Greta Gerwig, Ryan Gosling Join Fellow Oscar Nominees for Annual Celebratory Luncheon 

Canadian actor Ryan Gosling attends the Oscars Nominees Luncheon at the Beverly Hilton Hotel in Beverly Hills, California, USA, 12 February 2024. (EPA)
Canadian actor Ryan Gosling attends the Oscars Nominees Luncheon at the Beverly Hilton Hotel in Beverly Hills, California, USA, 12 February 2024. (EPA)
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Greta Gerwig, Ryan Gosling Join Fellow Oscar Nominees for Annual Celebratory Luncheon 

Canadian actor Ryan Gosling attends the Oscars Nominees Luncheon at the Beverly Hilton Hotel in Beverly Hills, California, USA, 12 February 2024. (EPA)
Canadian actor Ryan Gosling attends the Oscars Nominees Luncheon at the Beverly Hilton Hotel in Beverly Hills, California, USA, 12 February 2024. (EPA)

The casts of “Barbie” and “Oppenheimer” gathered Monday at the annual Academy Award nominees luncheon alongside dozens of less famous and first-time Oscar hopefuls for handshakes, hugs, a huge group picture and instructions on nailing an acceptance speech.

The event at the Beverly Hilton is a warm, feel-good affair where nominees in categories like best animated short get to rub shoulders and share tables with acting nominees like Ryan Gosling and Emma Stone.

Greta Gerwig and Margot Robbie, whose snubs for best director and best actress, respectively, for “Barbie” caused a major stir, both showed up for the nominations they did get, and were all smiles.

Gerwig, nominated for adapted screenplay, was surrounded by selfie-seekers as soon as she entered the banquet hall while Robbie, up for best picture as a “Barbie” producer, beamed nearby as she hugged and chatted with a woman who got one of the best actress spots, Sandra Hüller of “Anatomy of a Fall.”

The centerpiece of the event is a class photo of the entire group of nominees. Nearly all of them usually attend, both as part of the Oscars experience and as part of their unspoken campaigns for votes.

Gerwig and Robbie got some of the loudest cheers of the afternoon when their names were called during the class picture roll call that feels like a school commencement and is perhaps the day's most egalitarian tradition. The names are read and nominees called up to risers in an order that seems to make no accounting for fame.

In one typical trio, Carey Mulligan, best actress nominee for “Maestro,” was summoned to the risers between David Hemingson, who was nominated for writing his first film, “The Holdovers,” and James Price, nominated for production design on “Poor Things.”

Martin Scorsese, 81, nominated this year for best director on “Killers of the Flower Moon,” may have gotten the loudest ovation of the day when he was called up. He sat between the favorites in the actress category, Da'Vine Joy Randolph of “The Holdovers” and Lily Gladstone from his film. Both towered over the shorter Scorsese. “Oppenheimer” director Christopher Nolan reached across Gladstone to shake his hand as he sat down.

Gerwig got a happy greeting from “Barbie” best supporting actor nominee Ryan Gosling, who kissed each of her cheeks.

The luncheon dress code is daytime casual. For Gosling that meant a lilac suit with matching shirt, for Robbie a light pink beaded business suit with a bared midriff. Colman Domingo brought in a bit of evening with a tailed black jacket, black shirt with a plunging neckline and white slacks.

The first attempts at the photo didn't go well. When they finally got a few that worked, Robert Downey Jr., supporting actor nominee for “Oppenheimer,” who had been shouting joke instructions to the group of several hundred, leapt up, pumped a fist and shouted “yeah!” then turned and began applauding his fellow nominees.

Most major nominees including Cillian Murphy, a favorite for best actor for “Oppenheimer,” and Bradley Cooper, one of his category competitors, spent the hours before and after lunch making the rounds of media outlets whose reporters are set up in cabanas around the Beverly Hilton pool.

Cooper was headed toward the pool when he ran into Messi, the dog with a key role in “Anatomy of a Fall.” Cooper knelt down and gave the border collie a long, thorough petting.

The nominees sat for a vegetarian meal of king oyster mushrooms and wild mushroom risotto while Academy President Janet Yang gave her annual remarks.

She used last year's luncheon to address what she called the Academy's “inadequate” response to Will Smith slapping Chris Rock at the previous year's ceremony.

Her remarks this year had a much lighter tone, and dealt with more mundane matters more akin to a freshman orientation, like the timing of the Oscars ceremony.

“In case any of you have been in a nominations haze, we are starting an hour earlier this year,” she said.

When she saw surprise around the room she said, “Ooh, some people didn’t know! I’m glad I reminded you!”

She drew groans when she added that the Oscars come on the first day of daylight saving time.

She also delivered the president’s annual instructions on victory speeches, mostly urging winners to be brief and stick to the 45-second limit but also “speak from the heart,” “feel the moment” and “add a bit of humor.”

She then played a montage of past speeches that met the ideals, with clips from Jamie Lee Curtis, Brad Pitt and Ke Huy Quan.

It ended with the academy’s Platonic ideal of a speech played in its entirety: Javier Bardem’s 2008 acceptance of best supporting actor for “No Country for Old Men.” Total time: 37 seconds.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.