Comic-Con Returns in Full Force with Costumes, Crowds

Jay Acey, right, dressed as A-Train from the television series "The Boys," mingles with Maddox Cruz, 1, of Orange, Calif., outside Preview Night at the 2022 Comic-Con International at the San Diego Convention Center, Wednesday, July 20, 2022, in San Diego. (AP)
Jay Acey, right, dressed as A-Train from the television series "The Boys," mingles with Maddox Cruz, 1, of Orange, Calif., outside Preview Night at the 2022 Comic-Con International at the San Diego Convention Center, Wednesday, July 20, 2022, in San Diego. (AP)
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Comic-Con Returns in Full Force with Costumes, Crowds

Jay Acey, right, dressed as A-Train from the television series "The Boys," mingles with Maddox Cruz, 1, of Orange, Calif., outside Preview Night at the 2022 Comic-Con International at the San Diego Convention Center, Wednesday, July 20, 2022, in San Diego. (AP)
Jay Acey, right, dressed as A-Train from the television series "The Boys," mingles with Maddox Cruz, 1, of Orange, Calif., outside Preview Night at the 2022 Comic-Con International at the San Diego Convention Center, Wednesday, July 20, 2022, in San Diego. (AP)

The pop culture extravaganza that is Comic-Con International is back to its old extravagance. Stars, cosplayers and hordes of fans are filling the San Diego Convention Center in full force for the first time since 2019. Here’s a look at this year’s version of the four day festival.

Comic-crowds
The pandemic necessitated virtual versions of Comic-Con in the summers of 2020 and 2021, and a scaled-back in-person version in November, but none were anything like the usual spectacle, with lovers of all things geeky descending from around the globe and arena-sized panels on films and TV shows that resemble sporting events.

It’s not clear whether the convention will draw the estimated 135,000 people who flooded San Diego before the pandemic. But when the doors of the Convention Center opened for Wednesday’s preview night, the fans came in droves, mobbing the floor. As required, nearly all wore masks — the protective kind, not the super-villain kind, though there were plenty of those too — and the excitement amid the crowd was palpable.

“Everybody’s just been cooped up for a while, and they’ve been anticipating this,” said Dinh Truong, 34, who came to Comic-Con for the second time from his hometown of Minneapolis. “It’s nice just to see everybody in the same atmosphere. I’m excited to see the program, see what’s going on, see everybody cosplaying and all that, and just getting back to what we used to be.”

Comic-cosplay
It’s likely no one has missed the in-person convention more than the captains, queens and connoisseurs of cosplay. Comic-Con is their Met Gala, and no getup is too elaborate.

Lorelei McKelvey, 54, who is from San Diego but now lives in Yokosuka, Japan, was dressed as Captain Carter, Captain America’s British, World War II-era counterpart.

“I had to do one that I could authentically replicate,” McKelvey said. “I went and did my research and found out what were the authentic British officer leathers worn in World War II, and I found manufacturers to actually make those leathers.”

She walked the Convention Center floor in real-as-possible officer cavalry boots and Royal Air Force gauntlets, and carried a 5-pound steel shield.

McKelvey came to Comic-Con and worked a booth for 20 straight years. This is her first time coming as a cosplayer, and her second time coming as a trans woman, and she’s excited to be reunited with the cherished friends she’s made here.

“My last convention is the first time they’ve seen me as Lorelei,” McKelvey said. “This is their first time to see me four years later and to see how much I’ve grown since then.”

Others wandered the halls Wednesday as “Star Wars” Stormtroopers, the Mandalorian, Wonder Woman, and Sailor Moon. Chuckie from “Child’s Play” emerged from one cosplayer’s stomach.

Comic-coming attractions

Comic-Con makes most of its news as a venue to show off trailers and footage from forthcoming films and TV shows during star-studded mega-panels held in Hall H, which holds some 6,000 people. Announced panels include Warner Bros. and the DC Universe’s “Black Adam.” It will include Dwayne “The Rock” Johnson, who plays the titular antihero, director Jaume Collet-Serra, and the stars playing Hawkman, Dr. Fate, and other members of the Justice Society.

“Get ready, because the hype is real,” Johnson said in pro-wrestler promo mode on Instagram earlier this month. “Guess who’s coming to town, the most electrifying man in all the DC Universe.”

Warner Bros. will also provide a preview of “Shazam: Fury of the Gods.”

Marvel may hold back its best material for Disney’s forthcoming D23 Expo, but is expected to tease its next film, “Black Panther: Wakanda Forever” and the Disney+ TV series “She-Hulk: Attorney at Law.”

A pair of much-anticipated fantasy prequels will also give fans a taste of their worlds. A new trailer dropped Wednesday in advance of a panel from HBO Max that will show off the “Game of Thrones” spinoff “House of the Dragon,” set 200 years before the original series.

Amazon is going back in time 2,000 years for “The Lord of the Rings: The Rings of Power,” a tale of the emergence of evil among the elves long before Frodo and Bilbo walked Middle Earth. Their panel this year comes 21 years after director Peter Jackson presented footage from the first of the original films at Comic-Con.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.