Iraq Dig Unearths 2,700-Year-Old Winged Sculpture Largely Intact

This picture taken on October 24, 2023 shows a view of a newly-unearthed Assyrian Lamassu (human-headed winged bull) sculpture discovered with its entire wings intact by the French archaeological mission at the archaeological site of Khorsabad, in Iraq's northern Nineveh province. (AFP)
This picture taken on October 24, 2023 shows a view of a newly-unearthed Assyrian Lamassu (human-headed winged bull) sculpture discovered with its entire wings intact by the French archaeological mission at the archaeological site of Khorsabad, in Iraq's northern Nineveh province. (AFP)
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Iraq Dig Unearths 2,700-Year-Old Winged Sculpture Largely Intact

This picture taken on October 24, 2023 shows a view of a newly-unearthed Assyrian Lamassu (human-headed winged bull) sculpture discovered with its entire wings intact by the French archaeological mission at the archaeological site of Khorsabad, in Iraq's northern Nineveh province. (AFP)
This picture taken on October 24, 2023 shows a view of a newly-unearthed Assyrian Lamassu (human-headed winged bull) sculpture discovered with its entire wings intact by the French archaeological mission at the archaeological site of Khorsabad, in Iraq's northern Nineveh province. (AFP)

A dig in northern Iraq has unearthed a 2,700-year-old alabaster sculpture of the winged Assyrian deity Lamassu, which was found largely intact despite its large dimensions.

Only the head was missing and that was already in the collection of the Iraq Museum in Baghdad after being confiscated by customs officers from smugglers in the 1990s, the dig's French leader Pascal Butterlin said.

"I never unearthed anything this big in my life before," Butterlin said of the 18-ton sculpture measuring 3.8 by 3.9 meters (about 12.5 by 12.8 feet). "Normally, it's only in Egypt or Cambodia that you find pieces this big.

"The attention to detail is unbelievable," said the professor of Middle East archaeology at the University of Paris I Pantheon-Sorbonne.

Erected at the entrance to the ancient city of Khorsabad, some 15 kilometers (10 miles) north of the modern city of Mosul, the sculpture shows the Lamassu, an Assyrian deity with a human head, the body of a bull and the wings of a bird.

It was commissioned during the reign of King Sargon II who ruled from 722 to 705 BC and erected at the city's gates to provide protection, Butterlin said.

First mentioned in the 19th century by French archaeologist Victor Place, the relief dropped from public records until the 1990s when Iraqi authorities earmarked it for "urgent intervention".

It was during this period that looters pillaged the head and chopped it into pieces to smuggle abroad.

The rest of the relief was spared the destruction wreaked by the ISIS group, which overran the area in 2014, because residents of the modern village of Khorsabad hid it before fleeing to government-held territory, Butterlin said.



Second Islamic Arts Biennale Set to Open in Saudi Arabia in January

Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA
Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA
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Second Islamic Arts Biennale Set to Open in Saudi Arabia in January

Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA
Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA

The Diriyah Biennale Foundation said that the second edition of the Islamic Arts Biennale is scheduled to open on January 25 at the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah.
The biennale aims to present a captivating blend of timeless treasures of Islamic civilization and contemporary artistic creations, offering visitors a journey through the artistic heritage of Islam that engages senses, intellect, and creativity.
Featuring the contributions of over 30 artists from Saudi Arabia and beyond, the artworks will be on display in both indoor and outdoor exhibition spaces.
Saudi artist Muhannad Shono will lead the curation of contemporary art, supported by associate curators Joanna Chevalier and Amina Diab.
Shono, alongside artistic directors Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, has tasked the participating artists with creating new pieces that complement historical Islamic artifacts.
The theme of this biennale, "And all that is in between,” encapsulates the essence of the contemporary artworks, transcending simplistic notions and cultural dialogues to foster a collective understanding, imagination, and interpretation.
Many artists have found inspiration in timeless elements, seeking to captivate visitors with themes like space, time, and light. The artworks offer insight into ways of preserving and nurturing culture by exploring the evolving landscape in Saudi Arabia.
The new art pieces will be showcased alongside historical artifacts, including religious relics, maps, and jewelry, in five indoor exhibition halls and various outdoor spaces under the canopy of the Hajj Terminal.
The works are inspired by the concept of the garden in Islamic civilization, blending nature and traditional design while tackling contemporary environmental and social issues.
The 2025 Islamic Arts Biennale will be held in seven sections: AlBidaya (the beginning), AlMadar (the orbit), AlMuqtani (homage), AlMathala (the canopy), Makkah al-Mukarramah, Al-Madinah al-Munawwarah, and AlMusalla (the prayer hall), spread throughout various galleries and outdoor areas, on 100,000 square meters of dedicated exhibition space.