HBO Max's 'Harry Potter' Reunion Special Is Most Compelling at its Most Bittersweet

Emma Watson, Daniel Radcliffe and Rupert Grint during the reunion. (HBO Max)
Emma Watson, Daniel Radcliffe and Rupert Grint during the reunion. (HBO Max)
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HBO Max's 'Harry Potter' Reunion Special Is Most Compelling at its Most Bittersweet

Emma Watson, Daniel Radcliffe and Rupert Grint during the reunion. (HBO Max)
Emma Watson, Daniel Radcliffe and Rupert Grint during the reunion. (HBO Max)

It should become clear within a minute of pressing play on HBO Max's "Harry Potter" 20th Anniversary special ("Return to Hogwarts") whether you're in or out for the nearly 2-hour special to come.

The dreamy opening evokes the canny, warm charm of a Christmas commercial, to the familiar tune of John Williams' iconic score (with an extra helping of jingle bells for good measure).

The camera homes in on actors Emma Watson (who played Hermione Granger), Matthew Lewis (Neville Longbottom), and Robbie Coltrane (Hagrid) enjoying a crisp winter's day at their own quiet leisure before noticing envelopes bearing their names, telltale wax seals, and their precise locations where more typical addresses should be (i.e. "Emma Watson, Secondhand Bookshop"; "Matthew Lewis, Black Cab Stuck in Traffic").

As they open their invitations for the special, they play their parts with the same level of wide-eyed wonder that they brought to the first "Harry Potter" two decades ago.

Depending on whether you're a longtime fan or a skeptical observer of the franchise, this wholehearted embrace of bottled magic may either thrill or bore you right off the bat. For anyone whose loyalties lie somewhere in between (as is the case for this viewer, a onetime "Harry Potter" obsessive whose devotion faded into adulthood), "Return to Hogwarts" manages to unearth enough genuine sincerity, and occasionally even jolts of pathos, to keep from becoming quite as sticky sweet as one of Harry's treacle tarts.

The special traces the franchise's journey through all eight movies, making callbacks to particularly beloved movie moments and staging recreations of elaborate sets for the actors to marvel at together as they reminisce.

Watson sits down with co-stars Rupert Grint (Ron Weasley) and Daniel Radcliffe (Harry Potter himself) for familial talks about their inextricably linked childhood and stardom. Anyone who even vaguely followed the makings of these movies won't be too surprised by many of the "revelations" that come to light, such as the well-trod facts that "Prisoner of Azkaban" director Alfonso Cuaron made the main trio write essays about their characters, or that Watson and Grint felt so much like siblings by the films' end that their eventual kiss scene was, in Watson's words, "the most horrifying thing either of us had to go through." Even all this time later, they still know how to play their greatest hits.

With "Return to Hogwarts," HBO Max has officially cornered the streaming market on nostalgic reunions of beloved franchises past. First it revisited "The Fresh Prince of Bel-Air" for a surprisingly frank conversation about the show's legacy and controversies; then, the service made good on its launch promise to bring the entire cast of "Friends" together as a way of reminding everyone that "Friends" was gone from Netflix for good.

Now that HBO Max has better established itself, it's easy to take the cynical (and inevitably correct) view that this extravagant look back at one of the most successful franchises in entertainment history is mostly just WarnerMedia flexing its content library muscle for all to see. That it ends up charming as much as it does is a testament to its actors, game and charismatic as ever, once again finding a way to engross their audience in more intangible ways than merely following the script.

Besides the core trio, supporting players like Lewis, Tom Felton (Draco Malfoy), Alfred Enoch (Dean Thomas), Evanna Lynch (Luna Lovegood), and Bonnie Wright (Ginny Weasley) chat about their parts in the overwhelming "Harry Potter" whole.

Interviews with those who played the adults in the room underline just how many members of the distinguished class of British actors found a place in this wizarding world -- and, in melancholy moments that go unspoken until later on, those indelible presences like Richard Harris (Albus Dumbledore), Helen McCrory (Narcissa Malfoy), and Alan Rickman (Severus Snape) who have since died. I lost count of how many times someone insists the "Harry Potter" sets were "like a family," and might've cocked a more skeptical eyebrow if the deep understanding between Radcliffe, Watson, and Grint in particular wasn't so palpable.

For the most part, "Return to Hogwarts" focuses more on the physical filming process and emotional aftermath for its stars. There are further insights on the casting process, the brilliance of Stuart Craig's production design and, inadvertently through behind-the-scenes footage of each film, a handy visual representation of how the early movies' pride in practical effects morphed into reliance on green-screen CGI prove compelling on a pure level of "how did this even all happen?" level.

