Oscar Host Jimmy Kimmel Hails Movie-Going Rebound, Cracks Wise about ‘The Slap'

Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)
Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)
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Oscar Host Jimmy Kimmel Hails Movie-Going Rebound, Cracks Wise about ‘The Slap'

Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)
Jimmy Kimmel hosts the Oscars show at the 95th Academy Awards in Hollywood, Los Angeles, California, US, March 12, 2023. (Reuters)

Comedian Jimmy Kimmel, hosting the Oscars for a third time, led a back-to-basics show on Sunday that celebrated a moviegoing rebound from the COVID-19 pandemic while avoiding - and making light of - the kind of ugly outburst that marred the 2022 telecast.

Kimmel opened the 95th Academy Awards with a monologue that jokingly admonished the stars filling the Dolby Theatre to behave, a year after Will Smith slapped Chris Rock on stage but was allowed to remain in the venue to accept the award for best actor minutes later.

"We know this is a special night for you," Kimmel told the crowd of Hollywood luminaries. "We want you to have fun, we want you to feel safe, and, most important, we want me to feel safe."

Kimmel, who was cheekily promoted ahead of Sunday's telecast as an "unflappable and unslappable" Oscars host, then went on to give a mock recitation of "strict policies in place" to prevent a repeat of last year's incident.

"If anyone in this theater commits an act of violence at any point during this show, you will be awarded the Oscar for best actor and permitted to give a 19-minute speech," he deadpanned to hearty but somewhat awkward laughter.

"If anything unpredictable or violent happens during the ceremony, just sit there and do what you did last year, nothing," Kimmel added. "Maybe even give the assailant a hug."

As punishment for his behavior, Smith was later banned from attending the ceremony for 10 years.

Later on, when introducing presenters for the documentary feature award, Kimmel reminded viewers Rock was presenting the award for that category when a joke he made about Smith's wife, Jada Pinkett Smith, prompted Smith's assault.

The unprecedented altercation during a live awards show so unnerved the Academy of Motion Picture Arts and Sciences that the group created a special "crisis team" designed to respond to any such mishaps. There were none.

Otherwise, Kimmel presided over a telecast dedicated largely to hailing the return of film fans to theaters, following a long estrangement from the multiplex that many in the industry worried might never be broken once streaming services took hold during the pandemic.

Movie that ‘saved the movies’

The theme was bolstered by the fact that several of the evening's nominated films were also among 2022's biggest box office hits, including "Top Gun: Maverick," "Avatar: The Way of Water," "Elvis," and "Everything Everywhere All at Once," the last of which won seven Oscars, including best picture. It was a departure from many years in which relatively little-seen, but critically acclaimed, films have dominated the Academy Awards.

Kimmel seized on the power of popular films in his own grand entrance on Sunday, appearing to parachute to the Oscar stage following a real-life Hollywood flyover by two US fighter jets shown at the very top of the telecast in an obvious nod to "Top Gun," which the host later saluted as "the movie that saved the movies."

The late-night ABC television comedian repeatedly mocked the Oscars' notorious history of exceeding its designated three-hour running time, joking at one point that the hour of sleep Americans lost on Sunday as the US reverted to daylight saving time was added into the Academy Awards telecast.

Among highlights of producers' bid to reinvigorate the show's roots as a forum for big-moment musical numbers, the telecast featured recording stars Lady Gaga and Rihanna singing two of the best original song nominees - "Hold My Hand" from "Top Gun" and "Lift Me Up" from "Black Panther: Wakanda Forever." The cast of the Indian superhero-like spectacle "RRR" performed that movie's winning best song "Naatu Naatu" with a rousing dance number.

The telecast was notable for a number of sight gags that drew major laughs - including two appearances by an unknown performer in costume making a faux impersonation of the furry title character from the popular wildlife thriller "Cocaine Bear."

Earlier, an actual donkey wearing an "emotional support" vest was led on stage by Kimmel and introduced to the audience as Jenny, the mini-donkey from the best picture contender "The Banshees of Inisherin."

The ABC telecast ran about 3-1/2 hours, prompting Kimmel to joke in the show's closing seconds, "Sorry we ran a little long" and telling viewers to stay tuned for the network's "Good Morning America" program, "already in progress."

Kimmel previously hosted in 2017, the year of the "Moonlight" best-picture mixup, and in 2018, the first Oscars of the #MeToo era.

In a final gag of the night, he stepped up to a sign that read: "Number of Oscar shows without incident," and replaced a placard marked "0" with a "1."



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".