Political Row in Brazil Over Dystopian Film ‘Executive Order’

The cast and crew of the film 'Executive Order' present their work before a one-off screening at the Rio film festival on December 15, 2021 Daniel RAMALHO AFP
The cast and crew of the film 'Executive Order' present their work before a one-off screening at the Rio film festival on December 15, 2021 Daniel RAMALHO AFP
TT
20

Political Row in Brazil Over Dystopian Film ‘Executive Order’

The cast and crew of the film 'Executive Order' present their work before a one-off screening at the Rio film festival on December 15, 2021 Daniel RAMALHO AFP
The cast and crew of the film 'Executive Order' present their work before a one-off screening at the Rio film festival on December 15, 2021 Daniel RAMALHO AFP

In the Brazil of the near future, the government has found what it calls the answer to righting the wrongs of slavery: send blacks back to Africa.

That dystopian premise is the point of departure for the new film "Executive Order," which is generating controversy in the Brazil of the present over allegations it is being censored by far-right President Jair Bolsonaro's government.

The film, the directorial debut from acclaimed actor Lazaro Ramos ("Madame Sata"), has won praise at a series of international festivals, from Moscow to Memphis.

But it does not yet have a release date in Brazil, where there are mounting accusations against the National Cinema Agency (Ancine) of dragging its feet on green-lighting films deemed uncomfortable for the Bolsonaro administration.

"I can't say whether it's bureaucracy or censorship, but both are barriers to culture," Ramos said when the picture screened at the Rio de Janeiro International Film Festival, which wraps up Sunday -- for now, the only time the movie is scheduled to play in Brazil.

"Executive Order" stars Ramos's wife, Tais Araujo, renowned actor and singer Seu Jorge ("City of God," "The Life Aquatic with Steve Zissou"), and Anglo-Brazilian star Alred Enoch (the "Harry Potter" franchise, "How to Get Away with Murder").

Araujo and Enoch play Capitu and Antonio, a doctor and lawyer with the trappings of professional success.

Capitu "is a black woman who doesn't really want to talk about racism at first -- she just wants to live," said Araujo.

"But then life comes calling, and she has to dive deep" into the issue.

The "executive order" of the film's title requires all blacks -- or people with "accentuated melanin," in the script's Orwellian language -- to hand themselves in to the authorities to be removed to Africa.

Through Capitu, Antonio and his cousin Andre (Seu Jorge), viewers see how Afro-Brazilians organize a resistance to this mass deportation as the security forces begin arresting people in the streets.

The film is flush with references to structural racism in present-day Brazil, the last country in the Americas to abolish slavery, in 1888.

Some authorities in its fictional government also bear strong resemblance to real members of the Bolsonaro administration.

In April, Bolsonaro ally Sergio Camargo, head of the Palmares Cultural Foundation, called for a boycott of the film.

"It's pure victim mentality and a defamatory attack on our president," said Camargo, a black Brazilian who has sparked controversy in the past by saying slavery was "beneficial for Afro-descendants."

It is unclear when Ancine will clear the film for release in Brazil.

The production team says it completed its application for funds to distribute the film in November 2020 and has yet to receive the official response.

Ancine says the application is "under review" and that it is following the "standard procedure."

It is not the first such case to cause controversy, AFP reported.

Directed by "Narcos" star Wagner Moura, the film is a biopic on a leftist guerrilla leader who fought Brazil's military dictatorship (1964-1985).

Bolsonaro, a former army captain, is a fervent admirer of the former military regime, despite its large-scale human-rights abuses.

"Marighella" had its application to Ancine rejected twice in 2019, before finally being cleared for its Brazilian premiere last month.

Shortly after taking office in 2019, Bolsonaro said he wanted to "filter" Brazilian film productions.

"If there's no filter, we're going to get rid of Ancine," he said.

"We're not going to stop debating this issue, or thinking about how this country was built," he said.

"Art is powerful, we can't give that up."



'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
TT
20

'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)

Marvel’s “Thunderbolts” and Ryan Coogler’s “Sinners” dominated the North American box office charts again this weekend.
Now in their second and fourth weekends respectively, the two films had some new competition, including a horror movie, a Kerry Washington action pic, a Josh Hartnett airplane thriller, and a Shakespeare-inspired musical. None of the additions made a significant impact.
“Thunderbolts” took first place, with $33.1 million from theaters in the US and Canada, according to studio estimates Sunday. That's down 55% from its opening, The Associated Press reported. Internationally, it added $34 million, bringing its global total to $272.2 million. In just two weekends, the Walt Disney Co. release is already the fourth biggest of the year, globally and domestically.
The movie is also faring better than the previous Marvel movie, “Captain America: Brave New World,” which took a big 68% dive in its second weekend. The key difference was reviews, which don’t always dictate the fate of superhero movies, but good word of mouth has helped “Thunderbolts.”
“The holding power of this film harkens back to the heyday of Marvel,” said Paul Dergarabedian, the senior media analyst for Comscore. “The currency of the long-term playability is more important than the sheer opening weekends.”
The studio also has another big movie coming later this summer in “The Fantastic Four: First Steps.”
“Sinners,” meanwhile, crossed the $200 million mark in North American ticket sales this weekend, which is especially notable for an original R-rated movie. It added $21.1 million domestically, and $6.6 million internationally, bringing its global total to $283.3 million. Next weekend, it’s also returning to 70mm IMAX screens “by popular demand,” IMAX said.
Warner Bros.’ other juggernaut, “A Minecraft Movie,” has made $409 million domestically and $909.6 million globally in its six weekends in theaters. It added just under $8 million to take third place this weekend, followed by “The Accountant 2” in fourth with $6.1 million.
Several new movies also opened in wide release this weekend, but none seemed to break through the noise. The biggest of the bunch was “Clown in a Cornfield,” which earned $3.7 million (a relative high water mark for its distributor IFC) and cracked the top five.
“The second weekend in May, there is typically a bit of a lull,” Dergarabedian said. “IFC picked a perfect date for this clown to scare people into the theater."
“Shadow Force,” a Lionsgate action pic with Washington and Omar Sy from “The Grey” filmmaker Joe Carnahan, made $2 million from 2,170 screens. Vertical’s “Flight or Fight,” starring Hartnett as a mercenary on a plane full of assassins, also debuted with an estimated $2 million from 2,153 screens.
In limited release, the Tim Robinson and Paul Rudd movie “Friendship” launched on six screens in New York and Los Angeles and scored the best per-screen average of the year ($75,317) with many sellouts reported. A24 plans to expand the release nationwide over Memorial Day.
Overall, it was a relatively quiet weekend, but thanks to “A Minecraft Movie,” “Sinners” and “Thunderbolts,” the year-to-date box office is up around 16% from last year, according to Comscore data. Compared with 2019, however, it’s down over 32%.
Next week, “Final Destination: Bloodlines” should give the marketplace another jolt before two giants debut over the holiday weekend: “Lilo & Stitch” and “Mission: Impossible – The Final Reckoning.”