to Andrew Brooks, a King’s College London researcher and the author of “Clothing Poverty: The Hidden World of Fast Fashion and Second-hand Clothes.”
In countries like the UK, unwanted purchases often end up as charity donations, but clothes are sometimes stolen from street donation bins and exported to places where the consumer demand is perceived to be higher, Brooks said. Authorities rarely investigate such theft because the clothes are "seen as low-value items,” he said.
Donors, meanwhile, think their castoffs are “going to be recycled rather than reused, or given away rather than sold, or sold in the UK rather than exported overseas,” Brooks said.
The volume of secondhand clothing sent to Africa has led to complaints of the continent being used as a dumping ground. In 2018, Rwanda raised tariffs on such imports in defiance of US pressure, citing concerns the West's refuse undermined efforts to strengthen the domestic textile industry. Last year, Ugandan President Yoweri Museveni said he would ban imports of clothing “from dead people.”
Trade restrictions might not go far in either reducing textile pollution or encouraging clothing production in Africa, where profits are low and incentives for designers are few, experts say.
In the absence of adequate measures to stop the pollution, organizations like the Or Foundation are trying to make a difference by rallying young people and fashion creators to find a good use for scrapped materials.
Ghana's beaches had hardly any discarded clothes on them before the country's waste management problems worsened in recent years, foundation co-founder Allison Bartella said.
“Fast forward to today, 2024, there are mountains of textile waste on the beaches,” she said.