Michelle Yeoh Seeks New Challenges After Oscar Win

Malaysian actress Michelle Yeoh shows her engraved Oscar statuette during a news conference after returning to her home country for the first time since winning her first Oscar for Best Lead Actress, at Kuala Lumpur, Malaysia April 18, 2023. (Reuters)
Malaysian actress Michelle Yeoh shows her engraved Oscar statuette during a news conference after returning to her home country for the first time since winning her first Oscar for Best Lead Actress, at Kuala Lumpur, Malaysia April 18, 2023. (Reuters)
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Michelle Yeoh Seeks New Challenges After Oscar Win

Malaysian actress Michelle Yeoh shows her engraved Oscar statuette during a news conference after returning to her home country for the first time since winning her first Oscar for Best Lead Actress, at Kuala Lumpur, Malaysia April 18, 2023. (Reuters)
Malaysian actress Michelle Yeoh shows her engraved Oscar statuette during a news conference after returning to her home country for the first time since winning her first Oscar for Best Lead Actress, at Kuala Lumpur, Malaysia April 18, 2023. (Reuters)

Michelle Yeoh says she is looking for new challenges including as a producer, as she credited perseverance, hard work and passion for her historic Oscar win last month.

The 60-year-old became the first Asian to win the Academy Award for best actress for her performance as a laundromat owner in “Everything Everywhere All at Once.” The movie won a total of seven awards, including best picture.

Returning to her native Malaysia to celebrate her mother’s birthday, Yeoh said she felt a sense of relief after clinching the award.

“It was a roller coaster ride that started last year when the movie first came out. It was a whole year of not knowing, wanting, hoping, wishing,” she told a news conference. “During the journey, everyone was asking, ‘Do you want the Oscar?’ I said, hell, yes, of course I want the Oscar. Who doesn’t? I am not going to beat around the bush and say no because it represents so much to so many of us.”

Yeoh reiterated that her Oscar victory was a “beacon of hope” for Asian women.

“It shows us it can be done and all of you can do it,” she said.

Yeoh, who started her career in Hong Kong before becoming a Hollywood star, said she was blessed to have been able to work on diverse movies and with “forward thinking filmmakers to fight for what I truly believe in — representation, diversity, especially empowerment of women.” She said she refuses to be boxed in stereotypical roles but believes in pushing the envelope in her career.

While she has no interest in directing, she said she may branch out again as a producer.

“Directors have no life. I love my life too much,” she said in jest. “I love producing. I have produced before and now I can start to do so again … now I am able to branch out more because people have started to listen, and appreciate what you can bring forward. As an actor, I love what I can do. I am so lucky to be able to say it’s not a job, it’s really a passion.”

Yeoh said she will be heading back to London to complete the filming of “Wicked,” a two-part movie adaptation of the hit Broadway musical directed by Jon Chu. She said she hopes to return to Asia in the next few months.

“I am always looking for a challenge,” Yeoh said. “I believe there is so much to do in our part of the world. All of us collectively. Don’t isolate yourself. Don’t feel that I must always tell my story. We are collaborators, we are storytellers. Let’s work together and do great things.”



Mel Gibson’s ‘Flight Risk’ is No. 1 at Box Office, ‘The Brutalist’ Expands

FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
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Mel Gibson’s ‘Flight Risk’ is No. 1 at Box Office, ‘The Brutalist’ Expands

FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)

Critics lambasted it and audiences didn’t grade it much better. But despite the turbulence, Mel Gibson’s “Flight Risk” managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday.
On a quiet weekend, even for the typically frigid movie-going month of January, the top spot went to the Lionsgate thriller starring Mark Wahlberg as a pilot flying an Air Marshal (Michelle Dockery) and fugitive (Topher Grace) across Alaska. But it wasn’t a particularly triumphant result for Gibson’s directorial follow-up to 2016’s “Hacksaw Ridge.” Reviews (21% fresh on Rotten Tomatoes) and audience scores (a “C” CinemaScore) were terrible.
President Donald Trump recently named Gibson a “special ambassador” to Hollywood, along with Jon Voight and Sylvester Stallone.
Going into the weekend, Hollywood’s attention was more focused on the Sundance Film Festival and on Thursday’s Oscar nominations, which were twice postponed by the wildfires in the Los Angeles region, The Associated Press reported.
The weekend was also a small test as to whether the once more common Oscar “bump” that can sometimes follow nominations still exists. Most contenders have by now completed the bulk of their theatrical runs and are more likely to see an uptick on VOD or streaming.
But the weekend’s most daring gambit was A24 pushing Brady Corbet’s “The Brutalist” a three–and-a-half-hour epic nominated for 10 Academy Awards, into wide release. Though some executives initially greeted “The Brutalist,” which is running with an intermission, as “un-distributable,” Corbet has said, A24 acquired the film out of the Venice Film Festival and it’s managed solid business, collecting $6 million in limited release.
In wide release, it earned $2.9 million — a far from blockbuster sum but the best weekend yet for “The Brutalist.”
The audience was downright miniscule for another best-picture nominee: RaMell Ross’ “Nickel Boys.” Innovatively shot almost entirely in first-person POV, the Amazon MGM Studios release gathered just $340,171 in 540 locations after expanding by 300 theaters.
Coming off one of the lowest Martin Luther King Jr. weekends in years, no new releases made a major impact.
Steven Soderbergh’s “Presence,” a well-reviewed horror film shot from the perspective of a ghost inside a suburban home, debuted with $3.4 million in 1,750 locations. The film, released by Neon and acquired out of last year’s Sundance, was made for just $2 million.
The top spots otherwise went to holdovers. The Walt Disney Co.’s “Mufasa: The Lion King,” in its sixth weekend of release, scored $8.7 million to hold second place. After starting slow, the Barry Jenkins-directed film has amassed $626.7 million globally.
“One of Them Days,” the Keke Palmer and SZA led comedy from Sony Pictures, held well in its second weekend, dropping just 32% with $8 million in ticket sales. In recent years, few comedies have found success on the big screen, but “One of Them Days” has proven an exception.