Archaeologists in Louisiana Save Artifacts from Natural Disasters, Looters

Gray Tarry, bottom left, an archeological field technician for the University of Louisiana at Lafayette, digs, while Josiah Hamilton, left, and Jamie Butts, right, high school students from Youth Conservation Corps, watch at an archeological site in Kisatchie National Forest, La., Wednesday, June 7, 2023. (AP Photo/Gerald Herbert)
Gray Tarry, bottom left, an archeological field technician for the University of Louisiana at Lafayette, digs, while Josiah Hamilton, left, and Jamie Butts, right, high school students from Youth Conservation Corps, watch at an archeological site in Kisatchie National Forest, La., Wednesday, June 7, 2023. (AP Photo/Gerald Herbert)
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Archaeologists in Louisiana Save Artifacts from Natural Disasters, Looters

Gray Tarry, bottom left, an archeological field technician for the University of Louisiana at Lafayette, digs, while Josiah Hamilton, left, and Jamie Butts, right, high school students from Youth Conservation Corps, watch at an archeological site in Kisatchie National Forest, La., Wednesday, June 7, 2023. (AP Photo/Gerald Herbert)
Gray Tarry, bottom left, an archeological field technician for the University of Louisiana at Lafayette, digs, while Josiah Hamilton, left, and Jamie Butts, right, high school students from Youth Conservation Corps, watch at an archeological site in Kisatchie National Forest, La., Wednesday, June 7, 2023. (AP Photo/Gerald Herbert)

Long buried under the woods of west central Louisiana, stone tools, spearpoints and other evidence of people living in the area as long as 12,000 years ago have become more exposed and vulnerable, due to hurricanes, flooding and looters.

This summer, archaeologists have been gingerly digging up the ground at the Vernon Parish site in the Kisatchie National Forest. They have been sifting through dirt to unearth and preserve the evidence of prehistoric occupation of the area.

“The site appears to have been continuously occupied throughout prehistory, as evidenced by a wide range of stone tools and pottery dating to each Native American cultural era up to European contact,” the US Forest Service said in a news release.

The site was found by surveyors in 2003, according to the Forest Service. After hurricanes Laura and Delta uprooted trees, disturbing and exposing some of the artifacts, Kisatchie National Forest officials used hurricane relief money to begin salvage excavations to learn more about the site, and to preserve it.

“Between the looting and the hurricane damage we were really in danger of losing this site over time,” Forest Service archaeologist Matthew Helmer said during a media tour of the site in June.

Helmer, walked amid areas already excavated, pointing to changes in soil color and texture that, like the crude artifacts being excavated, can give clues as researchers work to determine facts about the people who occupied the area at different times over the millennia, The Associated Press reported.

“We're really writing the history of these peoples that lived prior to 1492, all the way back 10,000-plus years,” said Helmer.

It's a welcome opportunity for Mark Rees, a professor of archaeology at the University of Louisiana at Lafayette and director of the Louisiana Public Archaeology Lab.

Still, Rees laments that the work is hampered by people who have made unauthorized digs and made off with material from the site.

“It's like walking into the archive and finding a book that's so rare it's one of a kind and it predates writing itself, it's like tearing a page out of that book and walking off with it,” said Rees.

The salvaged artifacts will be sorted, catalogued and examined as researchers at the archaeology lab seek to make determinations about past cultures at the site.



Saudi Culture Minister Meets with Scholarship Students in Manga Production Program in Japan

The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA
The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA
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Saudi Culture Minister Meets with Scholarship Students in Manga Production Program in Japan

The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA
The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA

Saudi Minister of Culture, Chairman of the Board of Directors of the Literature, Publishing, and Translation Commission (LPTC) Prince Badr bin Abdullah bin Farhan, met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday.

This specialized training program, organized in collaboration between the commission and Manga Productions, a subsidiary of the Mohammed bin Salman Foundation (Misk), aims to nurture talented manga artists through professional training rooted in Japanese techniques, the birthplace of this art form.

During the meeting, Prince Badr emphasized the Saudi leadership's unwavering support for developing human capabilities across all fields, highlighting the importance of academic and professional training in cultural disciplines.

The meeting was attended by CEO of LPTC Dr. Mohammed Hasan Alwan, CEO of Manga Productions Essam Amanullah Bukhari, and students studying manga art at Kadokawa Contents Academy (KCA), one of Japan’s leading institutions for training and recruiting talent in manga creation.

The program includes virtual workshops, an intensive training course, and overseas training in Japan. It has also launched competitions blending manga with Saudi cultural themes, such as "Munjanha," which transforms Arabic proverbs into manga stories; "Manga Al-Qaseed," which adapts Arabic poems into manga; and "Manga Al-Ibil," which celebrates the cultural symbolism of camels in Saudi Arabia.

The program has benefited over 1,850 participants through virtual workshops, with 115 advancing to the intensive training phase, resulting in the creation of 115 manga stories. Among these, 21 students were sent to Japan for advanced training. The competitions garnered significant engagement, receiving 133 submissions for "Munjanha," over 70 for "Manga Al-Qaseed," and more than 50 for "Manga Al-Ibil."