Michael Lerner, ‘Barton Fink’ Oscar Nominee, Dies at 81

Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)
Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)
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Michael Lerner, ‘Barton Fink’ Oscar Nominee, Dies at 81

Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)
Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)

Michael Lerner, the Brooklyn-born character actor who played a myriad of imposing figures in his 60 years in the business, including monologuing movie mogul Jack Lipnick in “Barton Fink,” the crooked club owner Bugsy Calhoun in “Harlem Nights” and an angry publishing executive in “Elf” has died. He was 81.

His nephew, actor Sam Lerner, announced his death in an Instagram post Sunday. Sam Lerner wrote that his uncle died Saturday but did not provide further details. Neither his nor Michael Lerner’s representatives immediately responded to requests for further comment.

“He was the coolest, most confident, talented guy,” Sam Lerner wrote. “Everyone that knows him knows how insane he was — in the best way...we’re all lucky we can continue to watch his work for the rest of time. RIP Michael, enjoy your unlimited Cuban cigars, comfy chairs, and endless movie marathon.”

Born in 1941 to Romanian-Jewish parents and raised in Brooklyn's Red Hook neighborhood, Michael Lerner began acting locally as a teen and into his days at Brooklyn College, where he got the chance to play Willie Loman in “Death of a Salesman.”

His ambitions to pursue acting professionally crystalized when he received a Fulbright Scholarship and chose to study theater at the London Academy of Music and Dramatic Arts, where he lived in an apartment with Yoko Ono for a time, appearing in her short film “Smile” alongside Paul McCartney. His brother, Ken Lerner, also became an actor.

Lerner moved to Los Angeles in 1969, at the urging of an agent who saw his work at the American Conservatory Theatre in San Francisco. He started getting cast in television shows, including “M(asterisk)A(asterisk)S(asterisk)H,” “The Brady Bunch” and “The Rockford Files,” making his film debut in Paul Mazursky’s “Alex in Wonderland,” alongside Charlotte Rampling. But he considered his first significant role to be in the television movie “Ruby and Oswald” (he played Jack Ruby) with Brian Dennehy.

In 1981, he was cast in Bob Rafelson’s remake of “The Postman Always Rings Twice,” alongside Jack Nicholson, who he called one of the most generous actors he'd ever worked with, and Jessica Lange. A longtime cigar aficionado, Lerner felt out of his depths when he was asked to smoke a cigarette in a scene with Nicholson in a jail. Lerner said he held the cigarette with both hands.

He felt more comfortable playing cigar-smoking journalist and politician Pierre Salinger in “Missiles of October,” for which Jackie Kennedy once told him that he’d “out Pierre’d Pierre.”

Lerner also loved working with John Sayles on “Eight Men Out,” in which he played Arnold Rothstein, the crime boss who conspired to fix the 1919 World Series.

“Most of the time I don’t rehearse, but I do a lot of preparation. Especially for a biographical character or one of the studio heads,” he said in 2016. “I did a lot of research for Barton Fink and looked into Louis B. Mayer and all the moguls in Hollywood.”

Joel and Ethan Coen’s “Barton Fink,” released in 1991, is the film Lerner is most remembered for.

“I had auditioned for Joel and Ethan before, for Miller’s Crossing. So I walked into the room, as the character, and I don’t say hello to anybody. And I sit down behind my desk and do this big speech: ‘Bart! Bart! So great to see you,’” Lerner said in 2016. “I did the monologue the way I wanted to do it and I just walked out of the room and that was it. And Joel and Ethan were just sitting in a corner just laughing and laughing and that was it.”

Lerner, who drew inspiration from Preston Sturges movies, said the Coens didn’t give him much acting direction and “were a little nervous that I was talking so fast” but that they let him do what he wanted.

The role got him his first and only Oscar nomination, but in 1992, the Academy Award for supporting actor went to Jack Palance for “City Slickers.”

The Coens called him years later to do a cameo in “A Serious Man.”

