Inside Met Gala, Where there’s Always Someone More Famous

Serena Williams at the Met Gala. (Getty Images)
Serena Williams at the Met Gala. (Getty Images)
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Inside Met Gala, Where there’s Always Someone More Famous

Serena Williams at the Met Gala. (Getty Images)
Serena Williams at the Met Gala. (Getty Images)

US women’s soccer star Megan Rapinoe had just gotten her beverage at the bar at the edge of the room. She looked back at the throbbing crowd of celebrities packed into the center of the airy Petrie Court, where the Met Gala was holding its cocktail reception.

Even for a world-renowned athlete, one’s first Met Gala can be a little intimidating -- whoever you are, it seems, there’s always someone more famous (unless you’re Rihanna, maybe.) Rapinoe looked for a bit, and suddenly said “Another athlete! I’m going over.” She headed off in the direction of NBA star Russell Westbrook.

Rapinoe, who looked smashing in her bright red silk Sergio Hudson pantsuit with a royal blue blouse emblazoned with white stars -- she nailed Monday evening’s sartorial theme, American independence -- had just been noting the preponderance of big athletes at this particular gala. “We’ve infiltrated,” she said with a grin.

Indeed, in the room and nearby were a tournament’s worth of tennis stars — Serena Williams, recent US Open finalist Leylah Fernandez, gala host Naomi Osaka, Maria Sharapova, Venus Williams, Sloane Stephens, and US Open champ Emma Raducanu, resplendent in Chanel. Westbrook wasn’t the only NBA luminary -- there was Steph Curry and his wife, Ayesha. Gymnasts were in the house, too: Simone Biles made a memorable entrance in an 88-pound embroidered gown with a huge train carried up the museum steps by six men. And gymnast Nia Dennis did an actual gymnastic routine on the steps, to the Brooklyn Marching Band.

But then, the museum was filled with screen and TV stars, too, and musicians, and luminaries of business and politics. In fact, an evening that had been casually billed as a “mini” gala — with the full-size gala to return in May — hardly felt “mini” at all, with 400 guests instead of the usual 550 or so. The cocktail reception seemed as packed as always, the mingling just as energetic.

Also as energetic: the attention from the crowds outside, who packed themselves behind barricades across Fifth Avenue and a block away on Madison, too, several rows deep as arrivals began. At one point, fans had also swarmed outside the Petrie Court’s full-length windows, hoping for a glimpse of the stars, and forcing museum staff to quickly move screens in front of the windows to block their view.

Still, there were some reminders that this was no ordinary gala. The most obvious were masks, though few wore them during cocktails. Guests were also required not only to provide proof of vaccination, but also to take a rapid PCR test, administered by the museum either the day before or the day of the gala.

And many guests spoke of the greater importance of the occasion this time, as not merely fashion’s biggest party, which it is, but as a crucial shot in the arm for New York City, and a step toward a normal, vigorous life. Prominent New York chef and restaurateur Marcus Samuelsson had chosen a group of 10 chefs to provide a plant-based menu — a first for the gala — and spoke passionately of the need to bring back the restaurant industry, the fashion industry, Broadway theater and much more.

“This evening says to the rest of the world that we are back,” Samuelsson said.

The 10 chefs that contributed to the dinner were also at the gala. “Chefs don’t usually come to this,” said Nasim Alikhani, owner of a Persian restaurant, Sofreh, in Brooklyn. “We are in the kitchen.” To mark the special occasion, she wore a dress with a silk panel at the back with a satellite map of her home country, Iran.

Fernandez, the Canadian teenager who made a fairytale run to the finals of the US Open just as she turned 19, also felt the evening was an important sign of the city bouncing back. It was Fernandez who had moved an entire arena, and countless fans at home, when she paid eloquent tribute to the city on the anniversary of the 9/11 attacks, in her runner-up speech.

It was after the final, Fernandez said at the cocktail reception, that her parents told her she’d been invited to the Met Gala. The invitation had come earlier in the week, but they hadn’t wanted to distract her.

“When they told me, I just had this huge smile on my face and I was so excited,” said Fernandez, who was wearing an elegant black-and-white Carolina Herrera cocktail dress. “I started laughing.” She again praised the city’s spirit. “Whenever I come here I feel electric, with this sense of energy,” she said.



‘Godfather’ and ‘Apocalypse Now’ Actor Robert Duvall Dead at 95 

Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
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‘Godfather’ and ‘Apocalypse Now’ Actor Robert Duvall Dead at 95 

Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)

Robert Duvall, who played the smooth mafia lawyer in "The Godfather" and stole the show with his depiction of a surfing-crazed colonel in "Apocalypse Now," has died at the age of 95, his wife said Monday.

His death Sunday was confirmed by his wife Luciana Duvall.

"Yesterday we said goodbye to my beloved husband, cherished friend, and one of the greatest actors of our time. Bob passed away peacefully at home," she wrote.

Blunt-talking, prolific and glitz-averse, Duvall won an Oscar for best actor and was nominated six other times. Over his six decades-long career, he shone in both lead and supporting roles, and eventually became a director. He kept acting in his 90s.

"To the world, he was an Academy Award-winning actor, a director, a storyteller. To me, he was simply everything," Luciana Duvall said. "His passion for his craft was matched only by his deep love for characters, a great meal, and holding court."

Duvall won his Academy Award in 1983 for playing a washed-up country singer in "Tender Mercies."

But his most memorable characters also included the soft-spoken, loyal mob consigliere Tom Hagen in the first two installments of "The Godfather" and the maniacal Lieutenant Colonel William Kilgore in Francis Ford Coppola's 1979 Vietnam War epic "Apocalypse Now."

