First Reactions to ‘The Flash,’ Starring Ezra Miller

Andy Muschietti, left, director of the upcoming film "The Flash," discusses the film alongside Peter Safran, co-chairman and CEO of DC Studios, during the Warner Bros. Pictures presentation at CinemaCon 2023, the official convention of the National Association of Theatre Owners (NATO) Chris Pizzello/Invision/AP
Andy Muschietti, left, director of the upcoming film "The Flash," discusses the film alongside Peter Safran, co-chairman and CEO of DC Studios, during the Warner Bros. Pictures presentation at CinemaCon 2023, the official convention of the National Association of Theatre Owners (NATO) Chris Pizzello/Invision/AP
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First Reactions to ‘The Flash,’ Starring Ezra Miller

Andy Muschietti, left, director of the upcoming film "The Flash," discusses the film alongside Peter Safran, co-chairman and CEO of DC Studios, during the Warner Bros. Pictures presentation at CinemaCon 2023, the official convention of the National Association of Theatre Owners (NATO) Chris Pizzello/Invision/AP
Andy Muschietti, left, director of the upcoming film "The Flash," discusses the film alongside Peter Safran, co-chairman and CEO of DC Studios, during the Warner Bros. Pictures presentation at CinemaCon 2023, the official convention of the National Association of Theatre Owners (NATO) Chris Pizzello/Invision/AP

The words “impressive” and “awesome” were common refrains from a group of entertainment reporters who were among the first to see the upcoming DC superhero movie “The Flash.”

Warner Bros. screened the film for the first time at CinemaCon Tuesday for theater owners, exhibitors and reporters attending the annual trade show and industry conference, The Associated Press said.

Reviews are embargoed until a later date – the film, the studio said, is not completely finished – but viewers were able to post reactions on social media as soon as the credits rolled.

Brian Welk of Indiewire wrote that “it played very well,” pointing out that there were more than a few screams and gasps in the packed theater.

Film critic Jordan Hoffman tweeted that it was, “far more madcap than I expected. Really nailed what reading a 5-issue crossover comic book is like. Tons of Ezra Miller being zany and time paradox stuff. Nerds will lose their minds at the ending.”

“The Playlist’s” Greg Ellwood wrote that it was “very good” and that Miller was “great,” while Scott Mantz went a step further declaring that it’s “one of the very best DC movies, a perfect blend of action, heart & humor.”

Erik Davis, of Fandango, wrote on Twitter that it is “tremendous" and that it is “without a doubt among the best superhero films ever made. An all-timer. Inventive storytelling, FANTASTIC action sequences, great cast. SO MANY nerdy details.”

Jason Guerrasio, of Business Insider, had a more tempered reaction, writing that it is “def not the best superhero movie ever made ... but it’s an impressive DC movie with lots of emotion and loads of surprises.”

“The Flash,” directed by Andy Muschietti, is one of the studio’s biggest films of the year. In the film, Barry Allen uses his superpowers to go back in time in an attempt to change the past and save his parents. But things go awry and he finds himself stuck in a very different reality where Michael Shannon's General Zod is back and Batman is not the Batman he knows (Ben Affleck's version). Widely available trailers have already revealed that the new Batman he encounters is Michael Keaton's version.

After the box office disappointment of “Shazam! Fury of the Gods” earlier this year, the hope is that “The Flash,” which reportedly carries a $200 million budget, will reach blockbuster heights when it opens in theaters on June 16.

The long-planned standalone about The Flash/Barry Allen has also been the subject of much discussion because of its star Ezra Miller, who made headlines last year for a string of arrests and erratic behavior.

Miller was arrested twice last year in Hawaii, for disorderly conduct and harassment at a karaoke bar and then for second-degree assault. The parents of 18-year-old Tokata Iron Eyes, a Native American activist, last year filed a protection order against Miller, accusing the actor of grooming their child and other inappropriate behavior with her as a minor from the age of 12. Tokata Iron Eyes has disputed that.

Miller, who identifies as non-binary and goes by they/them pronouns, said last year that they were seeking mental health treatment.

The development of a standalone Flash movie has been in the works for almost 10 years. In one plan, announced at Comic Con in 2014, an Ezra Miller Flash movie would have hit theaters in 2018. Muschietti wouldn’t even be attached to direct until 2019.

Warner Bros. has, throughout Miller’s personal troubles and the shelving of “Batgirl,” remained steadfast in its plans to release the “The Flash.”

And though plans are already underway for a new future for DC Studios, “The Flash” has been one that the new regime of James Gunn and Peter Safran have seemed particularly excited about. Gunn said it was, “One of the best superhero films I’ve ever seen.” And Warner Bros.

Discovery president and CEO David Zaslav even boasted that Tom Cruise saw and loved the film so much that he called Muschietti himself to congratulate him.



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.