Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
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Coin Used to Pay for Bus Ticket in Leeds Found to Be Phoenician

The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)
The coin has been donated to Leeds Museums and Galleries. (Leeds City Council)

An odd-looking coin used to pay for a bus fare in Leeds in the 1950s has been found to belong to an ancient civilization from more than 2,000 years ago, reported The Independent.

The coin, handed to a local bus driver decades ago, came into the hands of James Edwards, former chief cashier with Leeds City Transport, who gathered fares and counted them at the end of each day.

Since it couldn’t be spent, Edwards took it home and gifted the ancient coin to his young grandson, Peter, who kept it in a small wooden chest for more than 70 years.

Archaeologists from the University of Leeds have now found that it came from the Carthaginians, part of the Phoenician culture, in the Spanish city of Cadiz during the 1st century BC.

“My grandfather would come across coins which were not British and put them to one side, and when I went to his house, he would hand me a few,” the now 77-year-old grandson said.

“It was not long after the war, so I imagine soldiers returned with coins from countries they had been sent to. Neither of us were coin collectors, but we were fascinated by their origin and imagery – to me, they were treasure,” he said.

Peter attempted to uncover the coin’s origin, focusing on a particular inscription.

It bears the face of the god Melqart on one side, resembling the Greek hero Herakles and wearing his famed lionskin headdress.

Experts said it came from what was once a Carthaginian settlement on the Spanish coast.

“The coin always fascinated me because it was hard to decipher where it came from,” Peter said.

“My first thought when I found out its origin was that I would like to return it to an institute where it could be studied by all, and Leeds Museums and Galleries kindly offered to give it a good home,” he said.

The coin has been donated to Leeds Museums and Galleries and is now part of the Leeds Discovery Centre, which includes coins and currency from cultures around the world, spanning thousands of years of history.

“It’s incredible to imagine how this tiny piece of history created by an ancient civilization thousands of years ago has somehow made its way to Leeds and into our collection,” said Salma Arif, Leeds City Council’s executive member for adult social care, active lifestyles and culture.

“Museums like ours are not just about preserving objects, they’re also about telling stories like this one and inspiring visitors to think about the history that’s all around us, sometimes in the most unlikely of places,” Arif said.



French Lawmakers to Debate Bill to Return Colonial-era Art

FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo
FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo
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French Lawmakers to Debate Bill to Return Colonial-era Art

FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo
FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo

France's lawmakers will on Monday debate a bill to simplify the return of artworks looted during the colonial era to their countries of origin.

France still has in its possession tens of thousands of artworks and other prized artefacts that it looted from its colonial empire.

The draft legislation to return them was unanimously approved by the upper house in January, and now needs to be backed by the lower house National Assembly before it can become law.

President Emmanuel Macron has made it a political promise to return the cultural items, and has gone further than his predecessors in admitting past French abuses in Africa.

Speaking on a visit to the Burkina Faso capital Ouagadougou shortly after taking office in 2017, Macron vowed that France would never again interfere in its former colonies and promised to facilitate the return of African cultural heritage within five years.

Designed to streamline the process, the bill under consideration specifically targets property acquired between 1815 and 1972.

Former colonial powers in Europe have slowly been moving to send back some artworks obtained during their imperial conquests -- but France is hindered by its current legislation, which requires every item in the national collection to be voted on individually.

France has been flooded with restitution demands, including from Algeria, Mali and Benin, AFP reported.

In 2025, France's parliament approved the return to Ivory Coast of a "talking drum" that colonial troops took from the Ebrie tribe in 1916. It returned home in March.

The bill has faced political wrangling in France, with the hard-left France Unbowed party (LFI) arguing that its scope should be extended.

The far-right National Rally party, on the other hand, wants to limit the restitution of colonial-era art only to states which have "cordial" relations with France.

A series of coups in west Africa have brought several military juntas hostile to Paris into power in former French colonies in west Africa in recent years.

In 2023, France adopted two so-called framework laws to return objects in two categories: one for goods looted from Jewish families during World War II, and another for the repatriation of human remains from public collections.


