Netflix and Disney Poised to Shake Up TV Ad World

A smartphone with the Netflix logo is seen on a keyboard in front of a display that reads "Streaming service," March 24, 2020. (Reuters Photo)
A smartphone with the Netflix logo is seen on a keyboard in front of a display that reads "Streaming service," March 24, 2020. (Reuters Photo)
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Netflix and Disney Poised to Shake Up TV Ad World

A smartphone with the Netflix logo is seen on a keyboard in front of a display that reads "Streaming service," March 24, 2020. (Reuters Photo)
A smartphone with the Netflix logo is seen on a keyboard in front of a display that reads "Streaming service," March 24, 2020. (Reuters Photo)

With the launch of cheaper, ad-supported subscriptions, Netflix and Disney+ are expected to bite into the revenue of traditional television channels as the streaming services look toward continued expansion.

After having long-shunned the notion of advertising on its platform, Netflix this year accelerated work on just such an offering as inflation prompts consumers to spend less and competition in the streaming television market intensifies.

Netflix is expected to launch an ad-supported subscription tier in early November, about a month before rival Disney+ does the same, according to US media reports.

"These launches are going to create the biggest premium advertising space in more than a generation," said analytics company Samba TV senior vice president Dallas Lawrence.

"It's going to be a major moment for advertisers."

The windfall for Netflix and Disney+ could be considerable. Market tracker Statista forecasts that spending on television ads globally will hit $159 billion this year.

Insider Intelligence analyst Ross Benes estimates that advertising revenues from streaming could reach $30 billion in two years in the United States alone.

Global video sharing and online television platform YouTube saw $28.8 billion in ad revenue in 2021.

"Not long ago, everyone said subscriptions would kill ads," said Kevin Krim, head of marketing analytics firm EDO.

"Now, we can see that is obviously not true."

Some streaming television services such as NBCUniversal's Peacock, Paramount+ and HBO Max already feature ad-supported offerings.

But Netflix and Disney+ -- with 220 million and 152 million subscribers respectively -- throwing their hats in the advertising ring could catch the attention of businesses interested in reaching television audiences, analysts said.

Netflix is looking to win over at least 40 million subscribers to its ad-subsidized tier by next year’s third quarter, according to an internal document cited by the Wall Street Journal.

When the time comes, Disney+ will transition its existing $7.99-per-month subscription tier to the ad-supported version, and the ad-free option will go for $10.99, the company has said.

Being able to reach Netflix or Disney+ viewers promises to help brands reconnect with audiences that have abandoned traditional "linear" television in favor of streaming entertainment, said nScreenMedia chief analyst and founder Colin Dixon.

"This actually gives advertisers access to people who they haven't been able to reach in a while, in their most focused viewing time," Dixon said

No matter when viewers with ad-based subscriptions choose to watch a show or film, the commercials will be there, waiting for them.

It will also afford advertisers the luxury placing ads directly with Netflix or Disney+ for viewers around the world, rather than having to negotiate numerous deals with channels or stations in various regions, Dixon added.

These new subscription tiers will put pressure on linear television service providers that have not yet entered into the streaming game, analyst Lawrence said.

Even major US studios such as CBS, NBC and Fox are expected to see TV ad money lured away by the prospect of matching marketing messages with winning content such as "Stranger Things" at Netflix or "Star Wars" at Disney+.

"When Netflix and Disney+ unlock that capability and allow advertisers to access the most premium inventory available on televisions, we're going to go to a full stampede out of linear television and into streaming environments," AFP quoted Lawrence of Samba TV as saying.

"It will probably drive down linear television advertising value."

Along with reaching viewers wherever and whenever they stream television shows, ads on Netflix or Disney+ can provide marketers with more data than is available from what Samba called "old-fashioned TV," he added.

Streaming television ads can also be targeted at individual viewers, noted Krim.

And, Netflix and Disney+ have a chance to create new advertising models, breaking long-held norms about advertising length or placement, and even involving partners in program creation.

So far, streaming television services do not seem a threat to digital ad revenue for the likes of Amazon, Facebook, Google or TikTok, with marketers expanding their overall budgets for reaching people online, according to analyst Benes.



Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)
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Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)

US movie legend John Travolta will present his directorial debut "Propeller One-Way Night Coach", about a young boy's journey in the "golden age of aviation", at the Cannes Film Festival in May, organizers said Thursday.

The film, to make its world premiere, is adapted from the 72-year-old star's own 1997 book, inspired by his lifelong passion for aviation, the festival said.

Among the three Travolta films showcased at the Festival de Cannes in the past was "Pulp Fiction" (1994), famed for the actor's two-fingered swipe in its cult dance scene.

"The unforgettable Vince Vega of Pulp Fiction returns to the Croisette for an event as unexpected as it is exciting: his very first film as a director," the festival said.

Travolta wrote the book for his son Jett, who suffered from epileptic seizures and died in 2009 at the age of 16.

The film follows a young airplane enthusiast Jeff and his mother embarking on a one-way journey to Hollywood.

"The story unfolds as a nostalgic journey set in the golden age of aviation," the festival said.