Lerner also said he was frequently recognized for his turns in Eddie Murphy’s “Harlem Nights” and “Elf,” as Fulton Greenway. He also played Cher's father in the television spinoff of “Clueless.”

In the late 90s, he was excited to get a chance to work with Woody Allen on the film “Celebrity,” but it turned into a terrible experience, he said in a 2016 interview.

Lerner also appeared in several bigger blockbusters over the years, including “Godzilla” as Mayor Ebert, “X-Men: Days of Future Past,” as Senator Brickman, and “Mirror Mirror” as Baron.

“Those are good parts but not great acting roles,” Lerner said.

And he never felt cheated by being known as a “character actor” rather than a leading man. In 1999, in an interview with Cigar Aficionado, he said, simply, “Every role is a character role.”



Oz, Bond and Quincy Jones: Oscars a Musical Ode to Film Icons

Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
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Oz, Bond and Quincy Jones: Oscars a Musical Ode to Film Icons

Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP

The Oscars gala traditionally features performances of all the tracks nominated for best original song -- this year, the ceremony on Sunday bucked norms, but musical numbers still punctuated the show.

Ariana Grande and Cynthia Erivo opened the star-studded gala with a tribute to Los Angeles -- which recently suffered devastating wildfires -- that also celebrated their Oscar-nominated roles in the blockbuster film "Wicked."

In a glimmering red dress and shoes nodding to Dorothy's magic slippers, Grande belted a touching version of the classic ballad "Over the Rainbow" from 1939's "The Wizard of Oz" starring Judy Garland, AFP said.

Erivo then joined to deliver a soaring rendition of "Home" from "The Wiz" -- both "The Wizard of Oz" and 1978's "The Wiz" are tales about the fantastical land of Oz that "Wicked" also riffs on.

Grande and Erivo ultimately brought the audience to its feet with the film's hit song "Defying Gravity," which brought some attendees, including co-star Michelle Yeoh, to tears -- especially thanks to Erivo's chills-inducing climax.

Later in the show came a James Bond medley, a celebration of the film franchise that just controversially came under the creative control of Amazon MGM Studios.

The Oscar stage turned Bond set featured a dance number led by "The Substance" star Margaret Qualley -- who is a trained dancer.

Lisa -- a member of the K-pop group Blackpink -- descended from the ceiling to sing Wings' "Live and Let Die" from that 1973 film.

And Doja Cat literally dripped in diamonds to sing Shirley Bassey's "Diamonds Are Forever," before an orchestra joined Raye to close the performance with a cover of Adele's "Skyfall."

Tribute to Quincy Jones

Mick Jagger popped by to present the prize for best original song, which went to "El Mal," the track off "Emilia Perez" written by Clement Ducol, Camille and the film's director Jacques Audiard.

"We wrote 'El Mal' as a song to denounce corruption," Camille said onstage. "We hope it speaks to the role music and art can play, and continue to play, as a force of the good and progress in the world."

Before presenting the award, Jagger joked that "the producers really wanted Bob Dylan to do this -- Bob didn't want to do it because he said the best songs this year were obviously in "A Complete Unknown" -- the film about Dylan.

"Bob said, 'You should find somebody younger,'" the Rolling Stone frontman quipped.

Oprah Winfrey and Whoopi Goldberg presented a tribute to the late Quincy Jones, the composing titan who orchestrated the sounds of the music and film worlds for more than 50 years.

"Quincy was love lived out loud in human form, and he poured that love out into others and into his work," Winfrey said.

Latifah then brought disco to the Academy Awards with a performance of "Ease on Down the Road" -- yet another nod to the world of Oz -- from the musical film adaptation of "The Wiz," which Jones worked on.

Host Conan O'Brien added in his own song and dance after his opening monologue, poking fun at the show's reputation for trudging along at a glacial pace.

"I Won't Waste Time!" he sang.

The show ultimately clocked in at nearly four hours.