Princess Diana's Wedding Dress Steals Show at Exhibition for Royal Family's Designers

Britain’s Prince Charles and Lady Diana Spencer are shown on their wedding day at St. Paul’s Cathedral in London in July 1981. (AP)
Britain’s Prince Charles and Lady Diana Spencer are shown on their wedding day at St. Paul’s Cathedral in London in July 1981. (AP)
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Princess Diana's Wedding Dress Steals Show at Exhibition for Royal Family's Designers

Britain’s Prince Charles and Lady Diana Spencer are shown on their wedding day at St. Paul’s Cathedral in London in July 1981. (AP)
Britain’s Prince Charles and Lady Diana Spencer are shown on their wedding day at St. Paul’s Cathedral in London in July 1981. (AP)

An exhibition held in London has gathered the Royal Family's favorite designers to display some of their best works, from Princess Diana's creamy wedding dress, to some of the Queen's most memorable outfits.

The exhibition launched Thursday, at Kensington Palace with Diana's dress adorned with classic lace, pearls, and thousands of sequins, displayed behind a vitrine specially designed to fit its 7.6 meters veil, the longest ever worn in a royal wedding.

When they received a phone call from Diana, David and Elizabeth Emanuel, who were in their early fame at the time, realized that "it was one of these moments that changes one's life forever," says Elizabeth in a video screened during the event.

Many remember how the princess' veil was creased when she stepped down from the carriage in front of St. Paul's Chapel, in 1981. Fortunately, both designers were there to fix the problem.

"This proves that we can be ready for everything, but something must always happen on the big day," said Matthew Storey, exhibition curator, recalling that "the dress was huge, while the carriage was small."

The show gives an insight on the efforts made to create this dress, through pictures of the tailors who made it, and the keys of the closet in which it was kept all night.

Elizabeth Emanuel recalled how reporters were looking in their studio's garbage bins for any hint on the design. Therefore, they decided to throw unused fabric to misinform the curious reporters.

The show focuses on emphasizing the evolution of Diana's style and her modern fashion spirit that made her wear more elegant pieces. Although she gave her designers a lot of freedom while making her dress, some documents from the archive show that she interfered sometimes, giving comments on the drawing to request a special color for instance, or wish for some alterations.

In video footage, designer David, who was a close to the princess, revealed that she was "so shy" when they first met, but she became "so involved in choosing what she wants later." He also noted that "she was always aware of the garment people await to see. She loved breaking the rules, and she always wore gloves and hats in contrast to the Royal protocol."

The Crown television series has recently recreated some of the outfits worn by Diana, who would have turned 60 on July 1.

The exhibition also highlights the long connection between Designer Norman Hartnell and Queen Elizabeth II. Norman started to design her outfits in the 1930s.

Hartnell's biography writer Michael Pick said in a video that during the World War II, the Queen used to wear elegant garments when visiting bombarded Londoners. Hartnell also designed the Queen's wedding dress, and the dress she wore for her crowning ceremony. The exhibition displays the appreciation letter she wrote to thank him.

But the most exciting dress in the exhibition belongs to Princess Margret. It has a low bodice adorned with gold embroidery inspired from the Georgian age. This dress was designed for a costume party, in 1964, by stage designer Oliver Messel.

He was closely related to the princess, who honored him after his death by displaying his archive at Kensington Palace.



Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
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Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)

Belgian fashion designer Pieter Mulier has been named the new creative director of the Milan fashion house Versace starting July 1, according to an announcement on Thursday from the Prada Group, which owns Versace.

Mulier is currently creative director of the French fashion house Alaïa, and was previously the right-hand man of fellow Belgian designer and Prada co-creative director Raf Simons at Calvin Klein, Jil Sander and Dior.

In his new role, Mulier will report to Versace executive chairman Lorenzo Bertelli, the designated successor to manage the family-run Prada Group. Bertelli is the son of Miuccia Prada and Prada Group chairman Patrizio Bertelli.

“We believe that he can truly unlock Versace’s full potential and that he will be able to engage in a fruitful dialogue,’’ The Associated Press quoted Lorenzo Bertelli as saying of Mulier in a statement.

Mulier takes over from Dario Vitale, who departed in December after previewing just one collection during his short-lived Versace stint.

Mulier was honored last fall by supermodel and longtime Alaïa muse Naomi Campbell at the Council of Fashion Designers of America for his work paying tribute to brand founder Azzedine Alaïa. Mulier took the creative helm in 2021, after Alaïa’s death.


Ralph Lauren’s Margin Caution Eclipses Stronger‑than‑expected Quarterly Results

Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
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Ralph Lauren’s Margin Caution Eclipses Stronger‑than‑expected Quarterly Results

Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo

Ralph Lauren posted third-quarter results above Wall Street estimates on Thursday, but the luxury retailer's warning of margin pressure tied to US tariffs sent its shares down nearly 6.4% in premarket trading.

The company expects fourth-quarter margins, its smallest revenue period, to shrink about 80 to 120 basis points due to higher tariff pressure and marketing spend.

Ralph Lauren, which sources its products from regions such as China, India and Vietnam, has relied on raising prices and reallocating production to regions with lower duty exposure to offset US tariff pressures, Reuters reported.

"Ralph Lauren has been able to raise prices for some time now. There is some limit on how long it can continue to do this. I think (the company's) gross margins are near peak levels," Morningstar analyst David Swartz said.

The company, which sells $148 striped linen shirts and $498 leather handbags, has tightened inventory, lifted full-price sales and refreshed core styles, boosting its appeal among wealthier and younger customers, including Gen Z.

Higher-income households are still splurging on luxury items, travel and restaurant meals, while lower- and middle-income consumers are strained by higher costs for rents and food as well as a softer job market.

The New York City-based company saw quarterly operating costs jump 12% year-on-year as it ramped up brand building efforts through sports-focused brand campaigns such as Wimbledon and the US Open tennis championship.

The luxury retailer said revenue in the quarter ended December 27 rose 12% to $2.41 billion, above analysts' estimates of a 7.9% rise to $2.31 billion, according to data compiled by LSEG.

It earned $6.22 per share, excluding items, compared to expectations of $5.81, aided by a 220 basis points increase in margins and an 18% rise in average unit retail across its direct-to-consumer channel.

Ralph Lauren now expects fiscal 2026 revenue to rise in the high single to low double digits on a constant currency basis, up from its prior forecast of a 5% to 7% growth.


Saudi Fashion Commission, Kering Launch 'Kering Generation Award X MENA'

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
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Saudi Fashion Commission, Kering Launch 'Kering Generation Award X MENA'

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA

Saudi Arabia’s Fashion Commission and global luxury group Kering have launched the "Kering Generation Award X MENA" across the Middle East and North Africa (MENA) for 2026.

The announcement was made on Tuesday during the opening of the RLC Global Forum, hosted at the French Embassy in Riyadh.

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners.

Participants benefited from mentorship programs, workshops, and opportunities to strengthen their global presence. Building on this momentum, the 2026 program seeks to expand its impact across the MENA region.

The 2026 award focuses on four key areas of sustainable fashion: innovation in regenerative materials and clean production, circular design and sustainable business models, nature conservation and animal welfare, and consumer awareness and cultural engagement.

The program targets startups across the MENA region that operate in, or positively influence, the sustainable fashion sector, provided they demonstrate innovation capabilities and the ability to deliver measurable sustainability outcomes.