Ellie Goulding Thinks We All Need to Be More Selfish

Singer Ellie Goulding poses for a portrait, Monday, March 13, 2023, in Los Angeles. (AP Photo/Chris Pizzello)
Singer Ellie Goulding poses for a portrait, Monday, March 13, 2023, in Los Angeles. (AP Photo/Chris Pizzello)
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Ellie Goulding Thinks We All Need to Be More Selfish

Singer Ellie Goulding poses for a portrait, Monday, March 13, 2023, in Los Angeles. (AP Photo/Chris Pizzello)
Singer Ellie Goulding poses for a portrait, Monday, March 13, 2023, in Los Angeles. (AP Photo/Chris Pizzello)

Throughout her career, Ellie Goulding has been candid about the drawbacks of fame. Although she remembers being a self-conscious teenager, Goulding said her struggles with panic attacks, anxiety and insecurity about how she looks were exacerbated in the early stages of her stardom.

“I was kind of thrust into this world,” she recalled. “I didn’t really get a chance to sort of do that thing that everyone gets to do where they kind of come out of that teenage phase, like start to find yourself.”

But as Goulding gears up to release her fifth studio album, “Higher Than Heaven,” on Friday, the British pop star declared she is done caring about what other people think, The Associated Press said.

“I can’t allow those comments and those opinions to affect me. I can’t. Life is too short,” Goulding said in a wide-ranging interview with The Associated Press. “I think we all need to be way more selfish and stop doing things for other people."

But even as she professes to put herself first more, Goulding does want to use her clout to speak up for those “who don’t have a voice,” including the people most vulnerable to the effects of climate change and the planet itself.

As she finalizes the details of her upcoming tour, the outspoken climate activist and UN Environment goodwill ambassador is putting her money where her mouth is by only agreeing to play venues that can meet her standards of environmentally sustainable practices.

“We’re trying to figure out a tour that’s very green and has the smallest possible carbon footprint,” she said. “I really care about that stuff and it just takes a little bit more time and energy and effort to figure it all out.”

Goulding is cognizant of the amount of pollution and waste that results from a typical tour, from the travel involved to the merchandise sold and large quantities of plastic used.

“There’s like so much plastic backstage,” she said.

But for her, the extra work is worth it to return to the stage. Like many artists at the beginning of the coronavirus pandemic, Goulding was unable to take her last album on tour when it was released in July 2020.

“As a performer, I didn’t realize how much it was really holding me together. Even just the act of singing is really a powerful thing,” she said. “I was doing it all the time and then I stopped. And suddenly my anxiety came back and I felt something was really missing.”

While she is happy to return to the familiarity of performing and making electronic music, a genre she said she grew up on, Goulding mused that she would consider new collaborators and possibly even new styles of music in the future.

“I think for the next album I might experiment a bit,” she said.

“My voice carries everything I do and so, I feel like I could put out a classical album tomorrow and people would be like, ‘Yeah, that’s Ellie, isn’t it?’ So, I feel like I can get away with that,” she laughed.

Goulding’s outlook on pleasing others isn’t the only thing that has undergone profound shifts since the singer rose to fame more than a decade ago. In that time, the way people listen to and discover music has fundamentally changed, as well as the way artists are often expected to engage with fans.

“I do feel a little bit lucky that I came through as an artist in a time when there was no social media,” the 36-year-old said as she reflected on the current ubiquity of platforms like TikTok and Instagram and the influence they have on the music industry.

Although she is looking forward to fans hearing the “uplifting, upbeat” sound of “Higher Than Heaven,” Goulding said her expectations surrounding album releases have been tempered in recent years.

“Every other album gets like a big build up and a big release. And it feels like something has shifted,” she said. “People are just really on a kind of quest for more and more information, more and more songs and music, more behind the scenes with songs, more collaborations.”

In the midst of the industry’s insatiable appetite for more, Goulding finds solace in “Sex and the City” reruns and regular exercise, something she still prioritizes after becoming a mom.

“It’s kind of always been a constant thing in my life. Everything else is chaotic and the one thing I can rely on is running and going to the gym,” she said, adding that working out helps her stay mentally “in the best possible place” for her son, Arthur.



