Netflix Finally Eyes TV's Top Prize with 'The Crown' at In-Person Emmys

The Netflix logo is pictured on a television in this illustration photograph taken in Encinitas, California, US, on January 18, 2017. (Reuters)
The Netflix logo is pictured on a television in this illustration photograph taken in Encinitas, California, US, on January 18, 2017. (Reuters)
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Netflix Finally Eyes TV's Top Prize with 'The Crown' at In-Person Emmys

The Netflix logo is pictured on a television in this illustration photograph taken in Encinitas, California, US, on January 18, 2017. (Reuters)
The Netflix logo is pictured on a television in this illustration photograph taken in Encinitas, California, US, on January 18, 2017. (Reuters)

Netflix is tipped to finally win television's biggest prize Sunday as its critically adored British royals drama "The Crown" battles "Star Wars" series "The Mandalorian" at an Emmys ceremony held in front of a scaled-back live audience.

Despite turning the entire TV landscape upside-down since its groundbreaking online platform launched in 2007, leading streamer Netflix has never won for best drama at the small-screen version of the Oscars -- nor best comedy, nor best limited series.

"'The Crown' does feel like it finally has come to the moment where it's going to have its moment," Variety awards editor Clayton Davis told AFP.

"It's going to be the first big series win for Netflix."

As well as "The Crown" -- which in its fourth series depicts the ill-fated marriage of Prince Charles and Princess Diana -- the streaming giant is banking on the wildly popular "The Queen's Gambit."

Starring Anya Taylor-Joy as a gifted but troubled chess prodigy, that show sent chessboard sales skyrocketing worldwide, and is the favorite to win top honors in the fiercely competitive limited series section -- for shows ending after one season.

Add in nominations for wide-ranging offerings from Regency romp "Bridgerton" to nature documentary "David Attenborough: A Life on our Planet" -- plus 34 Emmys won in technical categories announced ahead of Sunday's gala -- and Netflix could be eyeing an all-time record haul.

"What we're seeing is Netflix finally breaking through. They've always done well with the nominations, but never the final tally," said Deadline columnist Pete Hammond.

"This is a turning point for them," he told AFP.

If anyone can ruin the party, it will likely be Disney+, the new kid on the TV streaming block in just its second year, bringing beloved big-screen characters from "Star Wars" and Marvel films to the Emmys party.

Baby Yoda and a digitally de-aged Luke Skywalker helped "The Mandalorian" jointly top the overall nominations count alongside rival drama "The Crown."

The other outside bet for best drama is "Pose" -- Billy Porter's LGBTQ-focused show exploring New York's 1980s underground ballroom culture has mounted a dazzling Emmys campaign for its final season.

In limited series competition, quirky sitcom-inspired Marvel superhero show "WandaVision" has exceeded all critical expectations.

The category also features Kate Winslet's small-town detective drama "Mare of Easttown," and British break-out series "I May Destroy You," which examines the aftermath of a rape -- both from traditional Emmys juggernaut HBO.

- 'Fun, ritzy party' -
Last year's ceremony -- held before coronavirus vaccines were available -- was an entirely virtual affair, with comedian Jimmy Kimmel standing in a deserted downtown Los Angeles auditorium as winners beamed in via video.

This time, comedian Cedric the Entertainer takes on hosting duties, with a strict guest list of 500-odd nominees gathering in the venue's outdoor section, under strict pandemic precautions including proof of inoculation.

"Making that level of celebrities ill is not on our agenda," Emmys producer Ian Stewart told Variety, nonetheless promising a "fun, ritzy party" for those who clear security.

With the Delta variant still raging and international travel complicated, some overseas contenders including the cast of "The Crown" are expected to dial in from a London satellite hub.

The strategy echoes the approach adopted last year by the cast of "Schitt's Creek," who swept every comedy acting prize at the start of the Emmys ceremony as they beamed in from their base in Toronto.

This year, Apple TV+ phenomenon "Ted Lasso" is the comedy frontrunner, including and Jason Sudeikis is a favorite for best actor for his work as an out-of-his-depth American football coach handed control of an English soccer team.

"I think the show will end up with another 'Schitt's Creek' kind of situation, where it wins everything in the first 45 minutes of the show," said Hammond.

Many A-list stars are expected to appear Sunday, but others such as "Friends: The Reunion" nominee Jennifer Aniston have decided to stay away for health reasons.

The slimmed-down audience capacity means some of those in contention will not even have invitations.

"It's going to look different," said Davis. "Hopefully, I just cross my fingers this is the last 'hybrid' show that we see.

"I'm really just hoping it's the last one. Because I'm done with them. And I think the rest of America are."



Oscars Museum Dives into World of Miyazaki’s ‘Ponyo’ 

A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
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Oscars Museum Dives into World of Miyazaki’s ‘Ponyo’ 

A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)

With simulated waves, animation tables, and dozens of original sketches on display, a new exhibition in the Oscars museum offers immersion into the aquatic world of "Ponyo," Hayao Miyazaki's cinematic classic.

