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Online Posts From Expats in France Find an Increased Audience Among Stressed Americans.

Nice life: Often clad in flouncy white dresses, Jamie Beck documents the sunflowers and vineyards and castles and croissants she encounters in Provence, France.Credit...Jamie Beck
Nice life: Often clad in flouncy white dresses, Jamie Beck documents the sunflowers and vineyards and castles and croissants she encounters in Provence, France.Credit...Jamie Beck
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Online Posts From Expats in France Find an Increased Audience Among Stressed Americans.

Nice life: Often clad in flouncy white dresses, Jamie Beck documents the sunflowers and vineyards and castles and croissants she encounters in Provence, France.Credit...Jamie Beck
Nice life: Often clad in flouncy white dresses, Jamie Beck documents the sunflowers and vineyards and castles and croissants she encounters in Provence, France.Credit...Jamie Beck

With American tourists banned from Europe, online posts from expatriates are as close to a vacation abroad as many got this year.

Jamie Beck, 37, a photographer who was living on the Upper West Side of Manhattan, moved to Provence about four years ago, and now she documents the sunflowers and vineyards and castles and croissants that she encounters, all the while clad in a seemingly endless series of flouncy white dresses. Her apartment in the town of Apt has previously been rented for honeymoons. It’s all very idyllic, and her 317,000 Instagram followers seem to agree. She is known, for want of a better term, as a “Frenchfluencer.”

During “le confinement” — what the French call their coronavirus lockdown — Ms. Beck lost all her commercial work.

“The only thing I could control was what I did with my time, so I decided to make a piece of art every single day,” she said. She tagged her posts #isolationcreation and soon realized she was gaining about 1,000 new followers per day.

Ms. Beck is not the only American in France with an online following who has noticed a big increase in engagement during the pandemic.

“I definitely saw a spike in June and July for Instagram and YouTube,” said Tiffanie Davis, 30, who moved to Paris in 2017 to get her master’s degree in business administration. In 2019 Ms. Davis started to post videos about expat life on YouTube around topics like the cost of living (189,000 views), dating in France (which was explored in a two-part series), and Black hair salons.

“I have been getting a ton of DMs from people interested in my story and saying, ‘I’m living through your experiences and want to make the move abroad.’” Ms. Davis has made a worksheet on moving abroad downloadable from her personal website.

Paris and the rest of France are struggling with the pandemic, violence, and protests, but so much of what outsiders see is still the beautiful parts.

Molly Wilkinson, 33, moved to France in 2013 to study pastry at the Cordon Bleu; before the pandemic, she taught cooking classes in person. She now leads online workshops about how to make macarons (her most popular class) and tarte Tatin. They were all selling out, she said, so she has increased them to 50 students from 30, for 25 euros each.

She posted many photos to Instagram from a trip to the Loire Valley in September. “It was incredible, the engagement,” she said. “They wanted to experience everything and daydream where they could go. Whenever something is banned, you want it more.”

(The New York Times)

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Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
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Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP

Like many of his fellow Tunisians, 23-year-old Amine Elhani has never been to the cinema, but now, thanks to a mobile theater touring the country, he can finally enjoy the big screen.

The bright red truck of CinemaTdour, or "moving cinema", has transformed parking lots and factory grounds in underserved towns and neighbourhoods across the North African country into pop-up theaters.

In the central town of Djemmal, dozens of workers unloaded the expandable truck, easily setting up a fully equipped outdoor movie theater with 100 seats.

"The screen is huge, and the sound effects are amazing," said Elhani, who had so far only watched films on his phone or computer.

He had "never had the chance to go to a movie theater", he told AFP.

"It's a fantastic experience, especially because I'm watching with friends."

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs.

Recognizing this gap, CinemaTdour was launched in May by private cultural network Agora and nonprofit Focus Gabes, with funding from private donors.

"We wanted a way to reach as many viewers as possible, in a short time and on a limited budget, while offering them an authentic cinematic experience," project director Ghofrane Heraghi told AFP.

Mobile cinemas have long existed in other countries, but Heraghi said CinemaTdour was "unique" for turning a truck into a full-fledged theater.

Without government funding, CinemaTdour relies heavily on partnerships with private companies to cover costs like film rights, maintenance and staffing.

The truck itself was purchased on credit for about one million Tunisian dinars ($315,000), Heraghi said, with annual operating expenses of around 500,000 dinars.

For 10 days in Djemmal, residents could watch films for free thanks to a partnership with German car parts manufacturer Draxlmaier, which has a factory in the town.

Jihene Ben Amor, Draxlmaier's communications manager in Tunisia, said the company wanted to "contribute to the development" of remote and underserved regions where it operates.

For many workers, earning up to 1,000 dinars a month, the cost of tickets and the journey to a main city with a movie theater can be prohibitive.

"Having this cinema right outside their workplace also gives workers a sense of pride and belonging," said Ben Amor.

- 'Social impact' -

After Djemmal, CinemaTdour set up in Hay Hlel, an impoverished neighbourhood of the capital Tunis.

Many children gathered around the pop-up theater, eager for their turn.

Yomna Warhani, 11, was beaming with excitement, anticipating her first ever movie screening.

"I can't wait to see what it's like inside and what films they'll show," she said.

Nejiba El Hadji, a 47-year-old mother of four, said: "It's not just the kids who are thrilled, believe me."

To her, the mobile cinema was a rare source of joy in an otherwise bleak environment.

"We have nothing here, no cultural centers and no entertainment, just the streets," said Hadji.

"People say our kids are lost, but no one does anything about it."

CinemaTdour's two-week stay in Hay Hlel was funded by the World Health Organization, with screenings themed on mental health, smoking and drug abuse, and violence against women.

The shows were tailored for younger audiences as well as for viewers with hearing or visual impairments.

Heraghi, the project head, said that "what drives us is the social impact of culture."

"We want to break stereotypes, shift mindsets, and promote values like social cohesion and community spirit."

In just a few months, CinemaTdour has reached more than 15,000 people, including 7,500 in the southern oasis town of Nefta where a month of free screenings was sponsored by a date exporter.

The project now hopes to secure funding for additional trucks to expand its activities across the country.

But Heraghli has even bigger aspirations, she said, "taking it to Algeria, Libya, and maybe even across Africa".