Kevin Spacey: Antihero of Screen and Stage, #MeToo Outcast

US actor Kevin Spacey built a formidable career that resulted in two Oscars -- but it all came crashing down amid allegations of sexual assault. Yuki IWAMURA / AFP/File
US actor Kevin Spacey built a formidable career that resulted in two Oscars -- but it all came crashing down amid allegations of sexual assault. Yuki IWAMURA / AFP/File
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Kevin Spacey: Antihero of Screen and Stage, #MeToo Outcast

US actor Kevin Spacey built a formidable career that resulted in two Oscars -- but it all came crashing down amid allegations of sexual assault. Yuki IWAMURA / AFP/File
US actor Kevin Spacey built a formidable career that resulted in two Oscars -- but it all came crashing down amid allegations of sexual assault. Yuki IWAMURA / AFP/File

Kevin Spacey built a formidable acting career playing dangerous, darkly charismatic antiheroes in hits from "The Usual Suspects" to "House of Cards" -- before disturbing allegations about his personal life brought it crashing down.

The two-time Oscar winner with a piercing, hypnotic charm first honed his craft on the stage, before going on to score major box office hits as a middle-aged father lusting after a teen in "American Beauty," a serial killer in "Se7en" and the villain in "Superman Returns."

But the 63-year-old Spacey has barely been seen except at courthouses since 2017, when he was among the first stars caught up in the global #MeToo reckoning, accused of sexual assault by multiple young men. He denies the claims, AFP said.

Born in New Jersey in 1959, Kevin Spacey Fowler grew up in California, where he briefly attended, and was kicked out of, military school.

Spacey has recently spoken in court about a troubled childhood, with a father he described as a "white supremacist" and a "neo-Nazi," who disliked gay people and did not appreciate his son's interest in theater.

Nevertheless, in 1979, a young Spacey entered New York's elite Juilliard performing arts school.

Spacey's biggest early stage success came opposite Jack Lemmon in a 1986 production of "Long Day's Journey Into Night."

His first film role was a tiny part as a subway thief that same year in "Heartburn" for Mike Nichols, the director Spacey had earlier worked for as an understudy in a Broadway play. The duo reunited for 1988 hit movie "Working Girl."

Spacey also ventured into television and won breakthrough acclaim as a paranoid, psychotic and incestuous young crime boss in "Wiseguy."

That set the tone for a string of pitch-black Hollywood hits culminating in 1995, when Spacey memorably appeared as a fanatical serial killer in David Fincher's "Se7en," and played a mysterious gangster in "The Usual Suspects" -- a role that earned him his first Oscar for best supporting actor.

The mid-1990s also saw Spacey play a monstrous Hollywood executive in "Swimming with Sharks" and an ambitious, malevolent prosecutor in "A Time To Kill."

Spacey's crowning big-screen success came with 1999's "American Beauty," in which he played a sexually frustrated father trying to escape suburban drudgery who becomes obsessed with his teenage daughter's friend.

He won his second Oscar -- this time for best actor -- as the movie racked up five Academy Awards, including best picture.

- From the Old Vic to Netflix -
In subsequent years, Spacey briefly pivoted toward gentler movie roles, including a romantic lead in "Pay It Forward" with Helen Hunt, and oddball sci-fi mystery "K-PAX." The results were mixed.

Meanwhile Spacey, who had continued to win accolades for stage performances in such plays as "Lost in Yonkers" and "The Iceman Cometh," announced in 2003 he was to take over as artistic director of London's Old Vic.

Spacey's decade-long tenure at the historic theater would be widely acclaimed.

He starred in and lured A-list actors and directors to diverse and daring productions, reveling in playing Shakespeare's "Richard III" and staging American classics by Eugene O'Neill, Arthur Miller and Tennessee Williams.

During that period, he also struck big-screen gold again as the nefarious Lex Luthor in "Superman Returns."

In 2013, Spacey helped launch Hollywood's streaming revolution, taking the lead role in Netflix's first-ever major exclusive series "House of Cards," as a ruthless US congressman who will stop at nothing to become president.

The series became a cultural phenomenon. It was the first online-only series to be nominated for, and win, an Emmy, and ushered in the binge-watching era.

- #MeToo -
But Spacey's empire rapidly began to unravel in October 2017.

