Original ‘SNL’ Player’s Memoir Looks back in Fondness, Humor

Laraine Newman. (AP)
Laraine Newman. (AP)
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Original ‘SNL’ Player’s Memoir Looks back in Fondness, Humor

Laraine Newman. (AP)
Laraine Newman. (AP)

If Laraine Newman recounted only her experiences as an original “Saturday Night Live” player — a storied ensemble that included Gilda Radner and John Belushi — she’d have plenty of memoir material.

But she has other adventures to share in “May You Live in Interesting Times,” from the quirky — she studied mime in Paris with Marcel Marceau— to the questionable, including a teenage encounter with musician Johnny Winter.

Wherever Newman’s newly released audiobook memoir takes us, it’s got humor, heart and is unfailingly kind to others, even those whom she recalls were at times unkind to her. But she’s candidly tough on herself, whether describing her drug addiction as a young woman or merely a brief, wretchedly embarrassing encounter with a music legend.

“The fact that I farted in front of Prince” should be motivation enough to listen to the book, Newman said, her lilting voice striking a wry note. “And that’s just one of the wonderful moments in my life.”

Newman, who turned 69 this month, is in a good place to look back. She’s been sober for decades and is busy doing voice acting for a variety of projects, including “Despicable Me” films, “American Dad!” and “Doc McStuffins,” along with occasional screen roles. She’s proud of her children Hannah and Spike Einbinder, both working actors.

Revisiting the past, Newman said, allowed her to celebrate beloved “Saturday Night Live” sketches from her 1975-80 tenure and lift the curtain on their creation. In an interview with The Associated Press, she discussed her approach to the Audible Original book, the “SNL” track record with women and a Coneheads sketch highlight.

Remarks were edited for clarity and length.

AP: When writing the memoir, which includes encounters with celebrities from Fred Astaire to Robert De Niro, did events seem even more remarkable in retrospect?

Newman: The book’s gone through many reasons for its existence. But ultimately what I came to was the fact that, ‘Hey, I was there for that.’ ‘Oh, I lived through that, I had a front row seat to that.’ Even though it is very much my personal life, it’s also the privilege of having a front-row seat at a lot of the pop culture movements in our country.

AP: What do you hope listeners take away from the memoir about you, about life lessons?

Newman: I’m the last person to impart any kind of life lesson. But the one thing that I really wanted to do, because I’ve never seen this in biographies before, is to really lean into the fact that I experienced a lot of failure. I think that people wrap their biographies up in a pink bow, and it’s important to acknowledge that you can live with a lot of failure. You’ve just got to keep going.

AP: Your favorite moment on “Saturday Night Live”?

Newman: There are so many of them, but the one that immediately comes to mind is about food. We were doing the Coneheads and there was a part where we eat fiberglass insulation and it was made out of rice paper and cotton candy. I was thinking, ‘This is a great job.’ But there’s so many moments, just pee-in-your-pants stuff.

AP: “SNL” was long criticized for failing to showcase women and include people of color in the cast. What’s your perspective on that?

Newman: With regard to our shows, we had 13 writers — three women, 10 men — and it was a meritocracy. No matter what people say. Lorne (Michaels, the show’s creator) was very egalitarian with what went on the show. It was what was funny. It doesn’t matter who wrote it, who was in it. But the sensibility that the show gained with Tina Fey as the head writer....It became more female-centric probably because they had a lot more female writers.

AP: You said you had to learn to be a voice actor. Have you found unexpected satisfactions in the work?

Newman: There’s a thing where you’ll be in the (recording) booth and on the other side of the glass, you see the people in the control room, and it’s the writers and the director. And when you do a take and you see everybody in unison, their heads snap back and their mouths open and they’re laughing, it’s so rewarding. And if you do a show where the whole cast is there, it’s like a radio play. There are just no more encouraging, supportive people than the animation community.

AP: What do you watch on TV now that makes you laugh?

Newman: I don’t watch a lot of comedy. You ask most people in comedy, they watch crime dramas. I’m going to just say that right now, and I’m no exception. Crime dramas and horror.



Prince of Wales Explores AlUla Arts Festival, Engages with Local Artists

The prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields - SPA
The prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields - SPA
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Prince of Wales Explores AlUla Arts Festival, Engages with Local Artists

The prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields - SPA
The prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields - SPA

AlUla Arts Festival captured the interest of the Prince of Wales and heir apparent to the throne of the United Kingdom of Great Britain and Northern Ireland Prince William during his recent visit to AlUla, SPA reported.

He viewed a selection of standout works by Saudi and international artists, ranging from contemporary installations to immersive open-air experiences inspired by AlUla’s landscapes and rich heritage.

He was also briefed on the festival’s creative programs, which annually transform AlUla into a dynamic platform for art and innovation, attracting artists and visitors from around the world.

During the visit, the prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields.

He listened to their experiences and contributions to the governorate's cultural development, supported by ongoing efforts to strengthen the creative sector and expand its local and international presence.


Saudi Cinema Expands International Footprint at Berlin Festival

Saudi Cinema Expands International Footprint at Berlin Festival
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Saudi Cinema Expands International Footprint at Berlin Festival

Saudi Cinema Expands International Footprint at Berlin Festival

The Film Commission took part in the 76th Berlin International Film Festival, held from February 12 to 22, to showcase its key achievements in advancing the Saudi film sector and highlighting a selection of films that demonstrate the talent of Saudi filmmakers and the Kingdom’s expanding production infrastructure.

It presented the Kingdom’s diverse filming locations and spotlighted major milestones, including Norah, the first Saudi film selected for the Un Certain Regard section at the Cannes Film Festival, SPA reported.

The commission signed several cooperation agreements with leading international film institutions, including the French National Center of Cinema. It also launched artistic initiatives in Berlin in collaboration with global partners and cinemas, demonstrating the Kingdom’s expanding cultural and creative network.

CEO of the commission Abdullah Al-Qahtani said: "Saudi cinema goes beyond filmmaking to building cultural bridges and sharing authentic stories with global audiences."

He noted that strengthening strategic partnerships and investing in local talent are central to positioning the Kingdom as a hub for creative industries, adding that continued participation in international festivals broadens exposure to the richness and diversity of Saudi culture.


Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture
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Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

The Saudi Ministry of Culture and the UK Department for Culture, Media and Sport have announced the year 2029 as the official Saudi-UK Year of Culture, reported the Saudi Press Agency on Wednesday. The announcement follows an official visit by Britain’s Prince William to Saudi Arabia this week.

For nearly a century, formal relations between Saudi Arabia and the UK and Northern Ireland have evolved into a multifaceted international relationship that has expanded across culture, education, and innovation, reflecting shared values and a mutual commitment to long-term cooperation.

In recent years, cultural exchange has emerged as a cornerstone of Saudi-British relations, driven by joint initiatives in heritage conservation, visual and culinary arts, architecture, and higher education.

This ongoing expansion of cultural exchange lays the foundation for the Saudi-UK Year of Culture 2029, a year-long program celebrating creative dialogue and the shared heritage of Saudi Arabia and the UK, while deepening cultural ties for generations to come. It will also be a great opportunity for young people in both countries to connect in new ways.

Supported by Saudi Vision 2030 and the United Kingdom’s continued promotion of cultural innovation and creativity, the Saudi-UK Year of Culture 2029 will be an important milestone for both countries.