Dwayne Johnson's 'Surreal' Look back in TV's ‘Young Rock’

This image released by NBC shows Dwayne Johnson in "Young Rock," premiering on Feb. 16. (AP)
This image released by NBC shows Dwayne Johnson in "Young Rock," premiering on Feb. 16. (AP)
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Dwayne Johnson's 'Surreal' Look back in TV's ‘Young Rock’

This image released by NBC shows Dwayne Johnson in "Young Rock," premiering on Feb. 16. (AP)
This image released by NBC shows Dwayne Johnson in "Young Rock," premiering on Feb. 16. (AP)

When Dwayne Johnson sold the idea for a TV comedy about his colorful and challenging early life to NBC a year ago, he was delighted to tell his parents that a version of their family was bound for the small screen.

Days later, his father was felled by a blood clot-caused heart attack at age 75. His loss inevitably altered “Young Rock,” said Johnson, who plays himself in the series debuting on Tuesday. A trio of actors portray Johnson's younger iterations.

“I get emotional when I talk about this, when I talk about my dad and think about it,” Johnson said, pausing to compose himself. “I had a complex relationship with my dad, and he was a complex man.”

The series intended to include the elder Johnson's highs and lows, but after his death his son decided to lean more fully into his “really uncanny ability to make anyone feel good.”

With a smile, he recited dad Rocky Johnson's buoyant greetings, including a favorite: “‘Have you been working out?’”

Dwayne Johnson, billed in his dazzling wrestling days as The Rock, likely got a share of his skill and ambition from his Nova Scotia-born father, who held National Wrestling Alliance titles and was among the first Black champions in World Wrestling Entertainment history.

But he may also owe his dad for the charm and unforced warmth that make Dwayne Johnson instantly endearing, despite his imposing build and status as a box-office star with credits in the “Fast and Furious” and “Jumanji” franchises. The sports comedy “Ballers” is part of his TV resume.

He's the real deal, “generous and lovely,” said Nahnatchka Khan, an executive producer for “Young Rock” along with Johnson. “He's collaborative, funny and willing to take chances. So much of comedy is trust ... and I trust him completely.”

Bradley Constant, who plays the teenage Johnson yearning for girls, cool threads and a car, took on his first major role with guidance from him.

“He reassured me just to be myself. He’s a very genuine, normal guy who’s lived an incredible life, of course,” said Constant, who saw the family’s financial difficulties as a way to help ground him in the role.

“Young Rock” is structured around Johnson's depiction as a 2032 presidential candidate — a less time-certain move the political independent has considered. Is he preparing America for his next chapter?

“I think the people will prepare me. I can say that,” he replied with a laugh.

In the debut episode, he's interviewed by Randall Park, also playing himself but as an actor-turned-TV journalist. Park starred in “Fresh Off the Boat,” which Khan created and produced.

As Johnson recalls the past, there are flashbacks to scenes of him as a child, played by Adrian Groulx; a high schooler (Constant); and young adult, played by Australian actor Uli Latukefu. Joseph Lee Anderson and Stacey Leilua co-star as parents Rocky and Ata Johnson.

Matthew Willig stands tall as the late Andre the Giant, one of the wrestling world figures shown as a commonplace part of Johnson's uncommon childhood and youth marred by setbacks he fought to overcome.

“He really wanted to go there and show the struggle, that it hasn't been a straight line to the top for him,” Khan said. “He's been knocked down a lot and he's had to pivot off what he thought was his dream and find a new dream, a new path. Being able to explore those kinds of moments in a comedy are really important.”

Johnson proved “down for it all. It was just about him wanting to portray the people who affected his life in a real way,” she said, adding that what's depicted in the series happened or was inspired by events.

In reflecting on the past, Dwayne Johnson said, he's come to realize the challenges proved the impetus for real growth.

“It became an anchoring factor in my struggle and my determination to, quite frankly, not be a victim when, again, we were evicted (from housing) when I was 13 or 14,” he said. As he worked with Khan to find the right approach to the show, “I did know in my heart the most important thing was to be authentic and to be OK with ripping some stories open and ripping some past open.”

That includes his own missteps, which Johnson has said included arrests for fighting and theft before he was 17.

While it's “extremely surreal” to watch his early years unfold in the series, he's savoring the perspective that only time can bring.

Even when things were tough, Johnson said, he was bolstered by family and “had this opportunity to go and witness these real-life heroes in front of me, like my dad and these wrestlers who were adored and loved and so strong and powerful.”

“You look back on these stories and you just become so incredibly grateful,” he said.



‘Toy Story 5’ Rakes in the Biggest Box-Office Debut of the Year with a Franchise-Best $160 Million

 This image released by Disney shows characters Buzz Lightyear, voiced by Tim Allen, left, and Woody, voiced by Tom Hanks, in a scene from "Toy Story 5." (Pixar-Disney via AP)
This image released by Disney shows characters Buzz Lightyear, voiced by Tim Allen, left, and Woody, voiced by Tom Hanks, in a scene from "Toy Story 5." (Pixar-Disney via AP)
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‘Toy Story 5’ Rakes in the Biggest Box-Office Debut of the Year with a Franchise-Best $160 Million

 This image released by Disney shows characters Buzz Lightyear, voiced by Tim Allen, left, and Woody, voiced by Tom Hanks, in a scene from "Toy Story 5." (Pixar-Disney via AP)
This image released by Disney shows characters Buzz Lightyear, voiced by Tim Allen, left, and Woody, voiced by Tom Hanks, in a scene from "Toy Story 5." (Pixar-Disney via AP)

“Toy Story” still has a friend in moviegoers.

