Michael Lerner, ‘Barton Fink’ Oscar Nominee, Dies at 81

Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)
Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)
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Michael Lerner, ‘Barton Fink’ Oscar Nominee, Dies at 81

Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)
Michael Lerner appears at the opening night of Bette Midler in "I'll Eat You at Last: A Chat with Sue Mengers" at the Geffen Playhouse in Los Angeles on Dec. 5, 2013. (AP)

Michael Lerner, the Brooklyn-born character actor who played a myriad of imposing figures in his 60 years in the business, including monologuing movie mogul Jack Lipnick in “Barton Fink,” the crooked club owner Bugsy Calhoun in “Harlem Nights” and an angry publishing executive in “Elf” has died. He was 81.

His nephew, actor Sam Lerner, announced his death in an Instagram post Sunday. Sam Lerner wrote that his uncle died Saturday but did not provide further details. Neither his nor Michael Lerner’s representatives immediately responded to requests for further comment.

“He was the coolest, most confident, talented guy,” Sam Lerner wrote. “Everyone that knows him knows how insane he was — in the best way...we’re all lucky we can continue to watch his work for the rest of time. RIP Michael, enjoy your unlimited Cuban cigars, comfy chairs, and endless movie marathon.”

Born in 1941 to Romanian-Jewish parents and raised in Brooklyn's Red Hook neighborhood, Michael Lerner began acting locally as a teen and into his days at Brooklyn College, where he got the chance to play Willie Loman in “Death of a Salesman.”

His ambitions to pursue acting professionally crystalized when he received a Fulbright Scholarship and chose to study theater at the London Academy of Music and Dramatic Arts, where he lived in an apartment with Yoko Ono for a time, appearing in her short film “Smile” alongside Paul McCartney. His brother, Ken Lerner, also became an actor.

Lerner moved to Los Angeles in 1969, at the urging of an agent who saw his work at the American Conservatory Theatre in San Francisco. He started getting cast in television shows, including “M(asterisk)A(asterisk)S(asterisk)H,” “The Brady Bunch” and “The Rockford Files,” making his film debut in Paul Mazursky’s “Alex in Wonderland,” alongside Charlotte Rampling. But he considered his first significant role to be in the television movie “Ruby and Oswald” (he played Jack Ruby) with Brian Dennehy.

In 1981, he was cast in Bob Rafelson’s remake of “The Postman Always Rings Twice,” alongside Jack Nicholson, who he called one of the most generous actors he'd ever worked with, and Jessica Lange. A longtime cigar aficionado, Lerner felt out of his depths when he was asked to smoke a cigarette in a scene with Nicholson in a jail. Lerner said he held the cigarette with both hands.

He felt more comfortable playing cigar-smoking journalist and politician Pierre Salinger in “Missiles of October,” for which Jackie Kennedy once told him that he’d “out Pierre’d Pierre.”

Lerner also loved working with John Sayles on “Eight Men Out,” in which he played Arnold Rothstein, the crime boss who conspired to fix the 1919 World Series.

“Most of the time I don’t rehearse, but I do a lot of preparation. Especially for a biographical character or one of the studio heads,” he said in 2016. “I did a lot of research for Barton Fink and looked into Louis B. Mayer and all the moguls in Hollywood.”

Joel and Ethan Coen’s “Barton Fink,” released in 1991, is the film Lerner is most remembered for.

“I had auditioned for Joel and Ethan before, for Miller’s Crossing. So I walked into the room, as the character, and I don’t say hello to anybody. And I sit down behind my desk and do this big speech: ‘Bart! Bart! So great to see you,’” Lerner said in 2016. “I did the monologue the way I wanted to do it and I just walked out of the room and that was it. And Joel and Ethan were just sitting in a corner just laughing and laughing and that was it.”

Lerner, who drew inspiration from Preston Sturges movies, said the Coens didn’t give him much acting direction and “were a little nervous that I was talking so fast” but that they let him do what he wanted.

The role got him his first and only Oscar nomination, but in 1992, the Academy Award for supporting actor went to Jack Palance for “City Slickers.”

The Coens called him years later to do a cameo in “A Serious Man.”

Lerner also said he was frequently recognized for his turns in Eddie Murphy’s “Harlem Nights” and “Elf,” as Fulton Greenway. He also played Cher's father in the television spinoff of “Clueless.”

In the late 90s, he was excited to get a chance to work with Woody Allen on the film “Celebrity,” but it turned into a terrible experience, he said in a 2016 interview.

