Two Centuries after Death…Napoleon's Life Remains Interesting Material for Thousands of Books

A visitor looks at "Napoleon I on his deathbed, one before to be buried" painting of Jean Baptiste Mauzaisse during a press visit of the exhibition "Napoleon in St Helena" in Paris, France, Tuesday, April 5, 2016. (AP/Francois Mori)
A visitor looks at "Napoleon I on his deathbed, one before to be buried" painting of Jean Baptiste Mauzaisse during a press visit of the exhibition "Napoleon in St Helena" in Paris, France, Tuesday, April 5, 2016. (AP/Francois Mori)
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Two Centuries after Death…Napoleon's Life Remains Interesting Material for Thousands of Books

A visitor looks at "Napoleon I on his deathbed, one before to be buried" painting of Jean Baptiste Mauzaisse during a press visit of the exhibition "Napoleon in St Helena" in Paris, France, Tuesday, April 5, 2016. (AP/Francois Mori)
A visitor looks at "Napoleon I on his deathbed, one before to be buried" painting of Jean Baptiste Mauzaisse during a press visit of the exhibition "Napoleon in St Helena" in Paris, France, Tuesday, April 5, 2016. (AP/Francois Mori)

Although two centuries passed after his death, Napoleon Bonaparte still has a decent position, and his personal, political, and military life still represent a rich material for novels, movies, and biographies.

In an interview with AFP, Natalie Petiteau, a history professor at the University of Avignon, said Napoleon's personality "will always be inspiring because he had an exceptional individual fate that expresses all aspects of revolution."

The professor noted that the biographers who wrote about "the great romantic hero who died 200 years ago," drew a portrait of Napoleon that changes according to the dominant political currents.

In 2014, Historian Jean Tulard estimated that about 80,000 works had been written about Napoleon. This unverified number indicates that an average of over one book was issued every day about Bonaparte since his birth in Ajaccio, Corsica.

Tulard himself wrote many books about Napoleon. The most recent, "Marengo or the Strange Victory of Bonaparte," was published in March 2020. It revolves around a decisive battle that took place in 1800. It paved the way for two other books that were issued at the same time: "Napoleon and God" by Philippe Bornet, and "The Grand Atlas and Napoleon," published by Glénat and Atlas publishing houses respectively.

Search in the lists of the French national library showed that 18,000 books have the name "Napoleon" in their titles, including works related to his nephew, Napoleon III.

The emperor's modest roots, courage, geniality, kindness to people, and his protection of France's glory facing the obsolete monarchies, all are myths that Bonaparte intelligently maintained throughout his political and military life, and still exist until today.

However, Éric Anceau, who recently released a biography entitled "Napoleon (1769-1821)," believes that writing about Bonaparte is renewable, noting that "there are always new things to discover."

He said "this bicentenary is an opportunity to focus on the many times the emperor escaped death, his exile on the St. Helena Island, his death, and his memory."

Anceau, a professor at the Sorbonne University, recommended two new books about the emperor: "Napoleon in St. Helena" (the island located in South Atlantic Ocean, where he died on May 5, 1821) by Pierre Branda (released in January); and "Napoleon: The Last Witness Narrates" by David Chanteranne (released in March).

Petiteau explained that "Napoleon's sophisticated personality leads people to draw a contrasting picture of him. For this reason, there will always be some who hate him

and others who glorify him. Objective historians have always found it challenging to explain their point of view defying popular historians."

For instance, "Bonaparte (1976) and Napoleon (1968)," a two-volume book by famous writer André Castelot, is a best seller. The Napoleon Foundation recommends parents encourage their children to read it if they want to know the history of the emperor.

Young readers may prefer to read "I am Napoleon," a novel by Vincent Mottez and Bruno Wennagel. The accuracy of this work, in which the emperor himself speaks, was sealed with an introduction written by Thierry Lentz, director of the foundation, which also issued the 1000-page Historical Dictionary of the Napoleonic Era, in September.

Casterman recently republished all the volumes of a comic collection depicting Napoleon by Davoz, Jacques Martin and Jean Torton.

For those who see Napoleon as a tyrant, Swiss Historian Henri Guillemin's books have been revived on YouTube in recent years. They have always been considered a great reference, but their re-editing stopped years ago.

In April, the H&O Editions republished a sarcastic biography about the emperor entitled "Adventures of Napoleon" by the late sarcastic writer Francois Cavanna. It was first published in 1988.

For those who want to stay away from the controversy of Napoleon, and the pain of politics and war, they can take a look at the letters exchanged between Bonaparte and Joséphine de Beauharnais, to read "some of the most beautiful pages of love literary," according to its publisher, Le Passeur House.



Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
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Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition concluded its six-month run at the Red Sea Museum in Historic Jeddah, offering visitors an educational journey into centuries of maritime trade, navigation, and pilgrimage.