The fifth installment in the Pixar series debuted with $160 million in domestic ticket sales, according to studio estimates Sunday, easily setting a new franchise record and notching the biggest opening weekend of the year.

Launching 31 years after the original “Toy Story” first landed in theaters, “Toy Story 5” far surpassed the previous series-best debut: $120 million for “Toy Story 4” in 2019. Internationally, it was just as successful, with $152 million in opening-weekend sales, for a worldwide haul of $312 million.

The “Toy Story” franchise is one of the most profitable for The Walt Disney Co. Before “Toy Story 5” launched, the movies had collectively grossed more than $3 billion, while also pulling in billions from merchandising.

Though the series seemed to reach a conclusion with 2010’s “Toy Story 3,” the decision to revive the franchise almost a decade later — while controversial — has been extremely lucrative. “Toy Story 4” exceeded $1 billion in ticket sales, and “Toy Story 5” is all but certain to as well.

Among animated films, only 2018's “Incredibles 2” had a bigger opening weekend ($182.7 million) than “Toy Story 5.”

Keeping the “Toy Story” movies going has gotten more expensive, though. The fifth movie cost $250 million to make, not including marketing. It returns a voice cast led by Tom Hanks (as Woody), Tim Allen (as Buzz Lightyear) and Joan Cusack (as Jessie).

In the sequel, the toys are pushed aside when Bonnie gets a new tablet. It’s directed by Andrew Stanton, the Pixar veteran who helmed “Finding Nemo” (2003) and “WALL-E” (2008). “Toy Story 5” also features a new song by Taylor Swift, “I Knew It, I Knew You.”

Reviews have been very good and audiences gave “Toy Story 5” an “A” CinemaScore, suggesting it should remain a force in theaters for weeks.

After its chart-topping debut, Steven Spielberg’s “Disclosure Day” slipped to second place with $17 million in its second weekend. That’s not the hold that Universal Pictures was hoping for. Dropping 61% from its first weekend suggests “Disclosure Day” might not find the legs Spielberg’s sci-fi thriller needs to break out this summer.

Still, the $115 million budgeted movie, starring Emily Blunt, Josh O’Connor and Colman Domingo, has grossed $160.4 million globally in two weeks. “Disclosure Day” stands a good chance of remaining the top adult-oriented option in theaters in the coming weeks.

“Toy Story 5” faced little competition from newcomers.

‘Robin Hood’ misses the bullseye

A24’s “The Death of Robin Hood,” a violent revisionist approach to the old legend, flopped with $2.6 million on 1,762 screens. The film, starring Hugh Jackman and directed by Michael Sarnoski, was modestly budgeted at $20 million. But after finding mixed reviews, audiences didn’t go for the movie, either. It earned a “C+” CinemaScore.

The top horror choice remained “Obsession,” the microbudget phenomenon by 26-year-old Curry Barker. In its sixth weekend, it nearly equaled its $17 million opening weekend from mid-May. The Focus Features release, which cost less than $1 million to make, added $14.2 million to bring its domestic total to $215.8 million and its global haul to $333.3 million.

With “Toy Story 5” and “Obsession” driving sales, the summer box office is up 15% from the 2025 summer, according to Rentrak. More impressively, summer ticket sales are nearly equal to the 2019 summer at the same point, not accounting for inflation. The summer to date is just 1.9% down from that year.

Paul Dergarabedian, head of marketplace trends for Rentrak, expects that Hollywood is heading for its best summer since before the pandemic. And the success is coming from both expected and unexpected places.

“To me, this is a hybrid summer and this could be the new blueprint for how you build the perfect summer box-office beast,” says Dergarabedian. “You throw in a mix of very eclectic films and not just the usual suspects — the big franchise films, the known brands — but also films like ‘Backrooms’ and ‘Obsession’ and original films like ‘Disclosure Day.’”


Former Child Actor Daveigh Chase, 'The Ring' Villain and Lilo Voice, Dies at 35

FILE - Actor Daveigh Chase poses at the Season 5 premiere of HBO series "Big Love," in Los Angeles on Jan. 12, 2011. (AP Photo/Chris Pizzello, File)
FILE - Actor Daveigh Chase poses at the Season 5 premiere of HBO series "Big Love," in Los Angeles on Jan. 12, 2011. (AP Photo/Chris Pizzello, File)
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Former Child Actor Daveigh Chase, 'The Ring' Villain and Lilo Voice, Dies at 35

FILE - Actor Daveigh Chase poses at the Season 5 premiere of HBO series "Big Love," in Los Angeles on Jan. 12, 2011. (AP Photo/Chris Pizzello, File)
FILE - Actor Daveigh Chase poses at the Season 5 premiere of HBO series "Big Love," in Los Angeles on Jan. 12, 2011. (AP Photo/Chris Pizzello, File)

Former child actor Daveigh Chase, known for her youthful voice in Disney's “Lilo & Stitch” and her villainous performance in the thriller “The Ring," has died. She was 35.

