AMC Tumbles as Hollywood Strikes, Higher Expenses Hit Results

An AMC theater is pictured in Times Square in the Manhattan borough of New York City, New York, US, June 2, 2021. REUTERS/Carlo Allegri/File Photo
An AMC theater is pictured in Times Square in the Manhattan borough of New York City, New York, US, June 2, 2021. REUTERS/Carlo Allegri/File Photo
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AMC Tumbles as Hollywood Strikes, Higher Expenses Hit Results

An AMC theater is pictured in Times Square in the Manhattan borough of New York City, New York, US, June 2, 2021. REUTERS/Carlo Allegri/File Photo
An AMC theater is pictured in Times Square in the Manhattan borough of New York City, New York, US, June 2, 2021. REUTERS/Carlo Allegri/File Photo

AMC Entertainment slumped nearly 8% on Thursday as the movie industry continued to reel from the impact of twin Hollywood strikes, driving the theater chain to post a larger-than-expected quarterly loss.
The writers and actors' strikes have crippled much of the industry, leading to fewer releases following the blockbuster summer successes of "Barbie" and "Oppenheimer."
The delay in the release of the "Dune" sequel likely contributed to the box-office weakness last year.
AMC reported a loss of 83 cents per share for the fourth quarter, while analysts were expecting a loss of 70 cents, according to LSEG data. The impact of the strikes is expected to linger this year and weigh on earnings in 2024.
Just as adjusted core earnings in the summer of 2023 were returning to more acceptable pre-COVID levels, the movie industry was paralyzed by debilitating strikes, temporarily challenging AMC earnings in 2024, CEO Adam Aron said on a post-earnings call.
The strikes and the resulting lack of new content forced studios to try other means such as concert-based movies to pull in revenue.
"AMC's deals with Beyoncé and Taylor Swift went a long way in staunching the wounds and have opened up a lucrative revenue stream," said Danni Hewson, head of financial analysis at AJ Bell.
However, higher distribution costs for Swift and Beyonce's concert movies were a drag on its earnings, Reuters reported.
Domestic box-office collection was down 35% for the fourth quarter, compared with pre-pandemic levels in 2019, and 45% for the first two months of the year, compared with 2020 levels.
For 2024, "the impact from the 6-month Hollywood work stoppage is likely to cause the overall domestic box office to decrease 7%," Roth MKM analyst Eric Handler said.



At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
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At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)

Jude Law plays an FBI agent investigating the violent crimes of a white supremacist group in “The Order,” which premieres Saturday at the Venice Film Festival.

An adaptation of Kevin Flynn and Gary Gerhardt’s nonfiction book “The Silent Brotherhood,” Nicolas Hoult was cast as Robert Jay Mathews, the charismatic leader of the group which was considered the most radical hate group since the Ku Klux Klan. Their crimes, including bank robberies and armored car heists that the group was using to fund an armed revolution, led to one of the largest manhunts in FBI history, in 1983, according to The AP.

“What amazed me was it was a story I hadn’t heard about before,” said Law, who also produced. “It like a piece of work that needed to be made now.”

He added: “It’s always interesting finding a piece from the relative past that has some relationship to the present day.”

Law made the trip to Italy with his director, Justin Kurzel, and co-stars Hoult, Jurnee Smollett and Tye Sheridan for the premiere.

His character, called Agent Huss, is an amalgam FBI agent and not based on a specific person. This, they said, was important for positioning him within this story.

“He represents an awful lot of us,” Law said. “He felt his hardest work was behind him and in fact he had his biggest battle ahead of him.”

Kurzel, an Australian filmmaker known for the 2015 adaptation of “Macbeth” with Michael Fassbender, said he’d always wanted to make an American film in the vein of dramatic thrillers from the 1970s like “The French Connection,” “Mississippi Burning” and “All the Presidents’ Men.” He tried to make this film with the classic simplicity he admired in those classics.

Hoult felt it was a “difficult story to tell and difficult characters to inhabit,” but praised his director for helping to create a safe and creative environment as they explored the darkness of Mathews. He’d just recently learned, on the boat over to the Lido, that Kurzel had told Law to actually follow him around one day to get into character.

“The first time we spoke was in the first scene we interact,” Hoult said. “It gave a great energy.”

And all were struck by the parallels to today. Though no one wanted to comment directly on the upcoming U.S. presidential election, the film, they hope, speaks for itself.

“The history of America is very complex,” Smollett said. “This level of bigotry is not new and it has existed in our nation since it was founded. As artists we get to hold a mirror up to society....explore the very complex sides of humanity, the ugliness, the darkness in order for us to learn from it and hopefully not repeat it.”

“The Order” is playing in competition at Venice, alongside “ Maria,” “ Babygirl,” “The Room Next Door," “Queer” and “Joker: Folie à Deux.”

Vertical Entertainment will release the film in theaters later this year.