'Talking Movies': The Chinese Cinema Bringing Film to Blind Audiences

Dozens of blind moviegoers come to Saturday screenings organized by Xin Mu Theater. Jade GAO AFP
Dozens of blind moviegoers come to Saturday screenings organized by Xin Mu Theater. Jade GAO AFP
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'Talking Movies': The Chinese Cinema Bringing Film to Blind Audiences

Dozens of blind moviegoers come to Saturday screenings organized by Xin Mu Theater. Jade GAO AFP
Dozens of blind moviegoers come to Saturday screenings organized by Xin Mu Theater. Jade GAO AFP

Every Saturday, Zhang Xinsheng travels two hours for a movie date with friends, navigating Beijing's confusing subway system with his white cane and a speaking map that screams directions on his mobile phone.

Zhang lost his sight in his early twenties due to a degenerative condition, but since going blind has discovered a love for cinema at the "talking film" club, where volunteers give vivid narrations to an auditorium of blind or partially sighted cinemagoers, said AFP.

"After I listened to a film for the first time in 2014, it felt like a (new) world had opened up for me," he said.

"I felt I could understand the film despite my blindness. There were clear images forming in my mind's eye... as (the narrator) described the scenes... of laughter, the crying."

Now 51, he makes the weekly pilgrimage to a theatre in Qianmen, in the heart of old Beijing, without fail.

Dozens of blind moviegoers come to the Saturday screenings organized by Xin Mu Theater, a small group of volunteers who were the first to introduce films to blind audiences in China.

Their method is surprisingly low-tech. A narrator describes what is happening on screen, including facial expressions, unspoken gestures, the setting and costumes.

They relay visual clues that would otherwise be missed, like a sudden change of scenery from falling leaves to snow that conveys the passage of time.

Last month the group screened "A Street Cat Named Bob" -- a story of a ginger feline who helps a homeless man in London quit drugs and become a bestselling author.

Narrator Wang Weili described what is happening on-screen:

"There is snow falling over London, a city in England. It's a little like Beijing but the buildings aren't that tall," he says in between the dialogue dubbed in Chinese.

"A man with binoculars -- two long round cylinders used to see things that are far -- is watching James as he sings on a street corner with Bob the cat."

There was pin-drop silence as he spoke. No one whispered or crunched snacks -- instead, the audience listened intently.

- 'Tell me what you see' -
Wang was inspired to introduce films to blind audiences after narrating "The Terminator" to a friend.

"I saw sweat pouring from his forehead when I described the action scenes. He was so excited," he said. "He kept saying tell me what you see!"

Wang rented a small room in an old Beijing courtyard with his savings in 2005 and started the talking film club with a small flat-screen TV, a second-hand DVD player and about 20 chairs.

His 20-square-metre (215-square-foot) makeshift cinema was always packed.

Explaining films to blind audiences can be challenging, especially if the plot has historical or imaginary elements that audience members are yet to encounter.

Before screening "Jurassic Park" for instance, Wang lets the audience feel several dinosaur models.

"I watch a film at least six or seven times... and write my own detailed script," the businessman-turned-disability activist said.

Xin Mu now partners with bigger cinemas for their screenings. The pandemic has also pushed the team to introduce a streaming service with recorded audio narrations.

The group has screened nearly a thousand films over the past 15 years.

- 'Limited opportunities' –
China has more than 17 million people who are visually impaired. Eight million of them are completely sightless, according to The China Association for the Blind.

Over the past decade, cities across the country have built more blind walkways, added braille markings on elevator panels and allowed blind candidates to take exams for government jobs and colleges.

"But the blind community have limited opportunities to participate in cultural activities," said Dawning Leung, Founder of the Audio Description Association in Hong Kong.

"They are shut out of cinemas, theatres or art exhibitions because there is no awareness about the need for audio narrations."

"Even audio descriptions at museums are written with sighted people in mind. They tell you about the history of an object or where it was found but rarely describe what it looks like," she said.

Activists have for years pushed for legislation mandating audio descriptions for films, television programs or artwork in mainland China, like those in Hong Kong, with little progress.

The free film screenings by Xin Mu offer a rare chance for blind moviegoers to be part of the world's biggest box office.

"Movies help enrich my life... they help me understand life's challenges," Zhang said.

His favorite film is Bollywood blockbuster "Dangal," where a strict dad coaches his daughters to overcome social taboos and become champion wrestlers.

"At times I think, just like the protagonists in that film, I can change my fate by working hard," he said.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.