‘Goodfellas,’ ‘Law & Order’ Actor Paul Sorvino Dies at 83

Paul Sorvino arrives at the 29th annual Producers Guild Awards at the Beverly Hilton on Saturday, Jan. 20, 2018, in Beverly Hills, Calif. (AP)
Paul Sorvino arrives at the 29th annual Producers Guild Awards at the Beverly Hilton on Saturday, Jan. 20, 2018, in Beverly Hills, Calif. (AP)
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‘Goodfellas,’ ‘Law & Order’ Actor Paul Sorvino Dies at 83

Paul Sorvino arrives at the 29th annual Producers Guild Awards at the Beverly Hilton on Saturday, Jan. 20, 2018, in Beverly Hills, Calif. (AP)
Paul Sorvino arrives at the 29th annual Producers Guild Awards at the Beverly Hilton on Saturday, Jan. 20, 2018, in Beverly Hills, Calif. (AP)

Paul Sorvino, an imposing actor who specialized in playing crooks and cops like Paulie Cicero in “Goodfellas” and the NYPD sergeant Phil Cerreta on “Law & Order,” has died. He was 83.

His publicist Roger Neal said he died Monday morning of natural causes at the Mayo Clinic in Jacksonville, Florida. Sorvino had dealt with health issues over the past few years.

Mira Sorvino, his daughter, wrote a tribute on Twitter: “My father the great Paul Sorvino has passed. My heart is rent asunder- a life of love and joy and wisdom with him is over. He was the most wonderful father. I love him so much. I’m sending you love in the stars, Dad, as you ascend.”

Many responded to Mira Sorvino’s tweet with condolences and sympathy. Jane Lynch wrote, “Your father sang ‘Danny Boy’ for my Aunt Marge at The Chicago Film Critics Awards in 2012. We all cried.” Rob Reiner, who appeared in one of his father’s films with Sorvino, said he was sending love. Lorraine Bracco tweeted two broken heart emojis.

In his over 50 years in the entertainment business, Sorvino was a mainstay in films and television, playing an Italian American communist in Warren Beatty’s “Reds,” Henry Kissinger in Oliver Stone’s “Nixon” and mob boss Eddie Valentine in “The Rocketeer.” He would often say that while he might be best known for playing gangsters (and his very good system for slicing garlic) his real passions were poetry, painting and opera.

Born in Brooklyn in 1939 to a mother who taught piano and father who was a foreman in a robe factory, Sorvino was musically inclined from a young age and attended the American Musical and Dramatic Academy in New York where he fell for the theater. He made his Broadway debut in 1964 in “Bajour” and his film debut in Carl Reiner’s “Where’s Poppa?” in 1970.

With his 6-foot-4-inch stature, Sorvino made an impactful presence no matter the medium. In the 1970s, he acted alongside Al Pacino in “The Panic in Needle Park” and with James Caan in “The Gambler,” reteamed with Reiner in “Oh, God!” and was among the ensemble in William Friedkin’s bank robbery comedy “The Brink’s Job.” In John G. Avildsen’s “Rocky” follow-up “Slow Dancing in the Big City,” Sorvino got to play a romantic lead and use his dance training opposite professional ballerina Anne Ditchburn.

He was especially prolific in the 1990s, kicking off the decade playing Lips in Beatty’s “Dick Tracy” and Paul Cicero in Martin Scorsese’s “Goodfellas,” who was based on the real-life mobster Paul Vario, and 31 episodes on Dick Wolf’s “Law & Order.” He followed those with roles in “The Rocketeer,” “The Firm,” “Nixon,” which got him a Screen Actors Guild Award nomination, and Baz Luhrmann’s “Romeo + Juliet” as Juliet’s father, Fulgencio Capulet. Beatty would turn to Sorvino often, enlisting him again for his political satire “Bulworth,” which came out in 1998, and his 2016 Hollywood love letter “Rules Don’t Apply.”

Sorvino had three children from his first marriage, including Academy Award-winning actor Mira Sorvino. He also directed and starred in a film written by his daughter Amanda Sorvino and featuring his son Michael Sorvino.

