Usher Eyes EGOT, Talks Vegas Residency and Super Bowl Debate

Usher performs at Power 105.1's Powerhouse 2016 at Barclays Center in New York on Oct. 27, 2016. (AP)
Usher performs at Power 105.1's Powerhouse 2016 at Barclays Center in New York on Oct. 27, 2016. (AP)
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Usher Eyes EGOT, Talks Vegas Residency and Super Bowl Debate

Usher performs at Power 105.1's Powerhouse 2016 at Barclays Center in New York on Oct. 27, 2016. (AP)
Usher performs at Power 105.1's Powerhouse 2016 at Barclays Center in New York on Oct. 27, 2016. (AP)

Nearly two decades after his iconic “Confessions” album, Usher is revealing more of his inner thoughts — but this time, it’s about future aspirations.

“That EGOT is definitely on the list,” said the music megastar. While artists often downplay their desire to win awards, Usher has always sought to be intentional.

“That’s a goal in life. I’ve acted on Broadway. I’ve acted in movies. I’m now producing,” said the multi-hyphenate performer, referring to the rare entertainer who’s won an Emmy, Grammy, Oscar and Tony award. Part two of his confessions? Accepting a Grammy during the televised portion of the show, something that surprisingly hasn’t happened.

“I’ve never actually received a Grammy on stage in front of an audience. That is a goal of mine,” said the eight-time winner. “I want that moment.”

The R&B singer spoke while promoting “Usher: My Way The Vegas Residency,” which just added new June and October dates going on sale Saturday. In addition to showcasing hits from his massive catalog, Usher’s residency celebrates the 25th anniversary of his 1997 sophomore album “My Way” which catapulted him into stardom. The 15 additional dates at the 5,200-seat Dolby Live at Park MGM theater were added due to high demand — which doesn’t surprise Usher.

“I think that there’s an audience that needs to be served with what I offer as an artist and what I think historically needs to be seen in this city. Back in 1955, when performers came to the city and they did performances, they could not walk through those casinos. They could not even set foot in the same spaces as the people that they were performing for,” he said, referring to a racially segregated America.

“We’re on the other side of that history, but yet and still, there isn’t the same celebration of our culture in that way … So that history is part of the reason that I say, no, I wasn’t surprised.”

A respecter of the past, Usher believes he’s helping move Black entertainment forward in the same way legendary performers before him helped make this residency possible.

“I’m carrying a torch that’s far bigger than just me, man. It’s Lena Horne. It’s Sammy Davis Jr. It’s Luther Vandross … there’s a bigger thing that’s behind what I’m doing, and it’s not just about what we’re looking at right now,” said the 44-year-old who released his debut album at just 15.

“I’m a pop-R&B artist who makes hip-hop influenced cultural things, but I do come from the soul and the entertainment of R&B. That was underserved and (the residency) was needed in this time.”

Identifying himself as a pop-R&B hybrid is significant as his Super Bowl-worthy cache was recently debated among fans and social media users. After Rihanna’s celebrated performance earlier this month, some online users questioned if Usher, whose catalog includes classic R&B songs like “Confessions, Pt. II,”“Yeah!” and “Nice & Slow,” along with pop smashes like “OMG” and “DJ Got Us Fallin’ In Love,” could headline a solo halftime show. (He made an appearance in the 2011 Super Bowl show headlined by the Black Eyed Peas.)

Many found it preposterous that an artist who danced on stage with Michael Jackson, sang at Kobe Bryant’s memorial service and is considered one of the greatest of his generation would even be questioned — and it seems Usher might share that sentiment.

“What I am thankful for is the fact that there’s even any conversation about me — period. I feel humbled that at this age and this juncture of my life, people still have to ask the question, (even) after all of the No. 1s that I’ve had and all the diamond (selling songs), that I have enough records to perform 15 minutes,” he said with a laugh. “If I were ever asked to perform at the Super Bowl, of course I would definitely be into it.”

Despite demand for his Las Vegas show, could some be unaware or forgetful of his catalog?

“My concern is to make certain that they don’t have a reason to. So I continue to make these kind offers that are music, and also to perform and entertain because that’s just what I love to do. What people would maybe feel about me is not my concern. What I feel about me is my concern,” Usher explained. “What I do for you is my concern. And I’m happy and I’m in a great place.”

On Valentine’s Day, Usher released a video teaser starring socialite Lori Harvey for his upcoming song “GLU.” Usher is prepping his ninth studio album that he says will be released “sooner than later.” It will be his first album since 2016’s “Hard II Love.”

Usher is enjoying the consistency his residency provides, especially as an involved father. Tour life can be hectic and exhausting, so stability is currently a non-negotiable. He’s even began looking into headlining residencies internationally.

“I like the idea of what I’ve found in Las Vegas. It gives me an opportunity to settle. I have children now. I got a life, so (I like) being able to have a few days in certain places and being able to celebrate those places and enjoy them,” he said. “At this age, you try to hold on to the moments.”



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.