When Radcliffe reunites with Chris Columbus, who cast and directed him as a child in the first two films 20 years ago, there's something undeniably poignant about seeing him now able to interact with Columbus as a true peer. The same holds true for getting to see Radcliffe reunite with the singular Helena Bonham Carter who, much to Radcliffe's utter delight, rips through the special like a mischievous tornado encouraging everyone else to follow her lead. (If this reunion were to have a host, she'd be the only choice worth making.)

So, yes, "Return to Hogwarts" is mostly aiming to envelop fans in a warm and fuzzy blanket of nostalgia. Nonetheless, there are a few revealing moments in which people admit just how overwhelming the entire phenomenon truly was: Grint choking up as he realizes how much his costars meant to him, Radcliffe explaining how growing up on this set became so "foundational" to who they became after leaving it, Watson remembering how "lonely" she felt after the weight of fame descended on her after "Order of the Phoenix" (as Felton, her childhood crush, emphasizes with protective fondness how "gracefully" she dealt with it).

As calculated as this reunion is, these are surprisingly vulnerable admissions from people who have otherwise fiercely guarded their privacy for decades. Such bittersweet scenes, tucked in between the wistful smiles and footage of set hijinks, make for the special's most compelling material by a mile. They can never "return to Hogwarts" as it once was, but they can still see and protect each other in a way that not one of the millions of people watching, despite this reunion's best efforts to explain, will ever truly understand.

"Harry Potter 20th Anniversary: Return to Hogwarts" premieres Jan. 1 on HBO Max.



‘Godfather’ and ‘Apocalypse Now’ Actor Robert Duvall Dead at 95 

Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
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‘Godfather’ and ‘Apocalypse Now’ Actor Robert Duvall Dead at 95 

Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)

Robert Duvall, who played the smooth mafia lawyer in "The Godfather" and stole the show with his depiction of a surfing-crazed colonel in "Apocalypse Now," has died at the age of 95, his wife said Monday.

His death Sunday was confirmed by his wife Luciana Duvall.

"Yesterday we said goodbye to my beloved husband, cherished friend, and one of the greatest actors of our time. Bob passed away peacefully at home," she wrote.

Blunt-talking, prolific and glitz-averse, Duvall won an Oscar for best actor and was nominated six other times. Over his six decades-long career, he shone in both lead and supporting roles, and eventually became a director. He kept acting in his 90s.

"To the world, he was an Academy Award-winning actor, a director, a storyteller. To me, he was simply everything," Luciana Duvall said. "His passion for his craft was matched only by his deep love for characters, a great meal, and holding court."

Duvall won his Academy Award in 1983 for playing a washed-up country singer in "Tender Mercies."

But his most memorable characters also included the soft-spoken, loyal mob consigliere Tom Hagen in the first two installments of "The Godfather" and the maniacal Lieutenant Colonel William Kilgore in Francis Ford Coppola's 1979 Vietnam War epic "Apocalypse Now."

"It was an honor to have worked with Robert Duvall," Oscar winner Al Pacino, who acted alongside Duvall in "The Godfather" films, said in a statement.

"He was a born actor as they say, his connection with it, his understanding and his phenomenal gift will always be remembered. I will miss him."

As Colonel Kilgore, Duvall earned an Oscar nomination and became a bona fide star after years playing lesser roles, in a performance where he utters what is now one of cinema's most famous lines.

"I love the smell of napalm in the morning," his war-loving character -- bare chested, cocky and sporting a big black cowboy hat -- muses as low-flying US warplanes bomb a beachfront tree line where he wants to go surfing.

That character was originally created to be even more over the top -- his name was at first supposed to be Colonel Carnage -- but Duvall had it toned down, demonstrating his meticulous approach to acting.

"I did my homework," Duvall told veteran talk show host Larry King in 2015. "I did my research."

Cinema giant Francis Ford Coppola -- who directed Duvall in "Apocalypse Now" and "The Godfather" -- called his loss "a blow."

"Such a great actor and such an essential part of American Zoetrope from its beginning," Coppola said in a statement on Instagram.

- A 'vast career' -

Duvall was sort of a late bloomer in Hollywood -- he was already 31 when he delivered his breakout performance as the mysterious recluse Boo Radley in the 1962 film adaptation of Harper Lee's novel "To Kill a Mockingbird."

