Hollywood Stars Spend Oscars Eve at Annual Chanel Dinner

Kelly Lynch arrives at 14th annual Pre-Oscar Awards Dinner on Saturday, March 11, 2023, at the Beverly Hills Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)
Kelly Lynch arrives at 14th annual Pre-Oscar Awards Dinner on Saturday, March 11, 2023, at the Beverly Hills Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)
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Hollywood Stars Spend Oscars Eve at Annual Chanel Dinner

Kelly Lynch arrives at 14th annual Pre-Oscar Awards Dinner on Saturday, March 11, 2023, at the Beverly Hills Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)
Kelly Lynch arrives at 14th annual Pre-Oscar Awards Dinner on Saturday, March 11, 2023, at the Beverly Hills Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)

The night before the Oscars many of Hollywood’s biggest stars were not early to bed before the show. They were instead chatting the night away, martinis and champagne in hand, at the storied Polo Lounge in The Beverly Hills Hotel for the annual Chanel and Charles Finch dinner, an invite that's even harder to get than a seat at the Academy Awards.

The patio where the likes of Clark Gable and Darryl Zanuck once dined was filled with the industry’s brightest talents, many of whom were dressed head to toe in Chanel, including Kristen Stewart, Marion Cotillard, Nicole Kidman and Camila Morrone.
On the red carpet, Kidman and Stewart ran to one another to catch up, hugging and posing for photographers.

“It's been so long,” Kidman said.

Cotillard would join in moments later. Later on the patio, Kidman, emerging from a conversation with Idris Elba, could be seen embracing Ariana DeBose as Tessa Thompson spoke with best actress nominee Andrea Riseborough.

“I’m sure you must be tired,” Thompson said.

Elsewhere there was a meeting of Spider-Mans as Andrew Garfield approached Tobey Maguire, who was sipping one of the spot’s iconic martinis.

“You! You!” Maguire said, as Garfield went in for a hug. They then turned to speak to “The Whale” director Darren Aronofsky.

Several feet behind them, Jonathan Majors was deep in conversation with Riz Ahmed, while best supporting actress nominee Kerry Condon tried and failed to get a drink from the bar that had closed down in an attempt to coax the chatty celebrities into the dining room.

Inside, they were treated to a surprise performance by “The White Lotus” actor Beatrice Grannò.

Other attendees included Michael B. Jordan, Danielle Deadwyler, Hugh Grant, Brie Larson, Sigourney Weaver, Vicky Krieps, Minnie Driver, Patty Jenkins, Sarah Polley, Lily James, David O. Russell, Jerry Bruckheimer, Sofia Boutella and Ted Sarandos.

Morrone, star of “Daisy Jones & The Six,” has been going to the event for several years and said it’s one of her favorites.

“It’s like a really glamorous sleepover,” Morrone said. “I just love it here. I love to see all of the people who work in the entertainment industry who are being honored tomorrow. You’re in a room with like really artistic and incredible humans, so you just soak it all in. And I’ve won some pretty incredible Chanel pieces over the past few years here.”

For actor Whitney Peak, who is the new new face of Chanel’s Coco Mademoiselle fragrance, the event was a chance to speak to some of her favorite filmmakers.

“There’s been such great movies this year and so many people who are responsible for making those films are in the room today,” Peak said. “Daniel Kwan is going to be here and I’m like, how do I tell him that I’ve been a fan of him since the Lil Jon music video?”

Chanel and cinema have been intertwined since the fashion house’s earliest days. In 1930, Samuel Goldwyn invited Gabrielle Chanel to Hollywood to dress film stars including Gloria Swanson. On her arrival back in Paris, Chanel collaborated with French filmmakers like Jean Renoir and dressed many of the new wave actresses such as Jeanne Moreau and Romy Schneider.

More recently, Chanel has supported independent productions including Leos Carax’s “Annette” and Mia Hansen-Løve’s “Bergman Island.” Chanel provided the funding for Olivier Assayas’s 35mm camera for “The Clouds of Sils Maria” and has for more than a decade supported programs for emerging filmmakers and cinematic preservation and restorations.

Not every attendee planned to make the trek down the champagne carpet at the Oscars Sunday, but one person who will certainly be there is filmmaker Ava DuVernay, who is on the Academy’s Board of Governors.

“I’m looking forward to seeing a calm, normal Oscars,” DuVernay said. “I was there last year and it was a little traumatizing. I just want it to be chill and uneventful. That would be nice.”



'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”