Saudi Arabian Historic Gems under Global Microscope

Al-Ahsa Oasis joined the UNESCO's  World Heritage List
in 2018. (UNESCO).
Al-Ahsa Oasis joined the UNESCO's World Heritage List in 2018. (UNESCO).
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Saudi Arabian Historic Gems under Global Microscope

Al-Ahsa Oasis joined the UNESCO's  World Heritage List
in 2018. (UNESCO).
Al-Ahsa Oasis joined the UNESCO's World Heritage List in 2018. (UNESCO).

Riyadh’s embrace of the 45th session of the UNESCO’s World Heritage Committee hosting 3,000 guests from 21 countries, highlights the deep civilizational roots of the Saudi heritage sites.The kingdom boasts six sites enlisted on the World Heritage List, three out of which will be visited by the committee’s representatives. The list is expected to include further sites that reflect the richness of the Saudi culture and heritage in different regions. During its meeting in Riyadh, the committee has studied proposals to add 50 new sites from around the world on its World Heritage List, which already features 1,157 sites in 167 countries.

Six History-rich Heritage Sites

The six Saudi sites featured on the UNESCO’s World Heritage List shed lights on the kingdom’s rich legacy consisting of many historic events and civilizations with esteemed history.

Al-Hijr Valley overlooks 153 stone structures

Wadi Al-Hijr or Al-Hijr Valley was the first Saudi site to join the World Heritage List. Located in northwestern Saudi Arabia, it overlooks 153 sculpted stone structures, Islamic antiquities, fortresses, and the remnants of the Hejaz Railway, which all witness on the different historic eras that Al-Hijr saw, and highlight its strategic location on the route connecting the south of the Arabian Peninsula to Mesopotamia, the Levant, and Egypt.The valley was one of the most prominent centers of the Nabatean Kingdom, which ruled the region until the 4th century AD, and the largest southern Nabatean settlement after Jordan’s Petra. The valley was also the capital of the Lihyanite Kingdom in the north of the Arabian Peninsula.In 2008, the site was the first Saudi site added on the UNESCO’s World Heritage List.

At-Turaif District ... cornerstone in the establishment of Saudi Arabia

Standing proudly in the heart of Diriyah, At-Turaif District is described as a historic gem whose mud walls reflect a bright history. It was the base of the First Saudi State, and the starting point of the country’s unification and the kingdom’s foundation.Surrounded by Wadi Hanifa, one of the most famed valleys in the Arabian Peninsula, At-Turaif District was established in the 15th century. It’s known for its unique Najdi architecture, and was the capital of the First Saudi State and a hub for trade and education.The district has maintained its unique architectural style boasting sturdy buildings and fortresses made of mud and palm branches that survived over the years. It has recently opened its doors as a tourism destination that takes visitors in a trip back to the early moments of the prospering Saudi entity.The historic district embraces the Salwa palace, extending over an area of 10,000 sqm, a historic landmark and a residence of the Al Saud princes and kings. Its name was inspired by its diverse functions, the palace was not only a residence, but also a center of entertainment for its old and current inhabitants.

Al-Balad, Jeddah... Window on the sea, history

Overlooking the Red Sea, the coastal city of Jeddah tells the story of a community with many experiences that cumulated over the years in Al-Balad area, also known as Historic Jeddah, which boasts unique architectural features and ancient houses that captivate visitors flocking from eight gates that each has its own significance and stories.Hundreds-year-old alleys, houses, and khans have formed the historic area from which the contemporary Jeddah has emerged, the charming city on the Red Sea coast that has become one of the brightest Arabic modern cities. The historic city, combined with the promising future and the spirit of great history, make the story of Jeddah, a historic center of Muslims since 647 AD.

Stone art in Hail

The sites of Jubbah, Rata and Al-Manjur in Hail, famed for exceptional stone engravings on their mountains, which dates back to more than 10,000 years BC, have joined the World Heritage List in 2015.Stone engravings can be seen everywhere on the mountains of Umm Senman, Rata and Al-Manjur area. The illustrations, dating back to prehistory, mostly the modern stone age (14,000 years before history) depict people and animals.

