PSY’s New Album, Video Turn Corner from ‘Gangnam Style’

South Korean singer Psy speaks during a press conference to promote his ninth album "PSY 9th," at a hotel in Seoul on April 29, 2022. (AFP)
South Korean singer Psy speaks during a press conference to promote his ninth album "PSY 9th," at a hotel in Seoul on April 29, 2022. (AFP)
TT

PSY’s New Album, Video Turn Corner from ‘Gangnam Style’

South Korean singer Psy speaks during a press conference to promote his ninth album "PSY 9th," at a hotel in Seoul on April 29, 2022. (AFP)
South Korean singer Psy speaks during a press conference to promote his ninth album "PSY 9th," at a hotel in Seoul on April 29, 2022. (AFP)

South Korean superstar PSY said his new album marks a "farewell to ‘Gangnam Style’" - the hit song that propelled him to superstardom exactly a decade ago.

Indeed, the music video for the lead single - "That That" featuring Suga from BTS - shows PSY in the famous blue suit he wore in the "Gangnam Style" video.

"So, a guy in a blue tuxedo comes out and gets a slap from Suga and goes on his way," alluding to his old self walking away from the past, PSY told The Associated Press during an interview before the album's release. His latest album "PSY 9th," released Friday, has 12 songs, including one featuring Korean-Canadian rapper Tablo.

PSY, whose real name is Park Jae-sang, swept the world with "Gangnam Style" in 2012. The song, with its addictive horse-riding dance and catchy melodies, made a global splash and currently has over 4.4 billion views on YouTube.

In an interview, PSY discussed the long gap in recordings, whether he’s still pressured by the global success of "Gangnam Style," and what he envisions for himself and the Korean pop industry.

Remarks have been edited for clarity and brevity.
___
AP: "PSY 9th" took five years. What took so long?

PSY: One can’t satisfy everyone. People’s taste is subjective. But if I let someone listen to my music and even if that person isn’t from the industry, if that person says, "This is not that great," I make a change. There are 40 to 50 people I play my music to when it’s ready. Until they collectively say, "This is the best it can get," I search for the song. So... I also make a lot of changes. Our artists find this difficult when working with me, and I want to change the habit, but it’s hard to correct it. When I make music, I listen to it on a cellphone speaker, on a big speaker, and do my best to try to find a fault... I kill many songs, and I’ve been in that process for a long time.

AP: Who are those 40-50 people?

PSY: Every artist in my company and some of our label employees. There are young and old people including my parents... The most random person is my best friend - someone my age living everyday life who has been continuously monitoring my songs ever since my first album.

AP: It’s been 10 years since "Gangnam Style." Are you still conscious of "Gangnam Style?" Do you feel pressure?

PSY: The hidden theme of this music video is "Farewell to Gangnam Style." So, a guy in a blue tuxedo comes out and gets a slap from Suga and goes on his way. There is a hidden theme in the song of me and Suga in new outfits sending old PSY off. It’s not a serious video but there is such a scene. But personally, and work wise, the success of "Gangnam Style" was a very big event so it’s impossible to not be conscious of it permanently. But at the same time, it’s been a long time, and right now I feel very free and easy. So instead of being conscious of it, I think of it as the biggest trophy on my shelf, nothing more or less. Right now, I’m just mesmerized by doing new music with new friends.

AP: So how long did it take you to get over "Gangnam Style?"

PSY: I couldn’t get over it at all for the 7th album. I was largely over it five years ago when I released my 8th album. Now, I am completely over it.

AP: What’s your favorite song in your music career?

PSY: There is a song called "It’s Art" in my 5th album. Whatever I write, it’d probably be difficult to beat that song.

AP: Why?

PSY: Even though I’ve been doing music for a long time, there are some of my own songs that still make me proud. That’s the song. It’s emotional and has nice beats and messages, and the audience loves the song. I’d never promoted the song, but it went viral and became the song that I sing after "Champion" and "Gangnam Style" during concerts.

AP: If there were to be the biggest change in the Korean pop industry in the near future, what would that be?

PSY: K-pop will continuously level up in terms of the size of budget and efforts going in, and the standard of trainees... I think the next change will be metaverse... Metaverse will bring changes to the K-pop industry by getting rid of boundaries for stage and audience.

AP: Are you preparing any NFT or metaverse-related project?

PSY: It’s my first time revealing this. I am preparing a character of myself that sings and dances. Thankfully, people are used to an illustration of me because I’ve been using it as my album cover ever since my debut... But PSY as a singer should remain active offline for a long time. I am not known for a muscular body or well-trained dance moves. The audience gets thrilled by my vibe and atmosphere on stage, so an audience-free concert won’t be an option for me. But I am working closely with artists in my label to prepare for the metaverse world.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
TT

Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
TT

‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
TT

Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.