Saudi Arabian Historic Gems under Global Microscope

Al-Ahsa Oasis joined the UNESCO's  World Heritage List
in 2018. (UNESCO).
Al-Ahsa Oasis joined the UNESCO's World Heritage List in 2018. (UNESCO).
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Saudi Arabian Historic Gems under Global Microscope

Al-Ahsa Oasis joined the UNESCO's  World Heritage List
in 2018. (UNESCO).
Al-Ahsa Oasis joined the UNESCO's World Heritage List in 2018. (UNESCO).

Riyadh’s embrace of the 45th session of the UNESCO’s World Heritage Committee hosting 3,000 guests from 21 countries, highlights the deep civilizational roots of the Saudi heritage sites.The kingdom boasts six sites enlisted on the World Heritage List, three out of which will be visited by the committee’s representatives. The list is expected to include further sites that reflect the richness of the Saudi culture and heritage in different regions. During its meeting in Riyadh, the committee has studied proposals to add 50 new sites from around the world on its World Heritage List, which already features 1,157 sites in 167 countries.

Six History-rich Heritage Sites

The six Saudi sites featured on the UNESCO’s World Heritage List shed lights on the kingdom’s rich legacy consisting of many historic events and civilizations with esteemed history.

Al-Hijr Valley overlooks 153 stone structures

Wadi Al-Hijr or Al-Hijr Valley was the first Saudi site to join the World Heritage List. Located in northwestern Saudi Arabia, it overlooks 153 sculpted stone structures, Islamic antiquities, fortresses, and the remnants of the Hejaz Railway, which all witness on the different historic eras that Al-Hijr saw, and highlight its strategic location on the route connecting the south of the Arabian Peninsula to Mesopotamia, the Levant, and Egypt.The valley was one of the most prominent centers of the Nabatean Kingdom, which ruled the region until the 4th century AD, and the largest southern Nabatean settlement after Jordan’s Petra. The valley was also the capital of the Lihyanite Kingdom in the north of the Arabian Peninsula.In 2008, the site was the first Saudi site added on the UNESCO’s World Heritage List.

At-Turaif District ... cornerstone in the establishment of Saudi Arabia

Standing proudly in the heart of Diriyah, At-Turaif District is described as a historic gem whose mud walls reflect a bright history. It was the base of the First Saudi State, and the starting point of the country’s unification and the kingdom’s foundation.Surrounded by Wadi Hanifa, one of the most famed valleys in the Arabian Peninsula, At-Turaif District was established in the 15th century. It’s known for its unique Najdi architecture, and was the capital of the First Saudi State and a hub for trade and education.The district has maintained its unique architectural style boasting sturdy buildings and fortresses made of mud and palm branches that survived over the years. It has recently opened its doors as a tourism destination that takes visitors in a trip back to the early moments of the prospering Saudi entity.The historic district embraces the Salwa palace, extending over an area of 10,000 sqm, a historic landmark and a residence of the Al Saud princes and kings. Its name was inspired by its diverse functions, the palace was not only a residence, but also a center of entertainment for its old and current inhabitants.

Al-Balad, Jeddah... Window on the sea, history

Overlooking the Red Sea, the coastal city of Jeddah tells the story of a community with many experiences that cumulated over the years in Al-Balad area, also known as Historic Jeddah, which boasts unique architectural features and ancient houses that captivate visitors flocking from eight gates that each has its own significance and stories.Hundreds-year-old alleys, houses, and khans have formed the historic area from which the contemporary Jeddah has emerged, the charming city on the Red Sea coast that has become one of the brightest Arabic modern cities. The historic city, combined with the promising future and the spirit of great history, make the story of Jeddah, a historic center of Muslims since 647 AD.

Stone art in Hail

The sites of Jubbah, Rata and Al-Manjur in Hail, famed for exceptional stone engravings on their mountains, which dates back to more than 10,000 years BC, have joined the World Heritage List in 2015.Stone engravings can be seen everywhere on the mountains of Umm Senman, Rata and Al-Manjur area. The illustrations, dating back to prehistory, mostly the modern stone age (14,000 years before history) depict people and animals.

