‘Barbenheimer’ Sitting Pretty as Oscar Nominations to Be Unveiled

 Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)
Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)
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‘Barbenheimer’ Sitting Pretty as Oscar Nominations to Be Unveiled

 Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)
Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)

Nominations for this year's Oscars will be unveiled on Tuesday, with the "Barbenheimer" juggernaut expected to roll on to the climax of Hollywood's awards season with multiple chances at glory.

After a combined $2.4 billion global box office take, "Barbie" and "Oppenheimer" -- two films linked only by their simultaneous release last July -- are seen as locks for a suite of nods for the 96th Academy Awards, which take place on March 10.

"It continues to be their year, and we expect them to dominate the nominations," Pete Hammond, columnist for industry site Deadline, told AFP.

With its clutch of five Golden Globes and momentum on its side, "Oppenheimer" -- Christopher Nolan's masterly portrait of the father of the atomic bomb -- appears to have the edge in the race for best picture, the Academy's top prize.

Greta Gerwig's popular "Barbie" -- a sharp satire about misogyny and female empowerment -- is playing catch-up after an initial burst of awards optimism faded.

The film, which had nine nominations for the Globes, left with just two consolation prizes -- best song and a newly created trophy for box office achievement.

And, said Hammond, it faces an uphill battle to turn its audience gold into major Oscars success.

"Comedies, or something considered lighter, are generally at a disadvantage against something a little heavier," he said.

"So in the world of Barbenheimer, 'Oppenheimer' definitely has the advantage because it's got gravitas; it's important."

Rounding out the best picture category, nominations are widely expected for Martin Scorsese's crime saga "Killers of the Flower Moon" and Venice Film Festival winner "Poor Things," a female-focused take on the Frankenstein myth.

Christmas boarding school tale "The Holdovers" is already being spoken of as a durable seasonal classic, while Leonard Bernstein biopic "Maestro," which sees Bradley Cooper in front and behind the camera, also appears well placed.

The well-received French film "Anatomy of a Fall," which won two Golden Globes including best screenplay, might fare well in a world where voters no longer seem scared of subtitles.

A year for women directors?

Between Justine Triet's "Anatomy," Gerwig's "Barbie" and "Past Lives," a Korean-American drama by Celine Song, the fight for the best picture Oscar could include three works directed by women, a historic first.

Over nine-and-a-half decades of awards, only 19 films by female directors have been nominated for the top prize.

"It could be the biggest year ever for women, in terms of the best picture race," said Hammond.

In the acting categories, the two summer blockbusters seem likely to garner nominations for their stars -- Cillian Murphy as scientist J. Robert Oppenheimer, consumed by the devastating consequences of his creation, and Margot Robbie as a perfect doll tormented by morbid thoughts.

The two films' supporting actors could also be recognized -- Robert Downey Jr shines as a foil to Oppenheimer more concerned with his own political fortunes than understanding quantum physics, while Ryan Gosling is remarkable as Ken.

Da'Vine Joy Randolph appears to be in pole position for best supporting actress honors for her tour-de-force as the school cook in Alexander Payne's 1970s-set "The Holdovers."

Joining Margot Robbie in the best actress race will likely be Emma Stone for her no-holds-barred turn in "Poor Things," and Lily Gladstone, who plays a Native American whose tribe's oil wealth is threatened by a series of murders in "Killers of the Flower Moon."

Her scheming (or is he just stupid?) on-screen husband Leonardo DiCaprio might make the best actor list, but it's a tough ask in a crowded year.

In addition to Murphy and Cooper, nominees could also include Paul Giamatti's uptight history teacher in "The Holdovers," Jeffrey Wright's unwittingly popular author in "American Fiction" and Colman Domingo for his turn as a charismatic, civil rights activist in "Rustin'"

The unveiling of the Oscar nominations will begin at 530 am (1330 GMT) on Tuesday.