When he learned that Mira Sorvino had been among the women allegedly sexually harassed and blacklisted by Harvey Weinstein in the midst of the #MeToo reckoning, he told TMZ that if he had known, Weinstein, “Would not be walking. He’d be in a wheelchair.”

He was proud of his daughter and cried when she won the best supporting actress Oscar for “Mighty Aphrodite” in 1996. He told the Los Angeles Times that night that he didn’t have the words to express how he felt.

“They don’t exist in any language that I’ve ever heard — well, maybe Italian,” he said.

But he wanted to be seen for more than what he was on screen and took particular pride in his singing. In 1996, “Paul Sorvino: An Evening of Song” was broadcast on television as a part of a PBS fundraising campaign. Songs performed included “Torna A Sorriento,” “Guaglione,” “O Sole Mio,” “The Impossible Dream” and “Mama.”

“I’m a pop singer in the sense Mario Lanza was,” Sorvino said in an interview the Tampa Tribune. “It astonishes me that no American male singer sings with a full voice anymore. Where have all the tenors gone?”

The weight of his voice, he thought, made it difficult to train.

“It’s like trying to park a bus in a VW parking space,” he said.

He also ran a horse rescue in Pennsylvania, had a grocery store pasta sauce line based on his mother’s recipe, and sculpted a bronze statue of the late playwright Jason Miller that resides in Scranton, Pennsylvania. Sorvino had starred in Miller’s Tony- and Pulitzer-winning play “That Championship Season” on Broadway in 1972, which also got him a Tony nomination, and its film adaptation.

In 2014, he married political pundit Dee Dee Benkie and said that a goal of his later life was to “disabuse people of the notion that I’m a slow-moving, heavy-lidded thug.”

“Our hearts are broken, there will never be another Paul Sorvino, he was the love of my life, and one of the greatest performers to ever grace the screen and stage,” his wife said in a statement. She was by his side when he died.

As with most who starred in “Goodfellas,” the image would follow him for the rest of his life which he had complex feelings about.

“Most people think I’m either a gangster or a cop or something,” he said. “The reality is I’m a sculptor, a painter, a best-selling author, many, many things — a poet, an opera singer, but none of them is gangster.... It would be nice to have my legacy more than that of just tough guy.”



Stop-motion 'Wildwood' Showcases 'Human Creativity' in AI Age

(L-R) 'WIldwood' director Travis Knight joins actors Marc Evan Jackson, Awkwafina, Jacob Tremblay, Peyton Elizabeth Lee, Amandla Stenberg, Tantoo Cardinal, Jake Johnson and Angela Bassett at the premiere. VALERIE MACON / AFP/File
(L-R) 'WIldwood' director Travis Knight joins actors Marc Evan Jackson, Awkwafina, Jacob Tremblay, Peyton Elizabeth Lee, Amandla Stenberg, Tantoo Cardinal, Jake Johnson and Angela Bassett at the premiere. VALERIE MACON / AFP/File
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Stop-motion 'Wildwood' Showcases 'Human Creativity' in AI Age

(L-R) 'WIldwood' director Travis Knight joins actors Marc Evan Jackson, Awkwafina, Jacob Tremblay, Peyton Elizabeth Lee, Amandla Stenberg, Tantoo Cardinal, Jake Johnson and Angela Bassett at the premiere. VALERIE MACON / AFP/File
(L-R) 'WIldwood' director Travis Knight joins actors Marc Evan Jackson, Awkwafina, Jacob Tremblay, Peyton Elizabeth Lee, Amandla Stenberg, Tantoo Cardinal, Jake Johnson and Angela Bassett at the premiere. VALERIE MACON / AFP/File

After a murder of crows kidnaps her little brother, a young girl ventures into an enchanted forest filled with talking animals and other magical beings, where a looming war will decide everyone's fate.

This is the fanciful tale told in "Wildwood," from the stop-motion animation studio Laika -- an ambitious project that took 16 years to make it to the big screen, and already a frontrunner for next year's Oscars.

"To put that in perspective, 16 years ago, Barack (Obama) was then a fresh-faced president in his very first term. Oh, it was a better time, my friends," director Travis Knight said at the film's premiere in Los Angeles.