Greece's Ancient Sites Get Climate-change Checkup

Rockslides are a concern at the ancient theatre of Delphi. Angelos Tzortzinis / AFP/File
Rockslides are a concern at the ancient theatre of Delphi. Angelos Tzortzinis / AFP/File
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Greece's Ancient Sites Get Climate-change Checkup

Rockslides are a concern at the ancient theatre of Delphi. Angelos Tzortzinis / AFP/File
Rockslides are a concern at the ancient theatre of Delphi. Angelos Tzortzinis / AFP/File

Worsening wildfires, soaring heatwaves and rising water levels have prompted Greek officials to take a closer look at protecting priceless archaeological sites that draw hundreds of thousands of visitors each year.

The monuments, scattered across the country, earn Greece millions of dollars in tourism revenue, said AFP.

But many of the sites are in rural areas and officials believe better planning is needed in case large crowds of tourists need to be evacuated in an emergency.

After a three-year study by some of the country's leading scientific institutions, the Greek culture ministry has earmarked 19 monuments that most urgently need protection against natural threats, with several more to be bolstered by 2030.

The ministry says it is the first time a nationwide evaluation of this scope has been attempted.

The sites under scrutiny include Olympia, habitually threatened by forest fires, the ancient theatre of Delphi, where rockslides are a concern, and the sanctuary of Dion which is prone to flooding.

Olympia Mayor Aristides Panagiotopoulos told AFP that protecting the birthplace of the Olympics, which houses the ancient stadium, a sprawling sanctuary and two museums, requires "constant vigilance".

"Our concern remains acute, as the area of Ancient Olympia is extensive, with a large expanse of greenery and dense, often unregulated, spontaneous vegetation," Panagiotopoulos said in an email.

"Despite the significant interventions that have been carried out, it is clear that they are not sufficient on their own to cover all needs."

In 2007, wildfires in Olympia decimated the natural environment around the archaeological site and left over 40 dead in the broader region of Elis.

Panagiotis Lattas, the head forester for the region of Elis, told AFP that more recently, major fires have broken out in the area in 2021, 2022 and 2024.

Lattas noted that significant rainfall this year generated additional vegetation that must be cleared in both urban and agricultural areas before wildfire season.

"This year, after a very large amount of rainfall-about 40 percent above the annual average-and with the hot and dry conditions expected during the dry season, vegetation will be particularly abundant," he said.

- Long-term plan -

Greece has already reduced visiting hours at its most popular archaeological site, the Acropolis in Athens, to shield visitors from heatwaves during the warmest hours of the day.

But the increasing frequency of extreme events calls for something more extensive.

From 2022 to 2025, scientists at the National University of Athens and the National Research Foundation examined past and present climate and geological conditions at the 19 sites, looking at prior damage to help determine future vulnerability to extreme events.

Exposure to fire, floods, heatwaves and rising sea levels were studied by a team of climatologists, geologists, engineers, conservators, architects and building material experts.

In addition to Olympia, Delphi and Dion, they scrutinized Brauron near Athens, Philippi in the north, Mycenae, Messene, Mystras and the temple of Apollo Epicurius in the Peloponnese, Minoan palaces including Knossos in Crete, the ancient city of Rhodes, and Delos and the Heraion in Samos, which face coastal erosion.

The National Observatory of Athens and the capital's Demokritos research center also contributed research on weather, wildfires and building resilience to the project, which was budgeted at over 20 million euros ($23 million) in EU and national funding.

The plan is to cover a network of 40 sites by 2030, Culture Minister Lina Mendoni told a conference in Athens last month.

- 'Exposed' landscape -

"Our homeland has a uniquely high density and wide geographical distribution of outdoor monuments, inextricably tied to the landscape, which are exposed to fluctuations in temperature, increased humidity, heavy rainfall, and wind," Mendoni told the conference.

"Climate change does not necessarily create entirely new risks from scratch. It usually intensifies existing ones, increasing the frequency and severity of such phenomena."

According to the culture ministry, new fire sensors at 21 sites are to be delivered this year, and fire protection plans drawn up for over 60 archaeological sites, the ministry said.

According to official statistics, Ancient Olympia in 2024 drew over 300,000 visitors. Knossos had over a million, and Delphi over 290,000.

The mayor of Delphi, Panagiotis Tagalis, told AFP that rockfalls on the Amfissa-Livadeia road in November 2024 caused "serious problems for access to the archaeological site and museum of Delphi, as well as for the residents, employees, businesses, and visitors of the wider area".

