Village Bin Man Helped Unearth Ancient Bronze Statues in Tuscany 

A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)
A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)
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Village Bin Man Helped Unearth Ancient Bronze Statues in Tuscany 

A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)
A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)

One of Italy's most remarkable archaeological finds in decades goes on show this month - Etruscan and Roman statues pulled from the mud in Tuscany thanks in part to the intuition of a retired garbage man.

About two dozen bronze statues from the third century BC to the first century AD, extracted from the ruins of an ancient spa, will go on display in Rome's Quirinale Palace from June 22, after months of restoration.

When the discovery was announced in November, experts called it the biggest collection of ancient bronze statues ever found in Italy and hailed it as a breakthrough that would "rewrite history".

The statues were found in 2021 and 2022 in the hilltop village of San Casciano dei Bagni, still home to popular thermal baths, where archaeologists had long suspected ancient ruins could be discovered.

Initial attempts to locate them, however, were unsuccessful.

Digging started in 2019 on a small plot of land next to the village's Renaissance-era public baths, but weeks of excavations revealed "only traces of some walls", San Casciano Mayor Agnese Carletti said.

Then former bin man and amateur local historian Stefano Petrini had "a flash" of intuition, remembering that years earlier he had seen bits of ancient Roman columns on a wall on the other side of the public baths.

The columns could only be seen from an abandoned garden that had once belonged to his friend, San Casciano's late greengrocer, who grew fruit and vegetables there to sell in the village shop.

When Petrini took archaeologists there, they knew they had found the right spot.

"It all started from there, from the columns," Petrini said.

‘Scrawny boy’ pulled from mud

Emanuele Mariotti, head of the San Casciano archaeological project, said his team was getting "quite desperate" before receiving the tip that led to the discovery of a shrine at the center of the ancient spa complex.

The statues found there were offerings from Romans and Etruscans who looked to the gods for good health, as were the coins and sculptures of body parts like ears and feet also recovered from the site.

One of the most spectacular finds was the "scrawny boy" bronze, a statue about 90 cms (35 inches) high, of a young Roman with an apparent bone disease. An inscription has his name as "Marcius Grabillo".

"When he appeared from the mud, and was therefore partially covered, it looked like the bronze of an athlete ... but once cleaned up and seen properly it was clear that it was that of a sick person," said Ada Salvi, a Culture Ministry archaeologist for the Tuscan provinces of Siena, Grosseto and Arezzo.

Salvi said traces of more unusual offerings were also recovered, including egg shells, pine cones, kernels from peaches and plums, surgical tools and a 2,000-year-old lock of curly hair.

"It opens a window into how Romans and Etruscans experienced the nexus between health, religion and spirituality," she said. "There's a whole world of meaning that has to be understood and studied."

More treasures to be found

The shrine was sealed at the beginning of the fifth century AD, when the ancient spa complex was abandoned, leaving its statues preserved for centuries by the warm mud of the baths.

Excavation will resume in late June. Mariotti said "it is a certainty" that more will be found in the coming years, possibly even the other six or 12 statues that an inscription says were left behind by Marcius Grabillo.

"We've only just lifted the lid," he said.

After the Rome exhibition, the statues and other artefacts are to find a new home in a museum that authorities hope to open in San Casciano within the next couple of years.

Petrini hopes the treasures will bring "jobs, culture and knowledge" to his 1,500-strong village, which is struggling with depopulation like much of rural Italy.

But he is reluctant to take credit for their discovery.

"Important things always happen thanks to several people, never thanks to only one," he said. "Never."



Cultural and Heritage Events Launched at King Abdulaziz Palace in Qibah, Qassim

The activities will run through March 27 to revitalize the palace - SPA
The activities will run through March 27 to revitalize the palace - SPA
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Cultural and Heritage Events Launched at King Abdulaziz Palace in Qibah, Qassim

The activities will run through March 27 to revitalize the palace - SPA
The activities will run through March 27 to revitalize the palace - SPA

The Imam Turki bin Abdullah Royal Reserve Development Authority, in collaboration with the Heritage Commission, has launched a series of cultural and heritage events at the historic King Abdulaziz Palace in Qibah, Qassim Region.

The activities, running through March 27, 2026, aim to revitalize the palace as a vibrant cultural platform and strengthen the community’s connection to Saudi national identity.

