Ramy Youssef Constantly Asks If Jokes Are Harmful or Helpful. He Keeps Telling Them Anyway

 Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)
Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)
TT

Ramy Youssef Constantly Asks If Jokes Are Harmful or Helpful. He Keeps Telling Them Anyway

 Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)
Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)

Fresh off his awards season high after attending the Oscars with his fellow “Poor Things” stars — and presenting — Ramy Youssef is heading back into more familiar territory. The actor and comedian, known for the critically acclaimed Hulu series “Ramy,” will premiere his latest stand-up special Saturday on HBO and Max.

In keeping with much of his previous work, “Ramy Youssef: More Feelings” doesn’t shy away from fraught topics, including the upcoming presidential election and the ongoing war between Israel and Hamas. Although Youssef says he is “constantly interrogating” whether tackling these subjects through comedy is a good use of his time, he thinks there is enough reason to keep doing it — for now. The interview has been edited for clarity and brevity.

AP: This special felt very timely. I wondered how soon after Oct. 7 and the war in Gaza began that you started working on it.

YOUSSEF: I think actually what’s really interesting about the special is that it appears more topical than it is. There’s definitely jokes in there that were written in the last few months, and there’s some of them that were even written a few days before. But I think that the bedrock of a lot of the stories that you would think I was writing in terms of a response to what was happening, I had been actually workshopping for years. I think that there’s a lot of focus on Oct. 7, rightfully so, because it was obviously a horrific day. And Oct. 6 was horrific, you know?

I think that’s kind of the point I’m making in terms of like this not being topical material. I think there actually is some press from that first week of October that talks about it being the deadliest year ever for children anywhere, in regards to Palestinian children. So, you know, this is something that’s heavy. And I think in terms of trying to find light and trying to find commonality between people, which I think is the goal of the special and kind of the goal of what I’ve always done.

AP: I could see some people being reluctant to broach such taboo topics through comedy. Is it a way for you to process things?

YOUSSEF: Yeah. I think for me personally it’s a processing thing. It’s a place again to kind of create an alternative space that is kind of without logic. Obviously, I kind of go out of my way to be pretty dumb when I’m doing stand-up. I think there’s something in just figuring out, you know, is there a pocket here to let the air out somehow in terms of it being healing? It might be. It could also not be. It also could be part of the problem. I actually have no idea, to be honest with you.

And I think I’m constantly interrogating myself of like, is this helpful? And I don’t think I’ll ever really know. But I do know that there’s a feeling that I get when I do a live show and people kind of walk out and the things that I get from the people who I meet and I get to shake their hand, or the people who write where they kind of feel, like we’ve kind of recharged a little bit. But yeah, no tangible answers or solutions or anything like that. Just maybe, a bit of a recharge, hopefully.

AP: Do you think the fear of it being hurtful is that it minimizes serious things?

YOUSSEF: Yeah. It could. It could be, maybe I should be doing something else with my time. You know, all these things are possible.

AP: It’s like the Bo Burnham joke that he’s healing the world with comedy.

YOUSSEF: It’s interesting because I think I’d had that conversation with Bo about that actually like many years ago, just kind of around the topic of, at the very least, like when we’re doing what we’re doing, that we should be interrogating ourselves.

AP: Do you kind of relish making people squirm a little bit?

YOUSSEF: Probably, yeah. But again, not to be sensational. It’s not like ambulance chasing. It’s just kind of this feeling of this is how I feel and I wonder what it would look like if we felt it together and then kind of did something with that feeling, you know? So let’s bring that up and then kind of look at it and then toss it away and kind of get into something else.

AP: You also talk a lot about politics in the special. Did somebody from Joe Biden’s campaign really reach out to you in 2020?

YOUSSEF: Yeah, we had a Zoom. I mean they’re very nice people, by the way. Like, they’re really good. And I think, you know, obviously in the special, it’s kind of fun to play with those situations. We’re in a really interesting predicament where it’s kind of like, “Hey are you sure you want to complain about Biden? Because Trump is worse.” And then it’s kind of like OK, you know that’s kind of that’s like textbook abuse, right? You know, don’t say anything because then it’s going to get worse. And you say, “OK, I thought we’re in a democracy. Aren’t we supposed to kind of question it and poke at it?”

And then I’m feeling an interesting thing where we’re kind of voicing, you know, what I think is an incredibly fair argument and also starting to feel this feeling of, “Hey, you might blow this election for us.” It’s kind of like, you know, I think you might blow it for you. And I don’t want that. I actually don’t want that. I want this to work. I love being an American. I really want this to work out.

AP: And then I have to ask about Taylor Swift coming to your show. I think people didn’t really know she was into comedy.