Al-Ahsa Oasis... Green Gem

Surrounded by over two million trees, Al-Ahsa Oasis enjoys a natural beauty and historic glare that have made it one of the largest palm oases in the world, and a historic and cultural witness on the ancient human in the Arabian Peninsula, how they adapted to the local environmental conditions and used the available tools to ensure a sustainable life.Located in eastern Saudi Arabia, the oasis includes historic sites, green parks, conventional irrigation channels and fresh water wells. It also features Al-Asfar Lake, the largest water compound in the Gulf region, where lives a complete fungi ecosystem.Alongside the unique natural landscapes, the oasis has many historic buildings and sites that reflect the history and cultural structure of the place, and shed lights on the human settlement in the Gulf region since the modern stone age. This unique cultural and natural landscape is an exceptional model on the interaction between human beings and their surrounding environment.

The Bir Hima Cultural Region ...largest stone art complex

The historic Bir Hima region in Najran, southern Saudi Arabia, is the sixth and last Saudi site that joined the UNESCO’s World Heritage List. It includes over 34 locations of stone engravings and wells that stretch along the route that convoys used to cross from the south to the north of the Arabian Peninsula.The 557-sqm art stone area in Bir Hima features 550 stone art structures with hundreds of thousands of engravings depicting hunting, animals, plants, and the lifestyles of a culture that spanned over 7,000 years.

Sites on the waiting list

In 2015, the UNESCO has added ten Saudi sites to its tentative list, a first step on the way to the World Heritage List, including Al-Ahsa Oasis, which was later upgraded to a World Heritage Site in 2018.Other Saudi sites are expected to join the list given their historic significance, such as the Damascene and Egyptian pilgrimage route, the Zubaydah Trail, the Hejaz Railway, and Qaryat Al Faw.



French Artist Begins Giant ‘Cave’ Art Inflation Over Paris’ Oldest Bridge

People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
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French Artist Begins Giant ‘Cave’ Art Inflation Over Paris’ Oldest Bridge

People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)

The oldest bridge in Paris has begun to vanish this week, as the artist JR — who is known as the “French Banksy” — began inflating a giant “cave” over the Pont Neuf.

The monumental, rocky illusion is swallowing the 17th-century landmark, which has carried Parisians across the Seine for more than 400 years. By Thursday, it looked as if a prehistoric cliff had risen in the heart of the city.

The inflation process, which was carried out overnight — after being delayed by bad weather — is the most dramatic stage yet of a project more than a year in the making.

One of the most ambitious public artworks Paris has seen in decades, which has been funded by the sale of JR’s work and a handful of corporate partners, does not open to the public until June 6.

“We’re about to leave something pretty incredible in the middle of Paris,” JR told The Associated Press earlier this year at his studio in the city’s east, wearing his trademark hat and shades.

The transformation of the bridge has been documented by the AP since March with time-lapse cameras, including one fixed on a rooftop terrace high above the river, watching the bridge slowly disappear day by day.

From the outside, the installation looks like a rocky mass that “literally” breaks the landscape, said JR, who is famous for pasting enormous photographs on buildings, walls and rooftops around the world. This time he wanted Parisians to do something unusual on their busiest bridge: stop.

Visitors will be able to walk for free through a long, dark tunnel that lets in no daylight and where, according to JR, people “will lose track of time.”

The numbers are startling. The structure is 120 meters (393 feet) long and 18 meters (59 feet) tall — which is as high as a six-story building.

Yet it is built almost entirely from air — 80 fabric arches filled with 20,000 cubic meters of it — and weighs only about five tons. The fabric was hand stitched by 25 artisans in a village in Brittany.

Nothing digs into the historic stone.

Cut the air and the cliff would sink like a held breath — a collapse JR’s engineers spent weeks rehearsing in a hangar at Orly airport to be sure that if the power ever failed, the rock would come down gently.

The artwork, called La Caverne du Pont Neuf, is a tribute to a Parisian artistic legend.

In 1985, artist Christo and his wife, Jeanne-Claude, wrapped the same bridge in pale golden fabric — 13 kilometers of rope, a decade of arguing with city hall, three million visitors in two weeks. The act helped invent the idea of monumental art in modern cities.

A square beside the bridge now carries their names.

“It’s pretty hard to go after them,” JR said.