"The journey unfolds in moments both magical and unexpected, charting the course for the boy's future," the statement said, adding that one of the flight attendants is played by the star's only daughter, Ella Bleu, 25.

The actor, who grew up not far from LaGuardia Airport near New York, is a professional pilot and began flying when he was 15.

"Travolta is certified to fly Boeing 707s, 737s, and 747s, Bombardier's Global Express and was the first private pilot to fly an Airbus A380," the festival said.

Travolta has become a pop culture icon, celebrated for his roles in films such as Saturday Night Fever (1977), Grease (1978), and Hairspray (2007).

"Propeller One-Way Night Coach" will make its global debut on Apple TV in May.


'Wake-Up Call': Megan Thee Stallion Falls Ill during Broadway Show

FILE - Megan Thee Stallion appears at the 33rd Annual Elton John AIDS Foundation Academy Awards Viewing Party in West Hollywood, Calif., on March 2, 2025. (Photo by Willy Sanjuan/Invision/AP, File)
FILE - Megan Thee Stallion appears at the 33rd Annual Elton John AIDS Foundation Academy Awards Viewing Party in West Hollywood, Calif., on March 2, 2025. (Photo by Willy Sanjuan/Invision/AP, File)
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'Wake-Up Call': Megan Thee Stallion Falls Ill during Broadway Show

FILE - Megan Thee Stallion appears at the 33rd Annual Elton John AIDS Foundation Academy Awards Viewing Party in West Hollywood, Calif., on March 2, 2025. (Photo by Willy Sanjuan/Invision/AP, File)
FILE - Megan Thee Stallion appears at the 33rd Annual Elton John AIDS Foundation Academy Awards Viewing Party in West Hollywood, Calif., on March 2, 2025. (Photo by Willy Sanjuan/Invision/AP, File)

American rapper Megan Thee Stallion said Wednesday that she had a "wake-up call" after she was taken to hospital in the middle of a Broadway performance of "Moulin Rouge!" in New York City.

"I've been pushing myself past my limits lately, running on empty, and my body finally said enough. It honestly scared me," the 31-year-old wrote on Instagram.

"I thought I was gonna faint on stage, I really tried to push through my performance but I just couldn't."

Megan Thee Stallion, who has been playing club owner Harold Zidler in the musical, was replaced halfway through the show Tuesday night after she fell ill.

She said she would be back on stage Thursday after taking off Wednesday to rest.

A spokesperson for the artist, who has won three Grammy awards, said she was transferred to a hospital after experiencing "concerning symptoms."

"Doctors ultimately identified extreme exhaustion, dehydration, vasoconstriction and low metabolic levels as the cause of her symptoms," the spokesperson told AFP.

"Megan has since been treated, discharged and is now resting."

One of the leading women in American rap alongside the likes of Cardi B and Nicki Minaj, Megan Thee Stallion is known for her powerful stage presence, freestyles and aggressive flow.


Eurovision Song Contest Is Expanding with an Asian Edition Later This Year

 JJ from Austria stands on the stage with the trophy after winning the Grand Final of the 69th Eurovision Song Contest, in Basel, Switzerland, May 18, 2025. (AP)
JJ from Austria stands on the stage with the trophy after winning the Grand Final of the 69th Eurovision Song Contest, in Basel, Switzerland, May 18, 2025. (AP)
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Eurovision Song Contest Is Expanding with an Asian Edition Later This Year

 JJ from Austria stands on the stage with the trophy after winning the Grand Final of the 69th Eurovision Song Contest, in Basel, Switzerland, May 18, 2025. (AP)
JJ from Austria stands on the stage with the trophy after winning the Grand Final of the 69th Eurovision Song Contest, in Basel, Switzerland, May 18, 2025. (AP)

The music spectacle Eurovision is holding its first Asian edition in Bangkok later this year.

The Eurovision Song Contest Asia 2026 has confirmed artists from at least 10 countries across Asia competing: Thailand, South Korea, the Philippines, Vietnam, Malaysia, Cambodia, Laos, Bangladesh, Nepal and Bhutan. More are expected to join before the finale in November.

“As we mark the 70th anniversary of the Eurovision Song Contest, it feels especially meaningful to open this next chapter with Asia, a region rich in culture, creativity and talent,” Martin Green, the director of the contest, said in the announcement Tuesday.

Bangkok is the perfect city to host the contest because it “has always been a place where cultures come together, where music fills the air, and where celebration is part of everyday life,” said Chuwit Sirivajjakul, a representative of the Thailand Tourism Authority.

The main gala, run by the European Broadcasting Union, draws more than 100 million viewers every year.

This year's main competition with 35 competing countries is scheduled to be held in Vienna in May. Iceland, Ireland, the Netherlands, Slovenia and Spain are boycotting due to discord over Israel’s participation.

The contest strives to put pop music before politics but has repeatedly been embroiled in world events. Russia was expelled in 2022 after its full-scale invasion of Ukraine.

It also has been roiled by the Israel-Hamas war in Gaza, stirring protests outside the venues and forcing organizers to clamp down on political flag-waving.

Similar tensions could emerge in Asia. Thailand and Cambodia engaged in deadly border clashes twice last year.