"This movie exists because hundreds and hundreds of people poured years of their lives into trying to tell the most beautiful story that they could using their hands, using their imagination," Knight explained in an interview with AFP.

"That is something that computers can't do," added the filmmaker, who is also the CEO of Laika, the US studio behind "Coraline."

In the age of artificial intelligence, Knight extols the virtues of stop-motion, an animation technique in which the movements of tiny physical objects are captured one frame at a time, to create the effect of fluid motion when played back.

"It is a celebration of humanity because what you're seeing in this film is human creativity, human artistry, human effort on a grand scale," he said.

"Computers can try to emulate things that we've gone through, but a computer has never felt loss. It's never felt joy. It hasn't fallen in love. It hasn't had its heart broken."

- 'Universal' -

"Wildwood" is the story of Prue McKeel (Peyton Elizabeth Lee) and her quest to rescue her brother, who has been taken by the crows into the Impassable Wilderness -- or the forests outside Portland, Oregon, which are hidden from mere mortals.

Along with her friend Curtis (Jacob Tremblay), Prue discovers a fantastic world, but one in which ambition and grief are fueling discord that could erupt in conflict.

"It is a big sweeping fantasy story," Knight said. "But it also is an exploration of mature themes and profound emotional things that everyone goes through at various times in their lives."

Lee told AFP that Prue's journey resonated for her, and recalled some of her own challenges in adolescence.

"I didn't go into a magical forest," Lee joked, but said she did understand "that idea of being a young person that feels so mature and so grown up, and feels like they have a really firm grasp on the world and reality, and then it's sort of all put into question."

"And all of a sudden, you have to rethink everything," she added.

Tremblay also said he could identify with Curtis, who tries to emulate the courage he sees in his favorite comic book and game characters.

The actors whose voices are featured in the film also helped shape how their characters move. Their gestures were filmed as they recorded their lines, so that animators could incorporate those mannerisms into the movie.

Angela Bassett, Carey Mulligan, Mahershala Ali and Awkwafina are all part of the cast.

For its technical team, "Wildwood" marks a milestone in terms of the expressions created, and the menagerie of animals featured.

"Every film we've done has been R and D (research and development) for the next one," said animation supervisor Brad Schiff, who explained that the subtleties in facial movement achieved were impossible just a few years ago.

The film, inspired by Colin Meloy's book of the same name, is an ode to Portland, where Laika is based.

"It is a very specific place," said Knight, who lives in the Pacific Northwest city.

"The more specific, the more intimate you make something, ultimately the more universal it becomes."


'Call of Duty' North Korea Invasion Edition Tops Sales Charts in South

Visitors play 'Call Of Duty Modern Warfare 4' at a Paris preview last week. The game envisions a North Korean invasion of its southern neighbor. Simon WOHLFAHRT / AFP
Visitors play 'Call Of Duty Modern Warfare 4' at a Paris preview last week. The game envisions a North Korean invasion of its southern neighbor. Simon WOHLFAHRT / AFP
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'Call of Duty' North Korea Invasion Edition Tops Sales Charts in South

Visitors play 'Call Of Duty Modern Warfare 4' at a Paris preview last week. The game envisions a North Korean invasion of its southern neighbor. Simon WOHLFAHRT / AFP
Visitors play 'Call Of Duty Modern Warfare 4' at a Paris preview last week. The game envisions a North Korean invasion of its southern neighbor. Simon WOHLFAHRT / AFP

The latest instalment of the "Call of Duty" video game franchise, featuring a full-scale North Korean invasion of South Korea, has topped sales charts in the would-be target, even as real-life border tensions are ratcheting higher.

"Call of Duty: Modern Warfare 4", the latest edition of the globally popular franchise is set against a backdrop of tensions between the United States and Russia.

Its Friday release comes on the heels of an explosion inside the heavily fortified Demilitarized Zone (DMZ) that injured three South Korean soldiers, further straining ties on the peninsula, said AFP.

The game follows several parallel storylines: a squad of young American and South Korean soldiers fighting for survival, a former serviceman driven by revenge, and a power struggle surrounding a new North Korean leader -- a character players can also take on.

