Prada Reconnects with the Seasons for Its 2024-25 Fall-Winter Menswear Collection 

Models present creations by Prada during the Milan Fashion Week, in Milan, Italy, 14 January 2024. (EPA)
Models present creations by Prada during the Milan Fashion Week, in Milan, Italy, 14 January 2024. (EPA)
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Prada Reconnects with the Seasons for Its 2024-25 Fall-Winter Menswear Collection 

Models present creations by Prada during the Milan Fashion Week, in Milan, Italy, 14 January 2024. (EPA)
Models present creations by Prada during the Milan Fashion Week, in Milan, Italy, 14 January 2024. (EPA)

Prada brought nature indoors as a backdrop for its 2024-25 fall and winter menswear collection meant to get humans outside.

Underfoot, beneath a plexiglass floor in the Prada showroom revamped for the new season, a man-made stream murmured over rocks and rustled leaves. Poised above, the fashion crowd sat on blue office chairs arranged to form a swirling runway.

So the stage was set to explore the tension between the natural and working worlds.

The new Prada collection, unveiled on the third day of Milan Fashion Week menswear previews Sunday, marked “the return of the seasons,” as a point of renewal of the spirit, co-creative director Miuccia Prada said backstage.

Without falling into strict categories of office wear and outdoor wear, Prada said that the collection “was meant for going outside,” and spending time there, not just as a point of transit.

That means uncinched raincoats, double-breasted or zipped, structured with epaulettes, and knit bathing caps or tight ribbed hoods to protect against the elements. It also meant athletic textured leggings paired with turtlenecks in contrasting bright shades.

Raf Simons, Prada’s co-creative director, said the collection referenced water in its many forms: the sea, rain, a stream, ice. Wellies were too obvious for Prada. Instead, there were white-and-turquoise fishermen sandals and heelless dress shoes.

A sleek leather peacoat with furry collar and a captain’s cap gave a mariner’s accent, one of many references in a show that veered to Wall Street, and revisited details and silhouettes from the 1920s to the 1960s.

“We wanted to change and challenge the architecture of clothing,” Simons said.

For the office, ties were back, worn over two-tone shirts with white colors. Jackets had important proportions. Leather belts on trousers were sewn in, replacing waistbands, and cinched on the hip: pretty weaves, or plain and sloping. Tweed offered texture, knitwear brightness, with twinsets providing contrasting color stories in fire engine red and turquois, olive and salmon.

“I feel the need of being attached to something so basic for human nature, like the seasons, like outside. So that the clothes relate with the outside, with the weather, with reality,” Prada said.

Always political, the Prada collection references climate change, but without being explicit.

“It is too big to go there,” Prada said.

“We wanted to talk about something relevant, because in these moments you cannot avoid to talk about subjects that are relevant. For instance, weather,” she said.

Actors Jake Gyllenhaal and James McAvoy had front-row seats. But the crowds of adoring fans waiting outside were for K-pop VIPs.



Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
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Pieter Mulier Named Creative Director of Versace

(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)
(FILES) Pieter Mulier attends the 2025 CFDA Awards at The American Museum of Natural History on November 03, 2025 in New York City. (Photo by Dimitrios Kambouris / GETTY IMAGES NORTH AMERICA / AFP)

Belgian fashion designer Pieter Mulier has been named the new creative director of the Milan fashion house Versace starting July 1, according to an announcement on Thursday from the Prada Group, which owns Versace.

Mulier is currently creative director of the French fashion house Alaïa, and was previously the right-hand man of fellow Belgian designer and Prada co-creative director Raf Simons at Calvin Klein, Jil Sander and Dior.

In his new role, Mulier will report to Versace executive chairman Lorenzo Bertelli, the designated successor to manage the family-run Prada Group. Bertelli is the son of Miuccia Prada and Prada Group chairman Patrizio Bertelli.

“We believe that he can truly unlock Versace’s full potential and that he will be able to engage in a fruitful dialogue,’’ The Associated Press quoted Lorenzo Bertelli as saying of Mulier in a statement.

Mulier takes over from Dario Vitale, who departed in December after previewing just one collection during his short-lived Versace stint.

Mulier was honored last fall by supermodel and longtime Alaïa muse Naomi Campbell at the Council of Fashion Designers of America for his work paying tribute to brand founder Azzedine Alaïa. Mulier took the creative helm in 2021, after Alaïa’s death.


Ralph Lauren’s Margin Caution Eclipses Stronger‑than‑expected Quarterly Results

Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
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Ralph Lauren’s Margin Caution Eclipses Stronger‑than‑expected Quarterly Results

Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo
Guests wait after viewing the latest Ralph Lauren collection in New York City, US, April 17, 2025. REUTERS/Caitlin Ochs/File photo

Ralph Lauren posted third-quarter results above Wall Street estimates on Thursday, but the luxury retailer's warning of margin pressure tied to US tariffs sent its shares down nearly 6.4% in premarket trading.

The company expects fourth-quarter margins, its smallest revenue period, to shrink about 80 to 120 basis points due to higher tariff pressure and marketing spend.

Ralph Lauren, which sources its products from regions such as China, India and Vietnam, has relied on raising prices and reallocating production to regions with lower duty exposure to offset US tariff pressures, Reuters reported.

"Ralph Lauren has been able to raise prices for some time now. There is some limit on how long it can continue to do this. I think (the company's) gross margins are near peak levels," Morningstar analyst David Swartz said.

The company, which sells $148 striped linen shirts and $498 leather handbags, has tightened inventory, lifted full-price sales and refreshed core styles, boosting its appeal among wealthier and younger customers, including Gen Z.

Higher-income households are still splurging on luxury items, travel and restaurant meals, while lower- and middle-income consumers are strained by higher costs for rents and food as well as a softer job market.

The New York City-based company saw quarterly operating costs jump 12% year-on-year as it ramped up brand building efforts through sports-focused brand campaigns such as Wimbledon and the US Open tennis championship.

The luxury retailer said revenue in the quarter ended December 27 rose 12% to $2.41 billion, above analysts' estimates of a 7.9% rise to $2.31 billion, according to data compiled by LSEG.

It earned $6.22 per share, excluding items, compared to expectations of $5.81, aided by a 220 basis points increase in margins and an 18% rise in average unit retail across its direct-to-consumer channel.

Ralph Lauren now expects fiscal 2026 revenue to rise in the high single to low double digits on a constant currency basis, up from its prior forecast of a 5% to 7% growth.


Saudi Fashion Commission, Kering Launch 'Kering Generation Award X MENA'

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
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Saudi Fashion Commission, Kering Launch 'Kering Generation Award X MENA'

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA
This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners. SPA

Saudi Arabia’s Fashion Commission and global luxury group Kering have launched the "Kering Generation Award X MENA" across the Middle East and North Africa (MENA) for 2026.

The announcement was made on Tuesday during the opening of the RLC Global Forum, hosted at the French Embassy in Riyadh.

This year's award builds on the strong success of the 2025 award, which attracted more than 500 applications, shortlisted 21 finalists, and recognized three winners.

Participants benefited from mentorship programs, workshops, and opportunities to strengthen their global presence. Building on this momentum, the 2026 program seeks to expand its impact across the MENA region.

The 2026 award focuses on four key areas of sustainable fashion: innovation in regenerative materials and clean production, circular design and sustainable business models, nature conservation and animal welfare, and consumer awareness and cultural engagement.

The program targets startups across the MENA region that operate in, or positively influence, the sustainable fashion sector, provided they demonstrate innovation capabilities and the ability to deliver measurable sustainability outcomes.