Two Centuries after Death…Napoleon's Life Remains Interesting Material for Thousands of Books

A visitor looks at "Napoleon I on his deathbed, one before to be buried" painting of Jean Baptiste Mauzaisse during a press visit of the exhibition "Napoleon in St Helena" in Paris, France, Tuesday, April 5, 2016. (AP/Francois Mori)
A visitor looks at "Napoleon I on his deathbed, one before to be buried" painting of Jean Baptiste Mauzaisse during a press visit of the exhibition "Napoleon in St Helena" in Paris, France, Tuesday, April 5, 2016. (AP/Francois Mori)
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Two Centuries after Death…Napoleon's Life Remains Interesting Material for Thousands of Books

A visitor looks at "Napoleon I on his deathbed, one before to be buried" painting of Jean Baptiste Mauzaisse during a press visit of the exhibition "Napoleon in St Helena" in Paris, France, Tuesday, April 5, 2016. (AP/Francois Mori)
A visitor looks at "Napoleon I on his deathbed, one before to be buried" painting of Jean Baptiste Mauzaisse during a press visit of the exhibition "Napoleon in St Helena" in Paris, France, Tuesday, April 5, 2016. (AP/Francois Mori)

Although two centuries passed after his death, Napoleon Bonaparte still has a decent position, and his personal, political, and military life still represent a rich material for novels, movies, and biographies.

In an interview with AFP, Natalie Petiteau, a history professor at the University of Avignon, said Napoleon's personality "will always be inspiring because he had an exceptional individual fate that expresses all aspects of revolution."

The professor noted that the biographers who wrote about "the great romantic hero who died 200 years ago," drew a portrait of Napoleon that changes according to the dominant political currents.

In 2014, Historian Jean Tulard estimated that about 80,000 works had been written about Napoleon. This unverified number indicates that an average of over one book was issued every day about Bonaparte since his birth in Ajaccio, Corsica.

Tulard himself wrote many books about Napoleon. The most recent, "Marengo or the Strange Victory of Bonaparte," was published in March 2020. It revolves around a decisive battle that took place in 1800. It paved the way for two other books that were issued at the same time: "Napoleon and God" by Philippe Bornet, and "The Grand Atlas and Napoleon," published by Glénat and Atlas publishing houses respectively.

Search in the lists of the French national library showed that 18,000 books have the name "Napoleon" in their titles, including works related to his nephew, Napoleon III.

The emperor's modest roots, courage, geniality, kindness to people, and his protection of France's glory facing the obsolete monarchies, all are myths that Bonaparte intelligently maintained throughout his political and military life, and still exist until today.

However, Éric Anceau, who recently released a biography entitled "Napoleon (1769-1821)," believes that writing about Bonaparte is renewable, noting that "there are always new things to discover."

He said "this bicentenary is an opportunity to focus on the many times the emperor escaped death, his exile on the St. Helena Island, his death, and his memory."

Anceau, a professor at the Sorbonne University, recommended two new books about the emperor: "Napoleon in St. Helena" (the island located in South Atlantic Ocean, where he died on May 5, 1821) by Pierre Branda (released in January); and "Napoleon: The Last Witness Narrates" by David Chanteranne (released in March).

Petiteau explained that "Napoleon's sophisticated personality leads people to draw a contrasting picture of him. For this reason, there will always be some who hate him

and others who glorify him. Objective historians have always found it challenging to explain their point of view defying popular historians."

For instance, "Bonaparte (1976) and Napoleon (1968)," a two-volume book by famous writer André Castelot, is a best seller. The Napoleon Foundation recommends parents encourage their children to read it if they want to know the history of the emperor.

Young readers may prefer to read "I am Napoleon," a novel by Vincent Mottez and Bruno Wennagel. The accuracy of this work, in which the emperor himself speaks, was sealed with an introduction written by Thierry Lentz, director of the foundation, which also issued the 1000-page Historical Dictionary of the Napoleonic Era, in September.

Casterman recently republished all the volumes of a comic collection depicting Napoleon by Davoz, Jacques Martin and Jean Torton.

For those who see Napoleon as a tyrant, Swiss Historian Henri Guillemin's books have been revived on YouTube in recent years. They have always been considered a great reference, but their re-editing stopped years ago.

In April, the H&O Editions republished a sarcastic biography about the emperor entitled "Adventures of Napoleon" by the late sarcastic writer Francois Cavanna. It was first published in 1988.

For those who want to stay away from the controversy of Napoleon, and the pain of politics and war, they can take a look at the letters exchanged between Bonaparte and Joséphine de Beauharnais, to read "some of the most beautiful pages of love literary," according to its publisher, Le Passeur House.



Traditional Arts Festival Reinforces National Identity, Highlights Performance Traditions

The Traditional Arts Festival 2026 is drawing strong crowds of visitors and tourists in Diriyah. (SPA)
The Traditional Arts Festival 2026 is drawing strong crowds of visitors and tourists in Diriyah. (SPA)
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Traditional Arts Festival Reinforces National Identity, Highlights Performance Traditions

The Traditional Arts Festival 2026 is drawing strong crowds of visitors and tourists in Diriyah. (SPA)
The Traditional Arts Festival 2026 is drawing strong crowds of visitors and tourists in Diriyah. (SPA)

The Traditional Arts Festival 2026, organized by the Ministry of Culture, is drawing strong crowds of visitors and tourists in Diriyah amid pleasant spring weather.

The festival, held from March 26 to April 8 and from 4 p.m. to 11 p.m., features a range of performing arts from across the Kingdom, the Saudi Press Agency reported on Thursday.