The new edition has generated considerable interest in South Korea, where able-bodied men are required to serve between 18 and 21 months in the military, depending on the branch.

The title has topped both the global and South Korean sales charts on Steam, one of the world's largest digital distribution platforms for PC games.

The campaign begins with a surprise invasion of South Korea by North Korean forces, who deploy paratroopers and infiltrate through an underground tunnel to catch South Korean and US troops off guard.

In reality, the US stations about 28,000 troops in South Korea to help deter the nuclear-armed North. Seoul and Pyongyang remain technically at war because the 1950-53 Korean War ended in an armistice rather than a peace treaty.

Reactions among South Korean gamers have been largely positive, with some posting hashtags featuring a Korean slogan meaning "exterminate communism" on social media and others saying they were considering upgrading their computers or buying new consoles to play the title.

"I cried so much playing the game to a point I almost got dehydrated. It reminds me so much of my grandfather, who fought in the Korean War," a Threads user with the handle b_yeol_t said.

Another user, posting under the handle ireozima_zebal, described the experience as "horrifying" because of its implications for a potential conflict on the Korean peninsula.

"This is what would unfold if the North launched an invasion, with the border province of Gangwon overwhelmed within an hour and our defense line pushed back right on the edge of Seoul," the user said.

But the game has also drawn criticism for turning the fraught history between North and South Korea into entertainment.

The title raises the "question of whether it is appropriate... to present the tragedy of the Korean War and the current antagonism between South and North as something to be consumed for entertainment", Kim Sung-jae, chairman of the Kim Dae Jung Peace Center, wrote in the Hankyoreh newspaper last month.

On Saturday, North Korean state media said leader Kim Jong Un had urged his military to become the strongest in the world at a two-day meeting of company commanders in Pyongyang last week.


China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
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China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP

China's first fully AI-generated feature film opens in cinemas on Friday in what promises to be a tough box-office test for the country's booming tech industry as advance ticket sales lag.

More than 10,000 screenings of the sci-fi thriller "Sanxingdui: Future Past" are scheduled for Friday, according to ticketing platform Maoyan.

Public reception, however, has been less than enthusiastic, said AFP.

Presale revenue as of Friday morning stood at 80,000 yuan ($11,980), while total box-office takings were forecast to remain below 150,000 yuan, only a fraction of the reported production cost, according to Maoyan.

Ticket prices range from 20 to 90 yuan, bringing the number sold to a few thousand at most.

Jiang Defu, CEO of the production company Bona Film Group, acknowledged the lukewarm reception in a recent interview but said the film was pushing boundaries.

"We are the first to try it, the first to get a theatrical release permit, and the first to be tested by the audience," he told Chinese film industry outlet Yuli.

"I think that is not easy at all."

Nearly 100 people took more than two years to make the film, which cost more than 10 million yuan ($1.5 million), Bona said, although all the actors, their voices and the backdrops are AI-generated.

The film touches on the theme of humanity in a future shaped by AI.

But that was not enough to convince Iris Yang, who attended a free preview screening of the film on Thursday for acquaintances of the production team and industry workers.

Yang said she would not have paid for a ticket, given the movie's quality.

"If AI generation can match the theatrical experience of 'Avatar', I think I would be willing to pay for it," she said, referring to the US franchise known for the quality of its animation.

AI-generated video has gained popularity in the world's second-largest economy. On Douyin, the Chinese equivalent of TikTok, AI-generated short dramas garnered more than 200 billion views in September alone.

But "the audience won't automatically pay for the tickets just because it's an AI-generated film", independent AI director Zhang Jun told AFP.

Online, Chinese social media users also seemed unconvinced by the launch of AI movies in cinemas.

"If it's free to watch on streaming platforms, it could become legendary. But paying to watch? People are not going to accept it at this stage," one user on Weibo commented.

In Hollywood, the rise of AI has sparked concern among film workers about the prospect of job losses.

An AI-generated sci-fi feature called "Gods Don't Give Gifts" is scheduled for US release on December 4.

And a virtual Hollywood actor called Tilly Norwood, whose interviews have gone viral while fueling job fears, is also set to star in an upcoming movie called "Misaligned".