Al-Ahsa Oasis... Green Gem

Surrounded by over two million trees, Al-Ahsa Oasis enjoys a natural beauty and historic glare that have made it one of the largest palm oases in the world, and a historic and cultural witness on the ancient human in the Arabian Peninsula, how they adapted to the local environmental conditions and used the available tools to ensure a sustainable life.Located in eastern Saudi Arabia, the oasis includes historic sites, green parks, conventional irrigation channels and fresh water wells. It also features Al-Asfar Lake, the largest water compound in the Gulf region, where lives a complete fungi ecosystem.Alongside the unique natural landscapes, the oasis has many historic buildings and sites that reflect the history and cultural structure of the place, and shed lights on the human settlement in the Gulf region since the modern stone age. This unique cultural and natural landscape is an exceptional model on the interaction between human beings and their surrounding environment.

The Bir Hima Cultural Region ...largest stone art complex

The historic Bir Hima region in Najran, southern Saudi Arabia, is the sixth and last Saudi site that joined the UNESCO’s World Heritage List. It includes over 34 locations of stone engravings and wells that stretch along the route that convoys used to cross from the south to the north of the Arabian Peninsula.The 557-sqm art stone area in Bir Hima features 550 stone art structures with hundreds of thousands of engravings depicting hunting, animals, plants, and the lifestyles of a culture that spanned over 7,000 years.

Sites on the waiting list

In 2015, the UNESCO has added ten Saudi sites to its tentative list, a first step on the way to the World Heritage List, including Al-Ahsa Oasis, which was later upgraded to a World Heritage Site in 2018.Other Saudi sites are expected to join the list given their historic significance, such as the Damascene and Egyptian pilgrimage route, the Zubaydah Trail, the Hejaz Railway, and Qaryat Al Faw.



Gold, Gems and Renoirs: France’s Museums Grapple with a Wave of Smash-and-Grab Thefts

 The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)
The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)
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Gold, Gems and Renoirs: France’s Museums Grapple with a Wave of Smash-and-Grab Thefts

 The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)
The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)

At a museum in eastern France, two men disguised with wigs used a sledgehammer and a hammer to smash a display case and make off with a 2,500-year-old gold necklace. The heist took under four minutes.

In a smash-and-grab at another French museum, three masked robbers stole 27 pieces of jewelry valued at more than 4.5 million euros (US$5.2 million), busting through two doors to break in.

Those thefts took place in July. This week, thieves sliced through a fence and climbed through the window of a museum on the French Riviera and fled with two paintings by Pierre-Auguste Renoir. They abandoned two other artworks by the Impressionist master as they made their escape.

The rash of the robberies, coming on the heels of last year's stunning jewel heist in France's most famous and most visited museum, the Louvre, show how the country is both blessed and cursed by its troves of treasure accumulated over centuries of conquest, creativity and having money to spend on art.

France's passion for paintings, sculptures, ancient artifacts and other valuables and curios is a source of national pride and identity. Thousands of museums that house collections big and small help transmit France's love of culture and history from one generation to the next. The biggest also draw millions of tourists who pump money into the French economy.

But keeping all that wealth safe is costly and difficult. Criminals see museums as soft targets. The brazen and agonizing theft of 88 million euros ($102 million) worth of crown jewels from display cases in the Louvre's Apollo gallery served as a wake-up call. But it was only the most shocking example of broader threats to museums, and not just in France.

“When the jewels of a French king disappear, to be melted down because of the price of gold, it is tragic. It breaks everyone’s heart,” said Guillaume Poitrinal, president of a foundation that funds the renovation and protection of French cultural sites, the Fondation du patrimoine.

“We need to make it more difficult to steal works of art and objects that are part of France’s cultural heritage and belong to all French people. That is absolutely essential. And to achieve that, we need to invest,” he said in an interview with The Associated Press.

The Renoir heist took just minutes

Before dawn Tuesday, two robbers made off with “Portrait of Madame Colonna Romano” and “Young Woman at the Well.” They dropped “Portrait of Madame Pichon” and “Coco Reading” as they fled through the garden of the Renoir Museum in Cagnes-sur-Mer.

They cut through a fence with an electric knife or saw and entered the museum through the ground floor, said Bryan Masson, mayor of the town between Cannes and Nice on the Mediterranean coast.