YOUSSEF: You gotta see her “Saturday Night Live.” Her “SNL” was great.

AP: So were you guys already friends?

YOUSSEF: It’s so funny. It’s kind of like it’s just one of those things where I think because she’s one of the biggest people, I mean, she was like person of the year, that it kind of becomes this huge talking point or whatever. I kind of have a throwaway joke about it, but for the most part, it’s like we just met, you know? Like she was a big fan of the movie, of “Poor Things.” But there’s almost something slightly embarrassing about like talking about it too much because it’s just like we just met, you know? So I don’t have like a ton to say, but she's just a really cool person.



How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
TT

How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.


Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo
TT

Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo

Pop star ‌Britney Spears has sold her rights to her music catalogue to independent music publisher Primary Wave, the ​latest artist to strike a deal for her work.

Entertainment site TMZ, citing legal documents it had obtained, first reported the news, saying the "Oops!... I Did It Again" and "Toxic" singer had signed the deal on December 30.

According to Reuters, it quoted sources as saying it ‌was "in the ‌ballpark" of Canadian singer Justin ​Bieber's ‌reported $200 ⁠million ​agreement to sell ⁠his music rights to Hipgnosis in 2023.

A person familiar with the situation said news of the Spears and Primary Wave deal was accurate. No further details were given.

Primary Wave, which is home to artists ⁠including Whitney Houston, Prince and Stevie ‌Nicks, did not ‌immediately respond to a request for ​comment. Spears has ‌not commented publicly.

The 44-year-old, one of ‌the most successful pop artists of all time, has topped charts around the world, starting off with "...Baby One More Time" in 1998. The ‌deal includes her songs such as "(You Drive Me) Crazy", "Circus", "Gimme More" and "I'm a Slave ⁠4 ⁠U", TMZ said.

Spears' ninth and last studio album, "Glory", came out in 2016.

In 2021, she was released from a 13-year court-ordered conservatorship set up and controlled by her father, Jamie Spears. The arrangement had governed Spears' personal life, career and $60 million estate from 2008 until it was terminated in November 2021.

Spears follows artists such as Sting, ​Bruce Springsteen and Justin ​Timberlake who have struck deals to cash in on their work.


Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
TT

Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)

Hollywood stars embraced at this year's Oscars nominee lunch, the glamorous pre-show gathering that was canceled amid last year's devastating Los Angeles wildfires.

Timothee Chalamet, nominated for best actor in "Marty Supreme," flashed a smile while fellow Best Actor contenders Micahel B. Jordan and Ethan Hawke also flitted around the annual luncheon in Beverly Hills.

Mexican director Guillermo del Toro chatted with his tablemates as Wagner Moura, the Brazilian star of "The Secret Agent," enthusiastically embraced Stellan Skarsgard and Oliver Laxe -- the latter of whom has his film "Sirat" up for best international feature film.

Academy of Motion Picture Arts and Sciences President Lynette Howell Taylor praised the diversity of this year's nominees.

"Ballots were cast from 88 countries and regions," the British producer said, adding that "the mission of the Academy is to amplify your art, movies and your voices."

The more than 200 nominees enjoyed a buzzy afternoon, all the more energetic after last year's lunch was canceled as huge fires razed whole communities around Los Angeles. That year the lunch was replaced with a smaller dinner at the Academy's museum.

"This is a recognition of Brazilian cinema, and of the cinema of our region," Moura told AFP.

Nearby, "The Secret Agent" director Kleber Mendonca Filho joked he was feeling animated -- "like a generator."

Skarsgard said that the impact of international films is growing, as evidenced by his historic nomination for Best Supporting Actor for Norwegian film "Sentimental Value."

Foreign films and their stars typically notch nominations in the international categories, but Skarsgard is competing against nominees from US blockbusters, including Benicio del Toro in "One Battle After Another" and Delroy Lindo in "Sinners."

Benicio del Toro meanwhile told AFP he was doubly thrilled after watching fellow Puerto Rican Bad Bunny perform at the Super Bowl halftime show over the weekend.

"I got goosebumps," he told AFP, adding: "It was beautiful."

The luncheon's other legendary del Toro, the director Guillermo, meanwhile said he was "calm."

While his "Frankenstein" is nominated for Best Picture, del Toro himself is off the hook for Best Director, which he said took the pressure off him and meant he could focus on promoting his team.

"I'm happy because nine nominations don't happen every day," he said.

Lanky heartthrob Jacob Elordi, up for best supporting actor, offered a similarly toned down vibe at an impromptu photo shoot.

"I'm chilling," he said. "It's all good."