'Sonic 3' and 'Mufasa' Battle for No. 1 at the Holiday Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
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'Sonic 3' and 'Mufasa' Battle for No. 1 at the Holiday Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)

Two family films dominated the holiday box office this week, with "Sonic the Hedgehog 3" winning the three-day weekend over "Mufasa" by a blue hair.

Paramount's Sonic movie earned $38 million, while "Mufasa" brought in $37.1 million from theaters in the US and Canada, according to studio estimates Sunday. On a normal weekend counting Friday, Saturday and Sunday ticket purchases, the winner would be somewhat clear.

But when the Christmas holiday falls on a Wednesday as it did this year, the studios look at two sets of numbers: The five-day earnings and the three-day weekend earnings. With the five-day tally, The Walt Disney Co.'s "Mufasa" had the edge, bringing in $63.8 million.

It all adds up to a rather robust theatrical landscape, helped by the continued success of "Wicked" and "Moana 2," which are on their sixth and fifth weekends, respectively.

The vampire horror "Nosferatu" also debuted fairly triumphantly. Robert Eggers' modern reimagining of a 1922 silent film starring Nicholas Hoult and Lily-Rose Depp rose to the top of a starry batch of Christmas Day newcomers, which included the Bob Dylan biopic "A Complete Unknown," with Timothée Chalamet; the drama "Babygirl" with Nicole Kidman; and "The Fire Inside," about boxer Claressa Shields.

"Nosferatu" landed in third place with $21.2 million from the weekend and $40.3 million from its first five days. Not accounting for inflation, it had the best Christmas Day opening ever for a genre film, with $11.6 million (besting "The Faculty's" $4.4 million in 1998). Focus Features released the R-rated film in 2,992 theaters.

It was a gamble to open "Nosferatu" on Christmas, when family films or all-ages blockbusters tend to be prioritized. But it paid off, attracting the coveted 18 to 34-year-old demographic to theaters.

"It was a risky move, but we knew that we had such a great film," said Lisa Bunnell, who leads distribution for Focus Features. "A lot of people thought we were insane. But I think the more that people thought we were crazy, the more we all felt like it was the right thing to do."

The response to the unconventional counter-programming was gratifying. The sarcophagus-inspired popcorn buckets are even reselling for over $100.

"People keep talking about 'how do we get people back into the movies?' I think the only way you can get people to go back is to shake it up," Bunnell said. "You don't just spoon feed them the same things over and over again."

The Bob Dylan movie, directed by James Mangold, also got off to a bright start with $11.6 million over the weekend and $23.2 million since Christmas. The 5-day total is a record for Searchlight Pictures since Disney acquired the company in early 2019. It's been well received by both critics (96% on Rotten Tomatoes) and audiences (A on CinemaScore) and will likely get more of a boost from the awards race.

"Babygirl," an A24 release from filmmaker Halina Reijn, played on 2115 screens, earning $4.4 million over the weekend and $7.2 million since Christmas. The film stars Kidman as a married, buttoned-up CEO who begins an affair with a young intern at the company, played by Harris Dickinson. Kidman won the best acting prize for her performance at the Venice Film Festival.

"The Fire Inside," from Amazon MGM Studios, meanwhile got a bit lost in the mix despite strong reviews. It has earned a total of $4.3 million, with $2 million coming from weekend showings where it played in 2006 theaters.

Thanksgiving releases continued to perform well through the Christmas timeframe. Fourth place went to "Wicked," which earned another $19.5 million, bringing its domestic total to $424.2 million. On Tuesday, the lavish movie musical will also be available to rent or purchase at home. It's a move that has drawn some critics who believe making it available at home after only 40 days in theaters will cannibalize profits.

"Moana 2" rounded out the top five films this weekend with $18.2 million. The Disney movie has made $882.5 million globally and is closing in on $400 million domestically.

Christmas Day itself was massive for the industry, with $61 million in ticket sales. Thursday was nearly as big, with $50 million.

"Every day was like Saturday at the box office because of the way the holidays lined up," said Paul Dergarabedian, Comscore's senior media analyst.

Comscore is projecting that the year will net out with about $8.75 billion in domestic box office receipts. That's down about 3.3% from last year, which cracked $9 billion, and the pre-pandemic normal of $11 billion.