Barely three weeks after #MeToo allegations broke against Harvey Weinstein, Spacey too was hit with sexual assault claims.

Actor Anthony Rapp was the first to go public, alleging he had been assaulted as a 14-year-old at a New York party by Spacey in 1986.

Spacey swiftly apologized, but drew criticism for appearing to try to deflect the story by finally confirming that he is gay -- an open secret in Hollywood for years.

Within a month, Spacey had been accused of assault by multiple men in the US and Britain, dropped by Netflix, and stunningly removed at the last minute from the film "All the Money in the World."

Director Ridley Scott and studio Sony Pictures rushed to reshoot Spacey's scenes in just two months before the film's release.

Since then, Spacey has rarely been seen in public, with the exception of court appearances, where he has denied all allegations of sexual abuse.

In 2019, assault charges against the actor were dropped in Massachusetts. In October, a New York court dismissed Rapp's $40 million sexual misconduct lawsuit.

Spacey has pleaded not guilty to further sexual assault charges in Britain, where he is due to appear in a London courtroom on Friday.



First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”


Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
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Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)

Rapper Nicki Minaj on Sunday made a surprise appearance at a gathering of conservatives in Arizona that was memorializing late activist Charlie Kirk, and used her time on stage to praise President Donald Trump and Vice President JD Vance, calling them “role models” for young men.

The rap star was interviewed at Turning Point USA’s AmericaFest convention by Erika Kirk, the widow of Charlie Kirk, about her newly found support for Trump — someone she had condemned in the past — and about her actions denouncing violence against Christians in Nigeria.

The Grammy-nominated rapper's recent alignment with the Make America Great Again movement has caught some interest because of her past criticism of Trump even when the artist's own political ideology had been difficult to pin down. But her appearance Sunday at the flagship event for the powerful conservative youth organization may shore up her status as a MAGA acolyte.

Minaj mocked California Gov. Gavin Newsom, referring to him as New-scum, a nickname Trump gave him. Newsom, a Democrat, has 2028 prospects. Minaj expressed admiration for the Republican president and Vance, who received an endorsement from Erika Kirk despite the fact he has not said whether he will run for president. Kirk took over as leader of Turning Point.

“This administration is full of people with heart and soul, and they make me proud of them. Our vice president, he makes me ... well, I love both of them,” The Associated Press quoted Minaj as saying. “Both of them have a very uncanny ability to be someone that you relate to.”

Minaj’s appearance included an awkward moment when, in an attempt to praise Vance’s political skills, she described him as an “assassin.”

She paused, seemingly regretting her word choice, and after Kirk appeared to wipe a tear from one of her eyes, the artist put her hand over her mouth while the crowd murmured.

“If the internet wants to clip it, who cares? I love this woman,” said Erika Kirk, who became a widow when Charlie Kirk was assassinated in September.

Last month, the rapper shared a message posted by Trump on his Truth Social network about potential actions to sanction Nigeria saying the government is failing to rein in the persecution of Christians in the West African country. Experts and residents say the violence that has long plagued Nigeria isn’t so simply explained.

“Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God,” Minaj shared on X. She was then invited to speak at a panel at the US mission to the United Nations along with US Ambassador Mike Waltz and faith leaders.

Minaj said she was tired of being “pushed around,” and she said that speaking your mind with different ideas is controversial because “people are no longer using their minds.” Kirk thanked Minaj for being “courageous,” despite the backlash she is receiving from the entertainment industry for expressing support for Trump.

“I didn’t notice,” Minaj said. “We don’t even think about them.” Kirk then said “we don’t have time to. We’re too busy building, right?”

“We’re the cool kids,” Minaj said.

The Trinidadian-born rapper is best known for her hits “Super Freaky Girl,” “Anaconda” and “Starships.” She has been nominated for 12 Grammy Awards over the course of her career.

In 2018, Minaj was one of several celebrities condemning Trump’s zero-tolerance immigration policy that split more than 5,000 children from their families at the Mexico border. Back then, she shared her own story of arriving to the country at 5 years old, describing herself as an “illegal immigrant.”

“This is so scary to me. Please stop this. Can you try to imagine the terror & panic these kids feel right now?” she posted then on Instagram.

On Sunday on stage with Erika Kirk, Minaj said, “it’s OK to change your mind.”