Susan Sarandon Says Still Losing Roles Over Gaza Stance

Susan Sarandon waves as she leaves the Excelsior Hotel, during the 83rd International Film Festival, Venice, Italy, September 5, 2026. REUTERS/Yara Nardi
Susan Sarandon waves as she leaves the Excelsior Hotel, during the 83rd International Film Festival, Venice, Italy, September 5, 2026. REUTERS/Yara Nardi
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Susan Sarandon Says Still Losing Roles Over Gaza Stance

Susan Sarandon waves as she leaves the Excelsior Hotel, during the 83rd International Film Festival, Venice, Italy, September 5, 2026. REUTERS/Yara Nardi
Susan Sarandon waves as she leaves the Excelsior Hotel, during the 83rd International Film Festival, Venice, Italy, September 5, 2026. REUTERS/Yara Nardi

US actress Susan Sarandon said Sunday she was still having roles "taken away" from her in Hollywood because of her outspoken criticism of Israel's war in Gaza.

The "Thelma & Louise" star was dropped by her agency UTA in November 2023 over controversial remarks at a pro-Palestinian rally which she later said she regretted.

Speaking at the Venice Film Festival, where she has a role in Italian film "The Echo Chamber", she claimed the "narrative" around the Gaza war and the United States' support for Israel had "completely changed".

"There's a lot of things that people are aware of now," the Oscar winner told a press conference, referring to the extent of US financial and military aid for Israel.

"I've still had movies taken away recently because there are agencies that are telling people not to hire me still. But that's the power structure," she added.

"I think there has been a change in terms of the understanding of the situation and the general public, but there are still very strongly held positions within my industry that are held by Zionists and who have not relaxed their feelings towards me.

"But I found my family, I found my people, and I'm okay," she added to a round of applause.

The veteran star of "Dead Man Walking" has been one of Hollywood's most outspoken pro-Palestinian campaigners and critics of the Gaza war alongside others such as Marc Ruffalo, Richard Gere and Joaquin Phoenix.

Many others have signed open letters criticizing Israel's conduct of the war, which has left around 73,500 Palestinians dead and 174,500 injured since October 2023, according to Gaza's Hamas-run health ministry.

The premiere of "NAZA" -- about the killing of civilians in Gaza -- by two Israeli directors looks set to be one of the most emotionally charged moments of the Venice festival when it premieres on Thursday.

Directors Yuval Abraham and Rachel Szor won an Oscar for 2024's "No Other Land", which documented the displacement of a Palestinian community in the occupied West Bank by Israeli settlers.

Sarandon was dropped by United Talent Agency for telling a rally that Jewish Americans were "getting a taste of what it is like to be Muslim in this country" because of rising anti-Semitic violence.

She issued a public apology, saying her choice of words had been a "terrible mistake" because they implied "that until recently Jews have been strangers to persecution, when the opposite is true".


Oasis Bring Swagger to Venice as Documentary Celebrates Reunion

 Noel Gallagher, left, and Liam Gallagher arrive at the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (AP)
Noel Gallagher, left, and Liam Gallagher arrive at the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (AP)
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Oasis Bring Swagger to Venice as Documentary Celebrates Reunion

 Noel Gallagher, left, and Liam Gallagher arrive at the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (AP)
Noel Gallagher, left, and Liam Gallagher arrive at the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (AP)

Liam Gallagher pumped his fist in the air and his brother Noel flashed a victory sign as the Oasis rock stars arrived by water taxi at the Venice Film Festival on Saturday ahead of a documentary chronicling their blockbuster reunion tour.

Asked by a Reuters reporter how it felt to be in Venice, Liam replied: "Biblical man, biblical." Noel opted for a more Italian response: "Bellissimo."

Later, Liam appeared less impressed by photographers yelling for attention. "Why all the shouting? Is this what you do at the Venice Film Festival? Scream at people?" he asked.

Oasis, the ‌Manchester band ‌whose anthems helped define the 1990s before feuding between the ‌two ⁠brothers tore it ⁠apart, reunited last year for a tour across Britain, Ireland, North and South America, Asia and Australia.

The documentary "Oasis: Don't Look Back in Anger" follows the gradual repair of one of music's most famous fractured relationships over weeks of rehearsal and months on the road.

"You sort of saw that reconciliation happen on stage in front of the world," said Dylan Southern, who directed the film alongside Will Lovelace.

The thaw takes time. ⁠When Liam arrives for his first rehearsal he doesn't acknowledge ‌anyone around him before leaving abruptly without saying ‌goodbye.

Underscoring their mutual animosity, Noel reveals that their respective children had never met before the ‌reunion tour but swiftly went on to become great friends. At the end ‌of the film, Noel describes Liam as "delightful" — something he admits he had never expected to hear himself say.