The culture ministry installed wire mesh to the side of cliffs overlooking the archaeological site, and the municipality said it had cleared a nearby rural road as a backup emergency route for small vehicles.

"Twenty years ago it was absolutely forbidden to create firebreaks...in protected areas," Mendoni said.

"Fortunately, the mentality has changed."


Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
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Benin Leans into Painful Past to Attract Tourists

 A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)
A general view of the Door of No Return monument in Ouidah on April 7, 2026. (AFP)

Tourists crowded beneath the Door of No Return, an arch built by the beach at Ouidah in southern Benin in memory of those crammed onto slave ships bound for the New World.

Benin, which holds a presidential election on Sunday, has in recent years leaned into its painful past to encourage tourism.

Once a key departure point in the transatlantic slave trade, the coastal town of Ouidah lies at the heart of the push to reclaim the country's history, culture and heritage.

Standing nearly 17 meters (56 feet) tall on the seafront, the Door of No Return has been fully restored, now a must-see landmark for visitors.

Its ochre-and-gold facade is carved with figures of chained slaves, frozen mid-stride towards the ocean.

Nearby, a life-size replica of L'Aurore -- one of the last three-masted ships to leave Ouidah for Cuba around 1860 -- is set to open soon as an immersive museum of the slave trade.

"It reminds us of where we come from. It's important to develop tourism around our history because it's very rich, little known, and we want to showcase it," said Arsene Ahounou, an engineer from the commercial capital Cotonou visiting for the day.

"For us natives, understanding our history matters," he added.

Pausing for selfies with friends visiting from Nigeria, Onyinye Anumba said that seeing the site with her own eyes was "awesome".

"As an African, I've read many things about this place... so just being here makes me proud about what Africa has," she said.

- 'Demystify Vodun' -

Elsewhere, tourists explored the 13th-century Python Temple to learn about Voodoo culture -- the popular animist religion rooted in Ouidah.

As many posed for photos with snakes draped around their shoulders, guides explained the reptile's spiritual significance in Voodoo (Vodun in the local Fon language) beliefs.

Having worked in Beninese tourism for more than 35 years, Modeste Zinsou, the temple's head guide, said the sector had evolved.

"This isn't mass tourism, it's cultural tourism. The sacred element remains. We're reconstructing our own history, in which we completely demystify Vodun and the cliches around it," he said.

Benin is the birthplace of Voodoo, which now has its own international festival, the Vodun Days.

The three days of dancing, mask parades and traditional ceremonies have become a major tourist attraction.

This year it drew around two million visitors, most of them Beninese.

"The government has worked to encourage domestic tourism, meaning Beninese people going out and reclaiming their identity," added Zinsou.

- 'Our Eiffel Tower' -

To boost tourism, Benin has launched major infrastructure projects, including road and hotel renovations.

A Club Med resort is planned for 2027 and visa procedures have been eased for many nationalities.

"We're not a country with mineral wealth, so we had to identify where our wealth lies," said Alain Godonou, an adviser to the president on heritage and museums.

"History shows that Benin is a land of great cultures and traditions, and a witness to a pivotal moment in human history -- the slave trade," he said.

Godonou hopes tourism will account for 10 to 15 percent of GDP within a decade, up from about six percent today.

Sunday's election in the west African country is to replace the architect of this tourism drive, outgoing president Patrice Talon, who is stepping down after two five-year terms.

The frontrunner to succeed him, Romuald Wadagni, the finance minister from the ruling party, has pledged to carry the projects forward.

Since 2024, Benin has allowed anyone with an African ancestor who was enslaved and shipped to the Americas to acquire Beninese nationality.

"It was important for Benin to do justice to this diaspora by granting the nationality that should have been theirs," Godonou said.

In the heart of Cotonou, the country's largest city, the Amazon Monument is now a major attraction.

The towering 30-meter metal statue depicts a warrior of the Dahomey kingdom, rifle at her side and dagger in hand.

On Easter Monday, a public holiday, crowds of Beninese visitors strolled through the plaza, snapping pictures of the statue.

"It's a source of pride! We don't have the money to go on holiday in France or elsewhere," said vendor Geraldine Sedami Yagbo.

"This statue is our Eiffel Tower."