The daily program, held from 3:00 pm to 10:00 pm, includes live folk art performances, such as the Saudi Ardah, along with interactive experiences for all age groups. Outdoor areas are designated for children, offering educational and recreational activities that help preserve cultural values across generations, SPA reported.

Visitors can also explore archaeological artifacts that reflect the region’s social and economic history. The event further provides a platform for families engaged in cottage industries and artisans to showcase traditional handicrafts, supporting local economic empowerment and highlighting the richness of regional heritage through a modern, interactive approach.

The authority confirmed that activating King Abdulaziz Palace in Qibah is part of its strategy to highlight historical sites within its geographical scope. It aims to transform them into active cultural and tourist destinations that promote cultural engagement and strengthen national identity, in coordination with relevant authorities.


Heritage, Arts, and Entertainment Mark Sakaka's Eid Al-Fitr Celebrations

 The event featured booths showcasing local artisans, food, and a photography corner - SPA
 The event featured booths showcasing local artisans, food, and a photography corner - SPA
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Heritage, Arts, and Entertainment Mark Sakaka's Eid Al-Fitr Celebrations

 The event featured booths showcasing local artisans, food, and a photography corner - SPA
 The event featured booths showcasing local artisans, food, and a photography corner - SPA

Eid Al-Fitr celebrations organized by Al-Jouf Municipality wrapped up after three days of events at Sakaka Public Park.

The festivities drew large crowds across three main zones, including a traditional heritage tent, a games and activities area, and a children’s zone featuring puppet shows, SPA reported.

The event also featured booths showcasing local artisans, food, and a photography corner.

Visitors were entertained by a stage program, featuring the traditional Saudi Ardah dance, live oud and organ performances, and poetry evenings.


Painting that Shocked German Society Finally Returns to Berlin

Mors Imperator (Death is the Ruler) is seen as a powerful allegory of death and power, and was misinterpreted in the late 19th century (the Alte Nationalgalerie museum)
Mors Imperator (Death is the Ruler) is seen as a powerful allegory of death and power, and was misinterpreted in the late 19th century (the Alte Nationalgalerie museum)
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Painting that Shocked German Society Finally Returns to Berlin

Mors Imperator (Death is the Ruler) is seen as a powerful allegory of death and power, and was misinterpreted in the late 19th century (the Alte Nationalgalerie museum)
Mors Imperator (Death is the Ruler) is seen as a powerful allegory of death and power, and was misinterpreted in the late 19th century (the Alte Nationalgalerie museum)

More than 100 years after Mors Imperator caused a scandal in 1887 amid fears it mocked the German kaiser, the painting is being displayed in a state museum in Berlin, according to The Guardian.

Wrapped in a cloak with ermine fur and wearing a jagged iron crown, a hulking skeleton rests one foot on a globe and knocks over a royal throne with a dramatic flick of its ivory wrist.

Entitled Mors Imperator (“Death is the Ruler”), the German artist Hermione von Preuschen’s 1887 symbolical painting was meant to express the transience of fame and power.

But authorities feared the picture could be seen as mocking the aging German Emperor Wilhelm I, who then had recently turned 90, and refused to accept its submission to the Berlin Academy of the Arts’ annual exhibition that year.

More than 100 years after the painting’s rejection and subsequent display in the 19th-century equivalent of a pop-up gallery caused a stir in Berlin society, Mors Imperator is returning to the German capital.

From Sunday until mid-November, the 2.5-meter by 1.3-meter painting will be shown in a state institution at last, at the Alte Nationalgalerie museum.

The scandal around von Preuschen’s work illustrates how prone single-ruler autocracies can be to paranoia about hidden meanings in art. According to the Berlin exhibition’s curator, an offense against the monarchy was neither what the artist intended nor how it was perceived by its supposed target.

Born in Darmstadt in 1854, von Preuschen was a poet, world traveler and painter known for her large-scale and flamboyant historical still life pictures. At the 1896 International Women’s Congress in Berlin she gave an impassioned speech calling for women to be allowed education at artistic academies.

“Hermione von Preuschen was bold, not short of self-belief, and an early advocate of female emancipation,” said Birgit Verwiebe, an art historian. “But she was not a political person, and there is no record of her having any anti-monarchical instincts. After all, she came from nobility herself.”