The filmmakers said they deliberately avoided interfering, keeping themselves largely invisible during the lengthy practice sessions and allowing events to unfold naturally.

As shooting moved into the concert stadiums, ‌Southern said the focus widened to include the fans whose affection became an integral part of the brothers' rapprochement.

Steven Knight, ⁠who wrote the ⁠script, said the filmmakers had no way of knowing whether the reunion would succeed, but always hoped the story would become one of forgiveness.

"From the beginning, we wanted to make this a film about reconciliation, redemption and forgiveness," he said, adding that neither Gallagher was likely to express emotion openly.

"They're British working-class men, so they're not going to high-five or hug or cry," he said.

Knight, who is writing the script for the next James Bond film, said the real-life story of the Oasis tour proved more compelling than anything he could have scripted.

"This is better than any fiction that you could write," he said. Southern chipped in: "And no one could play Liam Gallagher except Liam Gallagher."

The film is being shown out of competition at the Venice Film Festival, which runs until September 12.


Robert Pattinson and Oasis Bring Star Power to Venice Film Festival

 This image released by A24 shows Robert Pattinson, left, in a scene from the film "Primetime." (A24 via AP)
This image released by A24 shows Robert Pattinson, left, in a scene from the film "Primetime." (A24 via AP)
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Robert Pattinson and Oasis Bring Star Power to Venice Film Festival

 This image released by A24 shows Robert Pattinson, left, in a scene from the film "Primetime." (A24 via AP)
This image released by A24 shows Robert Pattinson, left, in a scene from the film "Primetime." (A24 via AP)

The worlds of rock and movie stardom are colliding at the Venice Film Festival, as both Robert Pattinson and Oasis frontmen Noel and Liam Gallagher arrive on the Lido for world premieres on Saturday.

Pattinson’s film, “Primetime,” is about the reality series “To Catch a Predator” and host Chris Hansen at the height of its success on Dateline NBC, while the Gallaghers are coming in support of a documentary about their 2025 reunion tour. Both films will be in US theaters in September.

With many movie star moments already in the rearview, from George Clooney’s lifetime achievement award to the emotional ovation for John Malkovich’s performance in “Wild Horse Nine,” the combination of Pattinson and Oasis on the same day could be a high-wattage pinnacle for this year’s festival.

Robert Pattinson plays Chris Hansen “Primetime,” which was written by Ajon Singh and directed by Lance Oppenheim, has already inspired discourse and headlines with just its trailer and subject matter. It’s based on journalist Luke Dittrich’s “Esquire” article “Tonight on Dateline This Man Will Die,” which explores a 2006 sting operation on Texas assistant district attorney Bill Conradt. He died by suicide as police officers descended on his home with the show’s television cameras outside.

Oppenheim, in his director’s statement, said that he “wanted to trace the disparate ambitions of people who existed inside this apparatus — a journalistic crusader, a mercenary TV producer and a wide-eyed Hollywood dreamer — converging into a moment of crisis.”

Hansen was not involved in the making of the movie and has made several public comments about it, including that he had always thought Denis Leary should have played him and questioning the motives of the filmmakers. He was invited to see the movie before the festival, but took issue with the NDA he was asked to sign beforehand.

Last year, the series was also the subject of an acclaimed documentary, “Predators,” from filmmaker David Osit. It's currently streaming on Paramount+.

For Pattinson, “Primetime,” in theaters Sept. 25, is one more buzzy performance in a banner year that’s already included memorable performances in hit films from “The Drama” to “The Odyssey” and with “Dune: Part Three” still to come.

The Oasis documentary, subtitled “Don’t Look Back in Anger,” is part concert film and part exploration of the contentious relationship between the Gallagher brothers, whose long-held feud led to Oasis disbanding in 2009. It includes never-before-seen rehearsals and what was then their first joint interview in 25 years.

“We set out to make a film about the reconciliation of two brothers, infamous for their volatile relationship, but we also wanted to make a film about the power of music and the way Oasis’ songs have continued to have a life of their own, as the band lay dormant for fifteen years,” co-directors Dylan Southern and Will Lovelace said in their directors' statement. “The documentary, like the reunion and the tour, took on a life of its own.”

It’ll be in theaters shortly after the festival. Disney is giving “Oasis: Don't Look Back in Anger” an IMAX release on Sept. 11, and it's expected to arrive on the Disney+ streaming service later this year.