‘Suspense’ of Slowest Horse Race Wins New Fans in Japan 

This picture taken on December 9, 2023 shows a Banei Keiba horse race at the Obihiro racecourse in Obihiro, Hokkaido Prefecture. (AFP)
This picture taken on December 9, 2023 shows a Banei Keiba horse race at the Obihiro racecourse in Obihiro, Hokkaido Prefecture. (AFP)
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‘Suspense’ of Slowest Horse Race Wins New Fans in Japan 

This picture taken on December 9, 2023 shows a Banei Keiba horse race at the Obihiro racecourse in Obihiro, Hokkaido Prefecture. (AFP)
This picture taken on December 9, 2023 shows a Banei Keiba horse race at the Obihiro racecourse in Obihiro, Hokkaido Prefecture. (AFP)

Speed isn't everything at one racecourse in Japan, where the unpredictable stop-and-start drama of the world's slowest horse race has drawn new fans eager to bet on their sturdy favorite.

A fanfare plays, the gates flip open and they're off -- but at a plod rather than a gallop, pulling heavy sleighs in a tradition that harks back more than a century.

The Banei Keiba races are held in Obihiro, a city in northern Japan's Hokkaido, where spectators cheer on the muscular workhorses moving at the pace of a brisk human walk.

Eight equine competitors kicked up dust on a recent afternoon as they powered over the first of two mounds on the 200-meter (220-yard) track.

But they soon began to halt, taking the first of several breaks to catch their breath, which billowed in the winter air.

The slow progress "builds a little bit of suspense", 24-year-old Australian tourist Esther McCourt told AFP, marveling at the horses' size.

"No matter how good people or horses look in the beginning, the crucial part is the last 50 meters, so it can change at any time," she said.

The popularity of Banei Keiba had dwindled until renewed marketing efforts coincided with a surge of interest during the pandemic, when people began to watch the races.

'Dynamic' races

Banei Keiba developed when Japanese settlers migrated to Hokkaido, a sparsely populated island with long, bitter winters.

They relied on horses known as "banba" to clear fields, transport goods and operate mines, and would pit them against each other in tug-of-war games and other contests at local festivals.

Banba are twice as heavy as racing thoroughbreds, and the sleighs they tug weigh more than 600 kilograms (1,300 pounds).

Jockeys standing on the sleighs shout and whip the horses with long reins to keep them going.

Trainers like Yoshiyuki Hattori deny any accusations of cruelty, saying the strong creatures are treated with care and are not forced to pull loads above their capacity.

"If thoroughbreds were born to run, banba were bred to haul things," said Hattori, whose horses have won many race trophies.

"They worked in fields. They worked for us. We want to continue this history."

For Hattori, Banei races are "more dynamic" than the "visual experience" of regular horse racing.

"This moves you physically as you cheer," he said.

'Can't help but cheer'

Three other cities in the region used to host similar races, but they all stopped under mountains of debt in 2006.

The long-stagnant Japanese economy had hit Banei Keiba hard, and the regular punters who kept it going were getting older.

Obihiro Racecourse, now the tradition's sole custodian, made efforts to attract more young families and tourists by cleaning up the facility and making it smoke-free.

They set up a mini-zoo and launched marketing campaigns including tie-ups with popular smartphone games to rejuvenate the attraction.

Now there are around 750 horses taking part in the races, kept by 28 trainers, 150 caretakers and 21 jockeys.

One of the caretakers, 21-year-old Yuno Goto, was busy affixing pale pink and blue fluffy bows and ribbons on a banba's mane ahead of the race.

She said she dreams of becoming a jockey one day, and called the event "a great opportunity to expose people to this culture, and to provide a different experience from other horse races".

Spectator Taichi Yamada, 27, who moved to the region last year, also said knowing the race's origins adds to its appeal.

"This is a form of interaction between humans and animals. I hope it will continue as a piece of history," he told AFP.

"It must be tough for horses to pull this much weight. You can't help but cheer for them."



Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
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Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)

Tourists who want to get close to Rome's Trevi Fountain will soon have to pay a two-euro ($2.34) fee, the city mayor said on Friday, as authorities look to profit more handsomely from Italy's many attractions.

Mayor Roberto Gualtieri told reporters the new payment system would start on February 1, adding that the measure was expected to raise 6.5 million euros a year.

"Two euros isn't very much ... and it will lead to less chaotic tourist flows," Gualtieri said, stressing that citizens of Rome will continue to have free access to the fountain.

Tourists will ‌have to ‌pay if they want to get ‌onto ⁠the stone steps ‌surrounding the fountain's basin, while the small surrounding square offering a view of the imposing monument will remain open for everyone.

The Trevi Fountain, where tradition dictates that visitors toss a coin into the water to guarantee their return to Rome, has long been a major tourist attraction, even for visiting world leaders.

Completed in 1762, the monument is ⁠a late Baroque masterpiece depicting Oceanus and symbolizing the varying ‌moods of the world's seas and ‍rivers.

It has received nine million ‍visitors so far this year, Gualtieri said, suggesting that he ‍expects many people will opt to view the fountain from afar in future, rather than pay to get near the water.

Visitors on Friday said they would be willing to pay if the money was put to good use.

"If it means that money is used to keep it maintained, then yeah, that's fine," said British ⁠tourist Yvonne Salustri.

Gualtieri said five other relatively unknown sites in Rome that are currently free will start charging five euros for access from February, continuing the recent trend aimed at squeezing profits from Italy's cultural heritage.

In 2023, a five-euro entrance fee was introduced for Rome's ancient Pantheon. As a result, the square outside is often crammed with people waiting for their turn to pay and enter.

Venice has introduced a tourist entry-fee system during the peak travel season, while Verona this month began charging for access to the balcony in ‌the northern Italian city that is associated with Shakespeare's "Romeo and Juliet".


ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
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ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French

The International Center for Artificial Intelligence Research and Ethics (ICAIRE) announced the launch of an interactive edition of the Data and Artificial Intelligence Glossary, in cooperation with the Saudi Data and Artificial Intelligence Authority (SDAIA), the King Salman Global Academy for Arabic Language (KSGAAL), and the Islamic World Educational, Scientific and Cultural Organization (ICESCO).

The launch coincides with World Arabic Language Day, observed annually on December 18.

The dictionary aims to preserve the Arabic language, enrich Arabic digital content with technical terminology and concepts, raise awareness of modern concepts, and facilitate access to information for researchers and practitioners.

It seeks to unify technical terminology in support of the development of the digital economy and the building of a sustainable knowledge-based future.

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French, and allows users to interact with the dictionary by adding terms in various dialects.

These enhance knowledge exchange and help ensure the unification and integration of efforts among scientific and technical institutions both regionally and internationally. The dictionary includes more than 1,200 technical terms.


Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
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Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission

As part of its World Arabic Language Day celebration, the Jeddah Book Fair 2025 has organized a panel discussion on expanding Arabic literature’s global reach.

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission. Several female academics and other literature enthusiasts took part.

The panel discussed the concept of world literature and its relationship to comparative literature, stressing that opening Arabic texts to the world’s literature requires moving beyond local geographic boundaries and engaging in wider circles of reception and circulation.

The discussion also highlighted the key role of the press and media in conveying literary texts and reaching global readers, while praising Saudi efforts to internationalize Arabic literature through clear plans and strategies as a sustainable institutional approach.

The panel is part of the commission’s efforts to mark global occasions linked to Arabic literature and culture within an integrated cultural program offered by the Jeddah Book Fair, which continues to welcome visitors until December 20, with Saudi and Arab publishing houses showcasing the latest literary releases.