Lebanon's Legendary Musician Elias Rahbani Dies Aged 83

Elias al-Rahbani. (AFP)
Elias al-Rahbani. (AFP)
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Lebanon's Legendary Musician Elias Rahbani Dies Aged 83

Elias al-Rahbani. (AFP)
Elias al-Rahbani. (AFP)

Elias al-Rahbani, Lebanon’s legendary composer and lyricist who wrote the music for some of the Arab world’s top performers, including Lebanon’s diva Fairouz, has died after battling COVID-19, his family said. He was 83.

Rahbani was hospitalized last week suffering low oxygen after he contracted the coronavirus and succumbed to COVID-19, the illness caused by the virus, on Monday.

Elias was the younger brother of Mansour and Assi Rahbani, the Arab world’s iconic musical duo known as the Rahbani Brothers, who wrote music and plays for Fairouz and other celebrities. Assi Rahbani, who was married to Fairouz, died in 1985, while Mansour passed away in 2009.

The three brothers were pioneers of a Lebanese golden age of music and culture, before the country was plunged into a lengthy civil war in the mid- 1970s. Many Lebanese still start their day listening to their songs and see them as uniting figures, beloved across the country’s divided political spectrum.

Born into a musical family in the town of Antelias, north of Beirut, Elias quickly forged a path for himself in the music industry. He often worked with his brothers but went on to compose his own songs for veteran Lebanese artists including Fairouz, Sabah, Melhem Barakat, Majida al-Roumi and others.

Elias Rahbani distinguished himself from his brothers, who were the industry's best-known duo, with his more modern styles and mix of Middle Eastern and Western music that won him international awards. He wrote some of Fairouz’ best hits, as well as the music and lyrics for many patriotic songs.

Rahbani composed hundreds of songs and music for the theater and the soundtracks to dozens of films and TV series, including “Habibati,” or my Love, “The Night Player.”

Elias leaves behind a wife, Nina, two sons, Ghassan and Jad and a sister, Elham.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.