"It was an honor to have worked with Robert Duvall," Oscar winner Al Pacino, who acted alongside Duvall in "The Godfather" films, said in a statement.

"He was a born actor as they say, his connection with it, his understanding and his phenomenal gift will always be remembered. I will miss him."

As Colonel Kilgore, Duvall earned an Oscar nomination and became a bona fide star after years playing lesser roles, in a performance where he utters what is now one of cinema's most famous lines.

"I love the smell of napalm in the morning," his war-loving character -- bare chested, cocky and sporting a big black cowboy hat -- muses as low-flying US warplanes bomb a beachfront tree line where he wants to go surfing.

That character was originally created to be even more over the top -- his name was at first supposed to be Colonel Carnage -- but Duvall had it toned down, demonstrating his meticulous approach to acting.

"I did my homework," Duvall told veteran talk show host Larry King in 2015. "I did my research."

Cinema giant Francis Ford Coppola -- who directed Duvall in "Apocalypse Now" and "The Godfather" -- called his loss "a blow."

"Such a great actor and such an essential part of American Zoetrope from its beginning," Coppola said in a statement on Instagram.

- A 'vast career' -

Duvall was sort of a late bloomer in Hollywood -- he was already 31 when he delivered his breakout performance as the mysterious recluse Boo Radley in the 1962 film adaptation of Harper Lee's novel "To Kill a Mockingbird."

He would go on to play myriad roles -- a bullying corporate executive in "Network" (1976), a Marine officer who treats his family like soldiers in "The Great Santini" (1979), and then his star turn in "Tender Mercies."

Duvall often said his favorite role, however, was one he played in a 1989 TV mini-series -- the grizzled, wise-cracking Texas Ranger-turned-cowboy Augustus McCrae in "Lonesome Dove," based on the novel by Larry McMurtry.

British actress Jane Seymour, who worked with Duvall on the 1995 film "The Stars Fell on Henrietta," took to Instagram to share a heartfelt tribute to the star.

"We were able to share in his love of barbecue and even a little tango," Seymour captioned a photo of herself with Duvall. "Those moments off camera were just as memorable as the work itself."

US actor Alec Baldwin made a short video tribute to Duvall, speaking about the star's "vast career."

"When he did 'To Kill A Mockingbird' he just destroyed you with his performance of Boo Radley, he used not a single word of dialogue, not a single word, and he just shatters you," Baldwin said.

Film critic Elaine Mancini once described Duvall as "the most technically proficient, the most versatile, and the most convincing actor on the screen in the United States."


Songwriter Billy Steinberg Dies at 75

Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
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Songwriter Billy Steinberg Dies at 75

Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File

Award-winning US songwriter Billy Steinberg, who wrote several top hit songs including Madonna's "Like a Virgin," died Monday at age 75, according to media reports.

Steinberg wrote some of the biggest pop hits of the 1980s and 1990s and was behind songs performed by singers from Whitney Houston and Celine Dion to Madonna and Cyndi Lauper.

He died following a battle with cancer, his attorney told the Los Angeles Times and BBC News.

"Billy Steinberg's life was a testament to the enduring power of a well-written song -- and to the idea that honesty, when set to music, can outlive us all," his family said in a statement to the outlets.

Steinberg was born in 1950 and grew up in Palm Springs, California, where his family had a table grape business. He attended Bard College in New York and soon began his career in songwriting.

He helped write five number one singles on the Billboard Hot 100 list. Among those was "Like a Virgin," co-written with Tom Kelly, which spent six consecutive weeks at the top of the charts.

Steinberg won a Grammy Award in 1997 for his work on Celine Dion's "Falling Into You."

He was inducted into the Songwriters Hall of Fame in 2011.


'Train Dreams,' 'The Secret Agent' Nab Spirit Wins to Boost Oscars Campaigns

'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
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'Train Dreams,' 'The Secret Agent' Nab Spirit Wins to Boost Oscars Campaigns

'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP

Period drama "Train Dreams" took home the Spirit Awards win for best feature Sunday, as both it and "The Secret Agent" gathered momentum ahead of the Academy Awards.

"The Secret Agent" notched best international film as its team hopes to win in the same category at the Oscars next month.

The annual Film Independent Spirit Awards ceremony only celebrates movies made for less than $30 million.

"Train Dreams," director Clint Bentley's adaptation of the Denis Johnson novella, follows a railroad worker and the transformation of the American northwest across the 20th century.

The film won three of its four categories, also grabbing wins for best director and best cinematography. The movie's lead, Joel Edgerton, however, did not take home best actor, which went to Rose Byrne for "If I Had Legs I'd Kick You."

"Train Dreams" producer Teddy Schwarzman told AFP the film "is a singular journey, but it hopefully helps bring people together to understand all that life entails: love, friendship, loss, grief, healing and hope."

"Train Dreams" will compete for best picture at the Oscars, among other honors.

Big win for Brazil

After "The Secret Agent" nabbed best international film, director Kleber Mendonca Filho hailed the win as one that hopefully "gives more visibility to Brazilian cinema."

The film follows a former academic pursued by hitmen amid the political turmoil of Brazil under military rule.

It prevailed Sunday over contenders including rave-themed road trip movie "Sirat," which will compete alongside "The Secret Agent" for best international feature film at the Oscars, capping Hollywood's awards season.

"The Secret Agent" will also be up for best picture, best actor and best casting.

Brazil's "I'm Still Here" won best international feature at the Oscars last year.

Other Spirit winners on Sunday included "Lurker," for best first screenplay and best first feature film.

"Sorry, Honey" nabbed best screenplay and "The Perfect Neighbor" scored best documentary.

The Academy Awards will be presented on March 15.