Chase's father, John David Schwallier, confirmed to The New York Times she died from complications of bacterial meningitis and a blood infection. She had been homeless in Los Angeles with her boyfriend near the hospital where she died, he told the newspaper.

TMZ first reported Wednesday that Chase died Tuesday.

She voiced the lead role of Lilo in the 2002 animated film, a role she auditioned for at age 8. Years later, a Hawaiian actress was cast as Lilo for the live-action remake.

For her role as long-haired Samara in the 2002 horror film, Chase won an MTV movie award for best villain.

Chase also voiced another lead in the 2001 animated film “Spirited Away.”

She had roles in the 2001 movie “Donnie Darko” and the 2003 show “Oliver Beene,” according to internet movie database IMDb.com.

She was born in Las Vegas and raised in Albany, Oregon. In her small hometown, she began singing and dancing at age 3, according to IMDb.

Chase struggled with drugs since she was 13 years old, Schwallier said in an interview with the Times. He said his daughter was estranged from her parents, who are divorced.

Schwallier said he was in touch with Chase's boyfriend, and just before she died, arrived at the Los Angeles hospital where she was being treated.


‘Toy Story 5’ Tackles Tech Tensions and Tween Girl Trials

This image released by Disney shows characters Bullseye, left, and Jessie, voiced by Joan Cusack, in a scene from Disney and Pixar's "Toy Story 5." (Disney/Pixar via AP)
This image released by Disney shows characters Bullseye, left, and Jessie, voiced by Joan Cusack, in a scene from Disney and Pixar's "Toy Story 5." (Disney/Pixar via AP)
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‘Toy Story 5’ Tackles Tech Tensions and Tween Girl Trials

This image released by Disney shows characters Bullseye, left, and Jessie, voiced by Joan Cusack, in a scene from Disney and Pixar's "Toy Story 5." (Disney/Pixar via AP)
This image released by Disney shows characters Bullseye, left, and Jessie, voiced by Joan Cusack, in a scene from Disney and Pixar's "Toy Story 5." (Disney/Pixar via AP)

For actor Joan Cusack, who voices the animated cowgirl Jessie in Disney's “Toy Story 5,” it was important that the film tell a different kind of story — one centered on the experiences of girls.

“I mean, we’re half the population,” she told Reuters.

Cusack emphasized the value of stories told from a female perspective, saying they bring a distinct emotional depth.

“Girl stories are great because they offer a different point of view. If you do it well, there’s real emotion in it. I think it’s real,” the “Working Girl” actor added.

Alongside Cusack, franchise veterans Tom Hanks and Tim Allen return as the toys Woody and Buzz Lightyear.

In the latest installment, the toys confront a ⁠new threat: the rise ⁠of electronics, which increasingly replace them in children’s lives.

At the center is Bonnie, a little girl who feels pressured to swap her toys for a high-tech tablet called Lilypad, voiced by Greta Lee, in order to fit in with a judgmental group from her dance class.

The conflict sparks an emotional journey for Jessie as she supports Bonnie while questioning her own place in a tech-driven world.

“Toy Story 5,” directed by Andrew Stanton and co-written by Stanton and Kenna ⁠Harris, is the fifth installment in Pixar’s popular franchise and a sequel to "Toy Story 4," which was directed by Josh Cooley.

The film is projected to deliver the franchise’s strongest domestic box office debut, with an opening weekend estimated between $150 million and $175 million, according to Paul Dergarabedian, head of media analytics at Rentrak, a global measurement and research company serving the entertainment industry.

Daniel Loria, senior vice president of content strategy and editorial director at Boxoffice Pro, similarly forecasts an opening in the $150 million to $175 million range. He said "Toy Story 5" could become one of the highest-grossing films of 2026 and potentially surpass $500 million domestically, marking a new franchise record.

The franchise is vital to Disney, which relies on the popularity of its stories and characters to bring ⁠visitors to its theme ⁠parks, sell merchandise and watch its Disney+ streaming service.

The "Toy Story" films have brought in about $3 billion in global box office, according to Rentrak.

Tim Allen said he was surprised by how deeply the film affected him when he first watched it.
“This was horrifying to watch as an adult,” he told Reuters, explaining that the film’s themes of bullying struck an emotional chord for him as a father of girls.

For Tom Hanks, the franchise’s lasting appeal lies in the toys’ compassion for one another.
“Being part of this ensemble - friends who will do anything for each other whenever they are needed - that’s powerful,” the two-time Academy Award winner said.

“There’s no jealousy. There might be confusion, but there is always care for one another. And the fact that this is Jessie’s story, and she reaches out and says, ‘I need your help,’ we are right there.”

"Toy Story 5" arrives in theaters on Friday.