The heist took under three minutes. Masson estimated the artworks' value at 9 million euros ($10.5 million). Offloading well-known, stolen art is impossible through legitimate channels, so the paintings could prove to be worth little or nothing for the thieves.

European police agency Europol says museum heists are becoming more violent, with sledgehammers, axes, crowbars and even explosives used for break-ins and to smash display cases.

Thieves also are increasingly targeting museum items with gold and other precious metals that can be melted down and with gemstones that can be removed and sold, the agency said in a report in August. Criminals believe “museum security measures are less robust than those in jewelry stores,” it said.

The ancient necklace stolen July 24 from the museum in Châtillon-sur-Seine, eastern France, was crafted from nearly half a kilo (a pound) of gold.

A record 10 burglaries targeted French and other European museums this summer, according to Jean-Christophe Castelain, director of Le Journal des Arts, a bimonthly revue of the art world.

“Eight of those 10 involved jewelry, coins or antique objects that can easily be melted down,” he said.

A distraught museum director shares her pain

The Lalique Museum in Wingen-sur-Moder, further east near France's border with Germany, has not reopened since the July 5 theft of jewelry there from six display cases busted open with sledgehammers and hammers. The public museum celebrates 19th-century jeweler and glassmaker René Lalique and his successors.

The pain is still raw for its director, Véronique Brumm Schaich. Her voice cracked with emotion during an interview. The museum is seeking 200,000 euros ($233,000) for security upgrades.

“Robbers’ tactics are evolving,” she said. “The recent examples show that we are not the only ones who need to go further in our efforts.”

Because of government budget squeezes, it's not yet clear how much funding will come from public coffers, she said. The museum is also collecting private donations, because “these are things that are extremely expensive,” she said.

“These are difficult times,” she said. “A burglary never comes at a good time, but this one came at an especially bad time.”

Some of the funding that the Fondation du patrimoine provides, including for museums, comes from a national lottery. To help boost museum revenues, the foundation is also launching a pass that will grant subscribers access to 500 museums, monuments and châteaux.

“France is a country where we love passing the buck,” said Poitrinal, the foundation president. “People say it is the state’s responsibility or the city’s responsibility. I say it's quite simple: it is everyone’s responsibility.”


Saudi Arabia’s Red Sea Museum Opens Submissions for Sea Art Fair

The community initiative encourages participants to transform recycled or repurposed materials into artworks
The community initiative encourages participants to transform recycled or repurposed materials into artworks
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Saudi Arabia’s Red Sea Museum Opens Submissions for Sea Art Fair

The community initiative encourages participants to transform recycled or repurposed materials into artworks
The community initiative encourages participants to transform recycled or repurposed materials into artworks

The Red Sea Museum in Historic Jeddah has announced an open call for submissions for its upcoming Sea Art Fair, inviting children, families, emerging artists, and creatives of all ages to participate.

The community initiative encourages participants to transform recycled or repurposed materials into artworks reflecting the Red Sea's marine life, coastal heritage, and local narratives. No prior professional artistic experience is required.

Submissions remain open until October 1. Following an evaluation period from October 5 to 20, selected works will be announced on October 25, with final pieces due by October 30.

The exhibition will take place from November 12 to 14 at the museum's historic Bab Al-Bunt building, advancing its mission to celebrate Red Sea culture and heritage through artistic expression and community engagement.


New Riyadh Exhibition Draws Inspiration from Travels of Ibn Battuta

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat
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New Riyadh Exhibition Draws Inspiration from Travels of Ibn Battuta

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat

The Misk Art Institute has announced the launch of its art exhibition "Along the Way," opening on September 16 at Prince Faisal bin Fahd Arts Hall in Riyadh and running through March 31, 2027.

The exhibition features 34 artists from Saudi Arabia and around the world, alongside a rare collection of historical manuscripts.

Drawing inspiration from the travels of Ibn Battuta, the exhibition explores travel as a transformative journey of knowledge and self-discovery, examining themes of maps, wayfinding, memory, and humanity's connection to nature through paintings, sculptures, installation art, and photography.

The exhibition also displays rare historical manuscripts, including the Book of Fixed Stars by Al-Sufi and Nuzhat al-Qulub by Al-Qazwini, which contains a circular world map, alongside an engraved brass astronomical disc from Persia, reflecting Islamic civilization's contributions to navigation and astronomy.