Lerner also appeared in several bigger blockbusters over the years, including “Godzilla” as Mayor Ebert, “X-Men: Days of Future Past,” as Senator Brickman, and “Mirror Mirror” as Baron.

“Those are good parts but not great acting roles,” Lerner said.

And he never felt cheated by being known as a “character actor” rather than a leading man. In 1999, in an interview with Cigar Aficionado, he said, simply, “Every role is a character role.”



How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
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How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.


Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo
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Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo

Pop star ‌Britney Spears has sold her rights to her music catalogue to independent music publisher Primary Wave, the ​latest artist to strike a deal for her work.

Entertainment site TMZ, citing legal documents it had obtained, first reported the news, saying the "Oops!... I Did It Again" and "Toxic" singer had signed the deal on December 30.

According to Reuters, it quoted sources as saying it ‌was "in the ‌ballpark" of Canadian singer Justin ​Bieber's ‌reported $200 ⁠million ​agreement to sell ⁠his music rights to Hipgnosis in 2023.

A person familiar with the situation said news of the Spears and Primary Wave deal was accurate. No further details were given.

Primary Wave, which is home to artists ⁠including Whitney Houston, Prince and Stevie ‌Nicks, did not ‌immediately respond to a request for ​comment. Spears has ‌not commented publicly.

The 44-year-old, one of ‌the most successful pop artists of all time, has topped charts around the world, starting off with "...Baby One More Time" in 1998. The ‌deal includes her songs such as "(You Drive Me) Crazy", "Circus", "Gimme More" and "I'm a Slave ⁠4 ⁠U", TMZ said.

Spears' ninth and last studio album, "Glory", came out in 2016.

In 2021, she was released from a 13-year court-ordered conservatorship set up and controlled by her father, Jamie Spears. The arrangement had governed Spears' personal life, career and $60 million estate from 2008 until it was terminated in November 2021.

Spears follows artists such as Sting, ​Bruce Springsteen and Justin ​Timberlake who have struck deals to cash in on their work.


Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
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Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)

Hollywood stars embraced at this year's Oscars nominee lunch, the glamorous pre-show gathering that was canceled amid last year's devastating Los Angeles wildfires.

Timothee Chalamet, nominated for best actor in "Marty Supreme," flashed a smile while fellow Best Actor contenders Micahel B. Jordan and Ethan Hawke also flitted around the annual luncheon in Beverly Hills.

Mexican director Guillermo del Toro chatted with his tablemates as Wagner Moura, the Brazilian star of "The Secret Agent," enthusiastically embraced Stellan Skarsgard and Oliver Laxe -- the latter of whom has his film "Sirat" up for best international feature film.

Academy of Motion Picture Arts and Sciences President Lynette Howell Taylor praised the diversity of this year's nominees.

"Ballots were cast from 88 countries and regions," the British producer said, adding that "the mission of the Academy is to amplify your art, movies and your voices."

The more than 200 nominees enjoyed a buzzy afternoon, all the more energetic after last year's lunch was canceled as huge fires razed whole communities around Los Angeles. That year the lunch was replaced with a smaller dinner at the Academy's museum.

"This is a recognition of Brazilian cinema, and of the cinema of our region," Moura told AFP.

Nearby, "The Secret Agent" director Kleber Mendonca Filho joked he was feeling animated -- "like a generator."

Skarsgard said that the impact of international films is growing, as evidenced by his historic nomination for Best Supporting Actor for Norwegian film "Sentimental Value."

Foreign films and their stars typically notch nominations in the international categories, but Skarsgard is competing against nominees from US blockbusters, including Benicio del Toro in "One Battle After Another" and Delroy Lindo in "Sinners."

Benicio del Toro meanwhile told AFP he was doubly thrilled after watching fellow Puerto Rican Bad Bunny perform at the Super Bowl halftime show over the weekend.

"I got goosebumps," he told AFP, adding: "It was beautiful."

The luncheon's other legendary del Toro, the director Guillermo, meanwhile said he was "calm."

While his "Frankenstein" is nominated for Best Picture, del Toro himself is off the hook for Best Director, which he said took the pressure off him and meant he could focus on promoting his team.

"I'm happy because nine nominations don't happen every day," he said.

Lanky heartthrob Jacob Elordi, up for best supporting actor, offered a similarly toned down vibe at an impromptu photo shoot.

"I'm chilling," he said. "It's all good."