Live shows in a dedicated traditional performance arena allow visitors to explore those traditions and their varied forms, reflecting the depth and diversity of Saudi cultural heritage.

The event is part of the Ministry of Culture’s ongoing efforts to support the national cultural scene and highlight traditional performing arts as a core element of the Kingdom’s cultural identity. It also presents those arts as a form of expression tied to the occasions and events of Saudi society.


Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
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Archaeologists Forced by Middle East War to Cut Short Iraq Digs

An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)
An Iraqi worker excavates a rock-carving relief recently found at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh, on the outskirts of what is today the northern Iraqi city of Mosul on October 19, 2022. (AFP)

Iraq is home to ruins from some of the world's earliest civilizations, but teams led by international archaeologists have been forced by drone and rocket attacks in the Middle East war to cut short their expeditions.

Archaeologists told AFP that some of the projects interrupted by the war had been planned for years, but their teams have had to evacuate ancient sites since the United States and Israel attacked Iraq's neighbor, Iran.

Like other countries around the region, Iraq has become engulfed in the war, bringing to an abrupt end a period of nascent stability.

Iraq's precious archaeological sites, some dating back thousands of years, had for years faced threats ranging from climate change to successive conflicts.

Under normal circumstances, around 60 international teams would have been working on digs, a government official told AFP, but "all of these missions have left Iraq".

- 'Like a musician' -

Adelheid Otto of Germany's Ludwig-Maximilians-University started a long-planned dig at ancient Shuruppak, modern-day Tell Fara, on February 28.

That same day, Israel and the US launched strikes against Iran, sparking a war that has dragged Iraqi armed groups into the fray -- and cutting short Otto's work.

"We are Near Eastern archaeologists. So that is our work. That is like a musician who can no longer play an instrument," she told AFP.

Her team -- 18 German archaeologists, geologists, geophysical experts and students and seven Iraqi archaeologists -- initially stayed, reasoning travelling the 750 kilometers (460 miles) overland to Türkiye was more dangerous.

"After some days we got kind of used to the rockets and drones above our heads," she said.

But Iraqi officials repeatedly urged them to depart, despite their discovery of ancient cuneiform tablets.

"It is impossible" to leave, she told authorities, insisting on staying extra days. "We have to document it. We have to take photos of everything."

"I told the students you have to work on all the small finds that we have," said Otto, 59, who boasts four decades of experience.

"You never know in any of these countries if you will ever return," she said.

- 'Guarantors' -

Many German institutions had just started relaxing travel restrictions to Iraq after a succession of conflicts, including the 2003 US-led invasion and the extremist ISIS group.

Now, said Otto, archaeologists once again face being shut out.

Iraq's State Board of Antiquities and Heritage head Ali Obeid Shalgham told AFP Iraqi security forces were the sites' "true guarantors", especially as many are in remote rural areas.

He said the country is installing so-called protective "blue shields" -- nicknamed "the Red Cross of heritage" -- at archaeological sites.

The presence of foreign teams is "crucial", said Aqeel al-Mansrawi, an Iraqi landscape archaeologist.

"They work to protect heritage through conservation," he said.

He also emphasized the training Iraqi experts receive from foreigners, vital after years of isolation and war.

"We are always training a lot of Iraqi archaeologists and colleagues," said Otto, of the German institute.

"If it would be cut again, it would be terrible," she said.

Foreign digs must work with Iraqi archaeologists, bringing their international expertise.

Shalgham said the arrangement allows Iraqis "to keep up with global advancements in new technologies and state-of-the-art equipment".

- 'Can't catch a break' -

Chicago University professor Augusta McMahon was in southern Iraq, working at the 6,000-year-old Nippur site, when the war began.

Having worked in the Middle East for almost four decades, this was her third evacuation.

In 2024, she had to leave Iraq, while in 2011, she left Syria.

"We had pressure from a lot of different directions in terms of having to leave," she said, with her eight-person team departing under an Iraqi escort on March 10.

"It is quite frustrating, along with everything else, I feel terribly bad for [my] Iraqi colleagues," she said.

The war has also rippled beyond the immediate: an initiative to finally return the preeminent Rencontre Assyriologique Internationale (RAI) conference to Iraq was cancelled by the University of Baghdad.

The city last attempted to host the event in 1990, according to the university, but it was scrapped with the Gulf War.

"Now 36 years later, they finally pulled themselves together... and it's cancelled again," said McMahon, who was due to be presenting.

"It's like they can't catch a break."


Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
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Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)

Thieves made off with three paintings by Renoir, Cézanne and Matisse worth millions of euros (dollars) from a museum near the city of Parma in northern Italy, police said on Monday.

The heist took place on the night of March 22-23, with thieves forcing open the entrance door, The Associated Press quoted police as saying.

The three stolen paintings are “Fish” by Auguste Renoir, “Still Life with Cherries” by Paul Cézanne, and “Odalisque on the Terrace” by Henri Matisse.

The Magnani Rocca Foundation, a private museum, lies in the heart of the countryside 20 kilometers (12 miles) from Parma.

Local media reported that the thieves were able to nab the paintings in less than three minutes and escape across the museum gardens.

Established in 1977, the foundation hosts the collection of the art historian Luigi Magnani and also includes works by Dürer, Rubens, Van Dyck, Goya and Monet.

The museum believes a structured and organized gang was responsible for the theft, which was interrupted by the alarm, local media reported.

The museum didn't post any statement about the theft on its website and wasn't reachable for a comment, as it is closed on Monday.

The crime in Parma comes after a series of high-profile heists at major European museums, including a major incident in October where thieves stole jewels and other items worth 88 million euros ($101 million) from the Louvre in Paris.