His idea, he said, is to bring “mineral and nature” back to the heart of the city. He is not covering the bridge but undressing it — sending the dressed stone back to the limestone quarries from which Paris itself was cut.

The cave is also a warning. JR built it as a nod to Plato’s allegory, in which prisoners mistake shadows on a wall for the real world.

“What are our caves today? Our phones,” he said. “Because we believe that our algorithm on social media is the reality.”

Then he walks straight into the contradiction: to enter his cave about screens, visitors raise their phones.

The tech company Snap has built an augmented-reality layer that shows what the eye cannot.
The sound is a low, mineral hum from Thomas Bangalter, formerly of Daft Punk — who was 10 the year Christo wrapped the bridge.

The cave will be open around the clock from June 6-28, closing the bridge to traffic and visible from the quays, from passing boats, even from the top of the Eiffel Tower.

It will coincide with Paris Fashion Week, World Music Day and the all-night Nuit Blanche arts festival.

When it comes down, the fabric will be reused or recycled. Air, JR likes to say, leaves no scar.
Then, like the golden wrapping 40 years before, the cave will be gone — and the Pont Neuf, older than the republic and older than the revolution, will reappear exactly as it was.


Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
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Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP

As Britain's wartime leader, Winston Churchill was known for his stirring speeches, but a new London exhibition explores another side to his creativity -- as a passionate and prolific artist.

The exhibition opening Saturday at the Wallace Collection will be the most significant display of the statesman's paintings for more than 60 years, including over 50 canvases, many of them rarely seen in public.

Churchill first tried painting during World War I after he resigned from the government over the 1915 failed Dardanelles naval attack.

This was a "very difficult time in his life" when "he suddenly finds himself with all this unwanted leisure time", Lucy Davis, co-curator of the exhibition, told AFP.

"And he discovered painting as a way of releasing the stress, the anguish that the situation had caused him."

The museum presents a chronological survey starting with his first paintings, created with advice from renowned artist John Lavery, then canvases painted in the 1920s at Chartwell, the country house where Churchill lived with his family.

Largely self-taught while associating with well-known painters, Churchill quickly became interested in landscape painting and drew inspiration from holidays in the south of France to create brightly colored canvases dominated by blues and ochre.

- 'Loved the light' -

Churchill "saw painting as a spur to travel" and "just loved the light and warmth and atmosphere, which he captures so beautifully", said Davis.

A whole room is dedicated to canvases inspired by trips to Morocco, including "The Tower of the Koutoubia Mosque", the only painting that Churchill did during World War II. A gift to US President Franklin D. Roosevelt, the painting recently belonged to Hollywood star Angelina Jolie.

The exhibition ends with the postwar period when Churchill, defeated in a general election, began painting again and continued until his death in 1965, with some of his works going on display at the Royal Academy.

Churchill had previously shown paintings at various galleries, but always under an assumed name.

As a statesman, Churchill went down in history for his wartime leadership, but as an artist, he had little interest in depicting current world events, the curator stressed.

"He was a wartime leader. He was known for these very stirring wartime speeches. But in these paintings, you really see his joie de vivre, his witty side, his playful side."

One painting at the exhibition is an exception: "The Beach At Walmer", painted in 1938 as fears grew of imminent war.

It shows a sandy beach in southern England with bathers paddling. But in the foreground, a black cannon points at the sea, suggesting a looming threat.


Saudi Heritage Commission Discovers Abbasid-Era Gold Jewelry in Qassim

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo
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Saudi Heritage Commission Discovers Abbasid-Era Gold Jewelry in Qassim

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo

Saudi Arabia’s Heritage Commission announced the discovery of a collection of Abbasid-era gold jewelry at the archaeological site of Diriyyah in Qassim Region during the fourth season of excavation and survey work.

The discovery includes 100 gold pieces adorned with floral and geometric motifs, along with architectural remains from the Abbasid period, including stone foundations, mud walls, pottery, and metal tools.

The findings indicate human settlement dating back to the late third century AH and highlight the site’s historical importance along pilgrimage and trade routes.

The discovery reflects the Heritage Commission’s ongoing efforts to document and preserve the Kingdom’s archaeological heritage, supporting cultural development goals aligned with Saudi Vision 2030.