Barcelona Concert Tests Use of Same-Day COVID-19 Screening

A volunteer undergoes a screening for the coronavirus to see if he can join a pool of around 500 people allowed into a concert in Barcelona, Spain, Saturday, Dec. 12, 2020. (AP)
A volunteer undergoes a screening for the coronavirus to see if he can join a pool of around 500 people allowed into a concert in Barcelona, Spain, Saturday, Dec. 12, 2020. (AP)
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Barcelona Concert Tests Use of Same-Day COVID-19 Screening

A volunteer undergoes a screening for the coronavirus to see if he can join a pool of around 500 people allowed into a concert in Barcelona, Spain, Saturday, Dec. 12, 2020. (AP)
A volunteer undergoes a screening for the coronavirus to see if he can join a pool of around 500 people allowed into a concert in Barcelona, Spain, Saturday, Dec. 12, 2020. (AP)

Eager for a live music show after months of social distancing, more than 1,000 Barcelona residents gathered Saturday to participate in a medical study to evaluate the effectiveness of same-day coronavirus screening to safely hold cultural events.

After passing an antigen screening, 500 of the volunteers were randomly selected to enjoy a free concert inside Barcelona’s Apolo Theater.

The other 500 who didn't get selected were sent home. They will form a control group that will allow the organizers to analyze if there was any contagion inside the concert hall despite the screening with antigen tests, which while not as accurate as other types of tests, do produce results in 15 minutes as compared to several hours, or days, later.

Carolina Rius was one music lover willing to accept the risk of mingling among a large group of people indoors so she could finally experience a concert without having to remain seated and two meters apart as currently dictated by health authorities.

“I really, really missed going to concerts, above all to hear some rock ’n’ roll,” the 56-year-old Rius said. “I don’t feel like a guinea pig. I feel like I am taking a stand. The world of culture, and above all the concert halls, are having a very bad time of it and I don’t want them to shut for good.

“And if they end up choosing me in the draw to go to a concert, that will be the cherry on top.”

The study is organized by Barcelona's The Fight AIDS and Infectious Diseases Foundation along with the Primavera Sound music festival. The study was given the go-ahead by the regional authorities in northeast Catalonia.

“This is not a party, this is a scientific study,” Dr. Boris Revollo, the virologist who designed the study’s protocols, told The Associated Press. He insisted that the use of same-day antigen screening for large events wasn't a substitute for face masks and other sanitation rules, but he believed it could be a powerful tool to help make large events safe enough until vaccines are widespread enough to beat back COVID-19.

“This could be useful in all types of events, from cultural events, to business congresses, to sporting events,” Revollo said. “And young people, as we have seen, are holding their own clandestine parties because they have no other outlet.”

The 500 allowed into the five-hour music festival of rock groups and disc jockeys had to wear FFP2 face masks and use hand disinfectant.

Social distancing, however, on the concert floor wasn't enforced in an attempt to get as close as possible to a real concert atmosphere. The crowd reveled in the newfound freedom, dancing closely together and jostling one another for a bit of fun.

The face masks stayed put except in the upstairs bar where organizers allowed them to be removed to have the one drink volunteers were treated to. Some people indulged in hugs with friends.

All 1,000 of the volunteers will also undergo two PCR tests, which have a higher capacity to detect the virus than the same-day antigen test, first on Saturday before the concert, and then again eight days later. Revollo said these PCR tests will allow him and his fellow investigators to determine if any infected people got past the same-day antigen screen and, if so, did they infect others inside the show.

Spain is still under limited restrictions for the pandemic that has killed a confirmed 47,600 residents.

Concert halls have been one of the hardest hit sectors by the health restrictions applied in Spain, twice being completely shut down for several months. In November, an association representing concert halls in Spain said that more than 25,000 shows had been canceled because of the pandemic, costing the industry 120 million euros ($145 million) in lost revenue. Halls were only recently allowed to reopen in Barcelona but at 50% capacity or a maximum of 500 people.

Epidemiologist Joan Caylà, who has no connection to the study, said that while “vaccines are still far off” before they reach everyone, even the successful use of antigen testing wouldn't eliminate the need to keep events small and highly controlled.

“It is very important that those attending the event act responsibly,” Caylà said. “A certain risk of causing an outbreak exists.”



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.