The Academy Museum of Motion Pictures opened in 2021 with a retrospective dedicated to the grand master of Japanese animation.

Nearly five years later, dozens of drawings, storyboards and other elements created for the film and gifted to the Los Angeles institution by Miyazaki's world-famous Studio Ghibli are going on display.

"It's such a treasure to have, we should share it with our visitors," the exhibit's curator, Jessica Niebel, told AFP.

The museum has dedicated over 350 square meters (nearly 3,800 square feet) to the magical 2008 movie.

Inspired by the Hans Christian Andersen fairy tale "The Little Mermaid," Miyazaki's story centers around a goldfish with a girl's face who is rescued by a five-year-old boy, Sosuke.

Despite the reluctance of her father, the underwater wizard Fujimoto, little Ponyo falls in love with her new friend and gives up her magical powers to become human.

Entirely hand drawn, the film was hailed as a visual masterpiece marking Miyazaki's return to the traditional animation of his early career, after incorporating computer generated images in "Spirited Away" and "Howl's Moving Castle."

"What's really special about 'Ponyo' is he instructed his team right from the beginning that everything in this movie needs to move," said Niebel, recalling how the artists created a lush aquatic world, with swirling colors underwater and waves that shifted with the weather.

Animation enthusiasts will find sketches of some of the film's key sequences, drawn in pencil, and projections of its most majestic moments.

But the immersive exhibition is above all "geared towards children," the film's primary audience, Niebel said.

Younger kids can romp around on rolling blue installations that mimic waves, slide a "Ponyo" figure across an ocean wall, or hide in a replica of Sosuke's green bucket which he used to collect goldfish.

Children and their parents are urged to sit at animation tables to position sharks, jellyfish and crabs, taking photos frame by frame to create their own animated sequence -- all under the benevolent eyes of the film's elders at a retirement home threatened by rising waters.

Niebel said she hopes the exhibit might "invite the younger generation to maybe think about becoming a filmmaker" or a creative artist.

The exhibit opens Saturday and runs until January 2027. Admission is free for children under 17.


Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
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Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)

Actor Blake Lively and director Justin Baldoni came to a New York courthouse on Wednesday to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial.

The talks between lawyers went on over a six-hour period before Lively and Baldoni left the Manhattan federal courthouse separately and went straight to their waiting cars without saying anything. Lively looked stern as she walked out while Baldoni was smiling.

Baldoni's attorney Bryan Freedman said in an email that the talks did not result in a settlement, The Associated Press said.

Mandatory settlement talks are generally required before a civil case proceeds to trial. They are not held in public.

Their acrimonious yearlong litigation has cast a wide net across the entertainment world, drawing into the headlines other actors, musicians and celebrities and raising questions about the power, influence and gender dynamics in Hollywood.

Lively sued Baldoni and his hired crisis communications expert alleging harassment and a coordinated campaign to attack her reputation after she complained about his treatment of her on the movie set.

Baldoni and his Wayfarer Studios production company countersued Lively and her husband, “Deadpool” actor Ryan Reynolds, accusing them of defamation and extortion. Judge Lewis J. Liman dismissed that suit last June.

The trial, scheduled for May 18, was expected to be star-studded. Lively’s legal team had indicated in court papers that people likely to have information about the case included singer Taylor Swift, model Gigi Hadid, actors Emily Blunt, Alexis Bledel, America Ferrera and Hugh Jackman, influencer Candace Owens, media personality Perez Hilton and designer Ashley Avignone.


'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
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'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)

James Van Der Beek, a heartthrob who starred in coming-of-age dramas at the dawn of the new millennium, shooting to fame playing the titular character in “Dawson’s Creek” and in later years mocking his own hunky persona, has died. He was 48.

“Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come,” said a statement from the actor's family posted on Instagram.

“For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother and friend.”

Van Der Beek revealed in 2024 that he was being treated for colorectal cancer.

Van Der Beek made a surprise video appearance in September at a “Dawson's Creek” reunion charity event in New York City after previously dropping out due to illness.

He appeared projected onstage at the Richard Rodgers Theatre during a live reading of the show’s pilot episode to benefit F Cancer and Van Der Beek. Lin-Manuel Miranda subbed for him on stage.

"Thank you to every single person here,” The Associated Press quoted Van Der Beek as saying.

A one-time theater kid, Van Der Beek would star in the movie “Varsity Blues” and on TV in “CSI: Cyber” as FBI Special Agent Elijah Mundo, but was forever connected to “Dawson’s Creek,” which ran from 1998 to 2003 on The WB.

The series followed a group of high school friends as they learned about falling in love, creating real friendships and finding their footing in life. Van Der Beek, then 20, played 15-year-old Dawson Leery, who aspired to be a director of Steven Spielberg quality.