Usher Eyes EGOT, Talks Vegas Residency and Super Bowl Debate

Usher performs at Power 105.1's Powerhouse 2016 at Barclays Center in New York on Oct. 27, 2016. (AP)
Usher performs at Power 105.1's Powerhouse 2016 at Barclays Center in New York on Oct. 27, 2016. (AP)
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Usher Eyes EGOT, Talks Vegas Residency and Super Bowl Debate

Usher performs at Power 105.1's Powerhouse 2016 at Barclays Center in New York on Oct. 27, 2016. (AP)
Usher performs at Power 105.1's Powerhouse 2016 at Barclays Center in New York on Oct. 27, 2016. (AP)

Nearly two decades after his iconic “Confessions” album, Usher is revealing more of his inner thoughts — but this time, it’s about future aspirations.

“That EGOT is definitely on the list,” said the music megastar. While artists often downplay their desire to win awards, Usher has always sought to be intentional.

“That’s a goal in life. I’ve acted on Broadway. I’ve acted in movies. I’m now producing,” said the multi-hyphenate performer, referring to the rare entertainer who’s won an Emmy, Grammy, Oscar and Tony award. Part two of his confessions? Accepting a Grammy during the televised portion of the show, something that surprisingly hasn’t happened.

“I’ve never actually received a Grammy on stage in front of an audience. That is a goal of mine,” said the eight-time winner. “I want that moment.”

The R&B singer spoke while promoting “Usher: My Way The Vegas Residency,” which just added new June and October dates going on sale Saturday. In addition to showcasing hits from his massive catalog, Usher’s residency celebrates the 25th anniversary of his 1997 sophomore album “My Way” which catapulted him into stardom. The 15 additional dates at the 5,200-seat Dolby Live at Park MGM theater were added due to high demand — which doesn’t surprise Usher.

“I think that there’s an audience that needs to be served with what I offer as an artist and what I think historically needs to be seen in this city. Back in 1955, when performers came to the city and they did performances, they could not walk through those casinos. They could not even set foot in the same spaces as the people that they were performing for,” he said, referring to a racially segregated America.

“We’re on the other side of that history, but yet and still, there isn’t the same celebration of our culture in that way … So that history is part of the reason that I say, no, I wasn’t surprised.”

A respecter of the past, Usher believes he’s helping move Black entertainment forward in the same way legendary performers before him helped make this residency possible.

“I’m carrying a torch that’s far bigger than just me, man. It’s Lena Horne. It’s Sammy Davis Jr. It’s Luther Vandross … there’s a bigger thing that’s behind what I’m doing, and it’s not just about what we’re looking at right now,” said the 44-year-old who released his debut album at just 15.

“I’m a pop-R&B artist who makes hip-hop influenced cultural things, but I do come from the soul and the entertainment of R&B. That was underserved and (the residency) was needed in this time.”

Identifying himself as a pop-R&B hybrid is significant as his Super Bowl-worthy cache was recently debated among fans and social media users. After Rihanna’s celebrated performance earlier this month, some online users questioned if Usher, whose catalog includes classic R&B songs like “Confessions, Pt. II,”“Yeah!” and “Nice & Slow,” along with pop smashes like “OMG” and “DJ Got Us Fallin’ In Love,” could headline a solo halftime show. (He made an appearance in the 2011 Super Bowl show headlined by the Black Eyed Peas.)

Many found it preposterous that an artist who danced on stage with Michael Jackson, sang at Kobe Bryant’s memorial service and is considered one of the greatest of his generation would even be questioned — and it seems Usher might share that sentiment.

“What I am thankful for is the fact that there’s even any conversation about me — period. I feel humbled that at this age and this juncture of my life, people still have to ask the question, (even) after all of the No. 1s that I’ve had and all the diamond (selling songs), that I have enough records to perform 15 minutes,” he said with a laugh. “If I were ever asked to perform at the Super Bowl, of course I would definitely be into it.”

Despite demand for his Las Vegas show, could some be unaware or forgetful of his catalog?