Housed at the historic Bab Al-Bunt building since February 25, the exhibition highlighted the Red Sea's historical role as a vital trade artery connecting the Arabian Peninsula with the Mediterranean, Africa, and Asia.

Structured across four thematic zones, the galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets, SPA reported.

Among the exhibition's centerpiece displays was the 18th-century Umluj shipwreck, discovered submerged 20 to 22 meters deep amid coral reefs. Its recovered cargo—including commercial containers, pottery, coins, ceramics, and daily shipboard tools alongside antique navigational instruments and nautical maps—illustrated the vibrant human exchange that traversed regional waters.

Organized in collaboration with the Heritage Commission and the Historic Jeddah Program, the exhibition was also part of the summer season's cultural offerings, combining interactive public programming with scientific research to bolster cultural tourism and raise awareness of the Kingdom's underwater heritage.


Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
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Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)

Diriyah Art Futures (DAF), the first center for New Media Arts in the Middle East and North Africa, launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors.

Visitors explored a diverse range of cutting-edge technological media, including immersive and multimedia installations, light, sound, moving image, virtual reality, mixed reality, and AI-generated projects, the Saudi Press Agency reported.

CONTINUUM ’26 features artworks produced by 16 emerging artists and two mentors during DAF’s year-long Emerging New Media Artists Program. Curated by Irini Papadimitriou and Bushra Alghamdi, Assistant Curator, the exhibition explores questions surrounding memory, identity, place, belonging, repetition, and interspecies relationships.

Developed under the mentorship of artists Louis-Philippe Demers and Rick Treweek, the artworks explore the boundaries between the real and the artificial, human and artificial intelligence, the organic and synthetic.

Speaking at the exhibition launch, CEO of the Museums Commission Eng. Abdullah bin Abdulaziz Al-Hammad said: “Programs like the Emerging New Media Artists Program represent the long-term, deliberate investment needed to shape the future of the Kingdom's museum sector.

“By providing our artists with world-class facilities, mentorship, and the dedicated time to refine their craft, we are fueling innovation and sparking vital cultural conversations. CONTINUUM 26 brings a full year of that dedication into the public eye.”

The opening program kicked off with a panel conversation between exhibition artists Noel Apitta, Njood Albwardi, Badriya Alsalem, and Harpreet Sareen, in conversation with Bushra Alghamdi about the ideas behind their works in CONTINUUM '26.

The artists discussed the exhibition's themes – the power of artificial intelligence; memory and time; and embodied perception – exploring how each artist navigated their creative process and what questions drove them.

CONTINUUM ’26 is the second installment in a series of exhibitions at DAF, spotlighting diverse voices shaping the future of New Media Art in the region and beyond.

Developed in collaboration with Le Fresnoy – Studio national des arts contemporains in France, the Emerging New Media Artists Program gives emerging artists access to cutting-edge professional equipment and a production budget, as well as a wide range of multidisciplinary learning opportunities.

CONTINUUM ’26 is open to the public at Diriyah Art Futures and runs until November 7. The exhibition is accompanied by a public program of workshops, talks and other activities spanning AI, VR, digital photography, and much more.

Meet the Artists: an invitation to encounter the works of CONTINUUM '26 through the perspectives of the artists who made them. Over the opening weekend, artists will discuss the ideas and processes behind their works with visitors.


US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
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US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)

The United States on Thursday announced the return of Roman-era sarcophagus fragments to Lebanon that were looted from the southern city of Tyre and recovered by an FBI investigation.

The decorative, lead fragments were returned to the Lebanese consulate in New York on Wednesday, ahead of their repatriation, the US embassy in Lebanon said.

The recovery "reflects the strong US-Lebanon partnership in the fight against illicit trafficking of cultural property", the embassy said.

Lebanese Culture Minister Ghassan Salame said the fragments "were unearthed in the Tyre area during illegal excavations".

"The fragments bear distinctive artistic, decorative and technical characteristics typical of workshops that produced lead sarcophagus in Tyre, which were among the city's active and prolific workshops in antiquity."

According to the FBI, the antiquities "were stolen from illicit excavations in or around Tyre and were exported outside of Lebanon's borders".

The trade in looted antiquities is widespread in the Middle East. New York, one of the world's art capitals, is home to many wealthy collectors, galleries, and auction houses.

In December 2017, three ancient artifacts were returned to Lebanon, including a bull's head of Greek origin that had been exhibited at the Met Gala, valued at $1.2 million.

Salame said the Tyre region "is exceptionally rich in archaeological heritage" and "has recently suffered severe destruction" due to heavy Israeli strikes during the latest war between Israel and Iran-backed Hezbollah.

UNESCO, the United Nations cultural agency, added Tyre to its World Heritage in Danger list in July.