He would go on to play myriad roles -- a bullying corporate executive in "Network" (1976), a Marine officer who treats his family like soldiers in "The Great Santini" (1979), and then his star turn in "Tender Mercies."

Duvall often said his favorite role, however, was one he played in a 1989 TV mini-series -- the grizzled, wise-cracking Texas Ranger-turned-cowboy Augustus McCrae in "Lonesome Dove," based on the novel by Larry McMurtry.

British actress Jane Seymour, who worked with Duvall on the 1995 film "The Stars Fell on Henrietta," took to Instagram to share a heartfelt tribute to the star.

"We were able to share in his love of barbecue and even a little tango," Seymour captioned a photo of herself with Duvall. "Those moments off camera were just as memorable as the work itself."

US actor Alec Baldwin made a short video tribute to Duvall, speaking about the star's "vast career."

"When he did 'To Kill A Mockingbird' he just destroyed you with his performance of Boo Radley, he used not a single word of dialogue, not a single word, and he just shatters you," Baldwin said.

Film critic Elaine Mancini once described Duvall as "the most technically proficient, the most versatile, and the most convincing actor on the screen in the United States."


Songwriter Billy Steinberg Dies at 75

Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
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Songwriter Billy Steinberg Dies at 75

Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File

Award-winning US songwriter Billy Steinberg, who wrote several top hit songs including Madonna's "Like a Virgin," died Monday at age 75, according to media reports.

Steinberg wrote some of the biggest pop hits of the 1980s and 1990s and was behind songs performed by singers from Whitney Houston and Celine Dion to Madonna and Cyndi Lauper.

He died following a battle with cancer, his attorney told the Los Angeles Times and BBC News.

"Billy Steinberg's life was a testament to the enduring power of a well-written song -- and to the idea that honesty, when set to music, can outlive us all," his family said in a statement to the outlets.

Steinberg was born in 1950 and grew up in Palm Springs, California, where his family had a table grape business. He attended Bard College in New York and soon began his career in songwriting.

He helped write five number one singles on the Billboard Hot 100 list. Among those was "Like a Virgin," co-written with Tom Kelly, which spent six consecutive weeks at the top of the charts.

Steinberg won a Grammy Award in 1997 for his work on Celine Dion's "Falling Into You."

He was inducted into the Songwriters Hall of Fame in 2011.


'Train Dreams,' 'The Secret Agent' Nab Spirit Wins to Boost Oscars Campaigns

'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
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'Train Dreams,' 'The Secret Agent' Nab Spirit Wins to Boost Oscars Campaigns

'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP
'Train Dreams' director Clint Bentley speaks to the audience after his film grabbed best feature at the Film Independent Spirit Awards, as it continues its best picture Oscars campaign. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP

Period drama "Train Dreams" took home the Spirit Awards win for best feature Sunday, as both it and "The Secret Agent" gathered momentum ahead of the Academy Awards.

"The Secret Agent" notched best international film as its team hopes to win in the same category at the Oscars next month.

The annual Film Independent Spirit Awards ceremony only celebrates movies made for less than $30 million.

"Train Dreams," director Clint Bentley's adaptation of the Denis Johnson novella, follows a railroad worker and the transformation of the American northwest across the 20th century.

The film won three of its four categories, also grabbing wins for best director and best cinematography. The movie's lead, Joel Edgerton, however, did not take home best actor, which went to Rose Byrne for "If I Had Legs I'd Kick You."

"Train Dreams" producer Teddy Schwarzman told AFP the film "is a singular journey, but it hopefully helps bring people together to understand all that life entails: love, friendship, loss, grief, healing and hope."

"Train Dreams" will compete for best picture at the Oscars, among other honors.

Big win for Brazil

After "The Secret Agent" nabbed best international film, director Kleber Mendonca Filho hailed the win as one that hopefully "gives more visibility to Brazilian cinema."

The film follows a former academic pursued by hitmen amid the political turmoil of Brazil under military rule.

It prevailed Sunday over contenders including rave-themed road trip movie "Sirat," which will compete alongside "The Secret Agent" for best international feature film at the Oscars, capping Hollywood's awards season.

"The Secret Agent" will also be up for best picture, best actor and best casting.

Brazil's "I'm Still Here" won best international feature at the Oscars last year.

Other Spirit winners on Sunday included "Lurker," for best first screenplay and best first feature film.

"Sorry, Honey" nabbed best screenplay and "The Perfect Neighbor" scored best documentary.

The Academy Awards will be presented on March 15.