“My concern is to make certain that they don’t have a reason to. So I continue to make these kind offers that are music, and also to perform and entertain because that’s just what I love to do. What people would maybe feel about me is not my concern. What I feel about me is my concern,” Usher explained. “What I do for you is my concern. And I’m happy and I’m in a great place.”

On Valentine’s Day, Usher released a video teaser starring socialite Lori Harvey for his upcoming song “GLU.” Usher is prepping his ninth studio album that he says will be released “sooner than later.” It will be his first album since 2016’s “Hard II Love.”

Usher is enjoying the consistency his residency provides, especially as an involved father. Tour life can be hectic and exhausting, so stability is currently a non-negotiable. He’s even began looking into headlining residencies internationally.

“I like the idea of what I’ve found in Las Vegas. It gives me an opportunity to settle. I have children now. I got a life, so (I like) being able to have a few days in certain places and being able to celebrate those places and enjoy them,” he said. “At this age, you try to hold on to the moments.”



First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”


Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
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Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)

Rapper Nicki Minaj on Sunday made a surprise appearance at a gathering of conservatives in Arizona that was memorializing late activist Charlie Kirk, and used her time on stage to praise President Donald Trump and Vice President JD Vance, calling them “role models” for young men.

The rap star was interviewed at Turning Point USA’s AmericaFest convention by Erika Kirk, the widow of Charlie Kirk, about her newly found support for Trump — someone she had condemned in the past — and about her actions denouncing violence against Christians in Nigeria.

The Grammy-nominated rapper's recent alignment with the Make America Great Again movement has caught some interest because of her past criticism of Trump even when the artist's own political ideology had been difficult to pin down. But her appearance Sunday at the flagship event for the powerful conservative youth organization may shore up her status as a MAGA acolyte.

Minaj mocked California Gov. Gavin Newsom, referring to him as New-scum, a nickname Trump gave him. Newsom, a Democrat, has 2028 prospects. Minaj expressed admiration for the Republican president and Vance, who received an endorsement from Erika Kirk despite the fact he has not said whether he will run for president. Kirk took over as leader of Turning Point.

“This administration is full of people with heart and soul, and they make me proud of them. Our vice president, he makes me ... well, I love both of them,” The Associated Press quoted Minaj as saying. “Both of them have a very uncanny ability to be someone that you relate to.”

Minaj’s appearance included an awkward moment when, in an attempt to praise Vance’s political skills, she described him as an “assassin.”

She paused, seemingly regretting her word choice, and after Kirk appeared to wipe a tear from one of her eyes, the artist put her hand over her mouth while the crowd murmured.

“If the internet wants to clip it, who cares? I love this woman,” said Erika Kirk, who became a widow when Charlie Kirk was assassinated in September.

Last month, the rapper shared a message posted by Trump on his Truth Social network about potential actions to sanction Nigeria saying the government is failing to rein in the persecution of Christians in the West African country. Experts and residents say the violence that has long plagued Nigeria isn’t so simply explained.

“Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God,” Minaj shared on X. She was then invited to speak at a panel at the US mission to the United Nations along with US Ambassador Mike Waltz and faith leaders.

Minaj said she was tired of being “pushed around,” and she said that speaking your mind with different ideas is controversial because “people are no longer using their minds.” Kirk thanked Minaj for being “courageous,” despite the backlash she is receiving from the entertainment industry for expressing support for Trump.

“I didn’t notice,” Minaj said. “We don’t even think about them.” Kirk then said “we don’t have time to. We’re too busy building, right?”

“We’re the cool kids,” Minaj said.

The Trinidadian-born rapper is best known for her hits “Super Freaky Girl,” “Anaconda” and “Starships.” She has been nominated for 12 Grammy Awards over the course of her career.

In 2018, Minaj was one of several celebrities condemning Trump’s zero-tolerance immigration policy that split more than 5,000 children from their families at the Mexico border. Back then, she shared her own story of arriving to the country at 5 years old, describing herself as an “illegal immigrant.”

“This is so scary to me. Please stop this. Can you try to imagine the terror & panic these kids feel right now?” she posted then on Instagram.

On Sunday on stage with Erika Kirk, Minaj said, “it’s OK to change your mind.”