عربي English Türkçe اردو فارسى
Logo
Latest News
Entertainment

World’s Only Dragon Ball Theme Park Launched in Saudi Arabia’s Qiddiya City

This never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all Dragon Ball sagas. (SPA)
This never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all Dragon Ball sagas. (SPA)
TT
TT

World’s Only Dragon Ball Theme Park Launched in Saudi Arabia’s Qiddiya City

This never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all Dragon Ball sagas. (SPA)
This never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all Dragon Ball sagas. (SPA)

The Board of Directors of the Qiddiya Investment Company (QIC) announced on Friday the launch of Dragon Ball theme park, as it continues to set new standards in the entertainment industry, offering anime fans, families, and entertainment seekers an immersive journey into the iconic Dragon Ball universe.

Nestled within Saudi Arabia’s Qiddiya City, just 40 minutes from Riyadh, this never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all sagas.

Inspired by the seven legendary Dragon Balls, visitors can navigate seven distinctively themed zones within the park, catapulting guests into the heart of the anime action to experience the historic journey from the first Dragon Ball series to the latest Dragon Ball Super.

Park-goers can embark on a journey and immerse themselves in interactive and explorable landmarks from the Dragon Ball sagas, such as “Kame House”, “Capsule Corporation” and “Beerus’ Planet”.

The anime theme park offers over 30 rides with five groundbreaking attractions, accessible to everyone, pushing the boundaries of ride experiences. A flagship attraction located at the center of the park has a rollercoaster passing through a massive 70 m Shenron landmark.

Visitors will also have the option to stay at themed in-park hotels and build long-lasting memories with family and friends while indulging in exotic cuisines inside towering structures, where one day can never be enough.

The announcement comes after Qiddiya entered into a long-term strategic partnership with Toei Animation, Japan‘s leading animation company and original animators of Dragon Ball. The partnership aims to preserve and elevate the franchise, with a shared vision to fulfill visitor’s dreams of bringing Dragon Ball to the real world and will pave the way for Qiddiya and Toei Animation to broaden their existing collaboration.

Commenting on the launch, Managing Director of Qiddiya Investment Company Abdullah Aldawood said: “We are pleased to be partnering with Toei Animation, bringing their rich legacy of pioneering contributions to the anime industry to Qiddiya City.”

“Dragon Ball theme park is a celebration of the diverse and vibrant world of anime, offering a unique blend of thrills, family-friendly attractions, and immersive entertainment for everyone,” he added.

“This announcement only marks the beginning of many promising projects. The theme park embraces the City’s power of play philosophy, and solidifies our commitment to provide world-class entertainment, as a global leader in groundbreaking and diverse attractions,” he stressed.

Katsuhiro Takagi, president of Toei Animation, said: “Our collaboration with Qiddiya marks a key milestone, offering fans a one-of-a-kind opportunity to experience the epic adventures of Dragon Ball first-hand in the Kingdom of Saudi Arabia. The reveal of the world's only Dragon Ball theme park is a testament to the timeless legacy of the Dragon Ball franchise.”

Dragon Ball theme park will further cement Qiddiya City’s position as the worldwide capital of play. The play concept leverages decades of research showing that play is vital for human cognitive development, emotional expression, social skills, creativity, and physical health. Studies have demonstrated the positive effects of recreational activities on society, their ability to bridge differences between cultures, and bolster levels of empathy and social cohesion.

The unveiling of the Dragon Ball theme park follows the launch of Qiddiya City's world-first multi-use Gaming and Esports District, the high-tech Prince Mohammed bin Salman Stadium and Speed Park Track. More announcements from Qiddiya are due in the coming weeks.

Most Viewed

 
 
Entertainment

Saudi Film Commission to Host Fourth International Film Criticism Conference in November 2026

Saudi Film Commission to Host Fourth International Film Criticism Conference in November 2026
TT
TT

Saudi Film Commission to Host Fourth International Film Criticism Conference in November 2026

Saudi Film Commission to Host Fourth International Film Criticism Conference in November 2026

Saudi Arabia's Film Commission will host the fourth International Film Criticism Conference on November 5-6, reported the Saudi Press Agency on Tuesday.

The conference will bring together leading critics, researchers, filmmakers and cinema enthusiasts to discuss the role of criticism in reading films, explore its artistic and cultural dimensions, and examine its evolving relationship with audiences amid the changes taking place across the film sector.

Reading a film goes beyond following its events or assessing its technical elements. It involves understanding its visual language, analyzing its narratives and symbols, and exploring the meanings carried by its scenes.

In this spirit, the conference raises questions about the plurality of critical readings, the different perspectives from which a film can be approached, and the critic’s role in enriching the viewing experience and broadening the conversation around films.

The program will feature panel discussions, practical workshops, and two film screenings examining contemporary approaches to film criticism.

The conference will also shed light on the changes in critical practice brought about by the spread of digital platforms and advances in artificial intelligence, and the questions they raise about analytical tools, forms of critical expression and ways of reaching audiences. These discussions are especially relevant as the Saudi and Arab film landscape evolves, bringing greater diversity in experiences, works and themes.

The conference offers a space for critics, researchers, filmmakers and cinema enthusiasts to meet and exchange views on the relationship between filmmaking and critical reading, and on developing practices that deepen the understanding of films and engagement with their content, strengthening the place of criticism in the cultural conversation around cinema.

Between 2023 and 2025, previous editions of the conference and its forums attracted more than 29,000 visitors from over 20 countries, with more than 180 participants, over 25 workshops and 30 side events, and 28 sponsors and partners.

The 2026 conference will convene diverse voices to examine the future of film criticism and reinforce its role in shaping informed, engaged cultural dialogue around cinema.

Entertainment

Can DC Blend Horror with a Superhero Movie? ‘Clayface’ Wants to Blur Genres

This image released by Warner Bros. Pictures shows Tom Rhys Harries in a scene from "Clayface." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows Tom Rhys Harries in a scene from "Clayface." (Warner Bros. Pictures via AP)
TT
TT

Can DC Blend Horror with a Superhero Movie? ‘Clayface’ Wants to Blur Genres

This image released by Warner Bros. Pictures shows Tom Rhys Harries in a scene from "Clayface." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows Tom Rhys Harries in a scene from "Clayface." (Warner Bros. Pictures via AP)

The dominant movie genres of the past decade, superhero films and horror, have usually stayed, like bashful teenagers on the dance floor, on separate sides of the multiplex.

But when James Gunn and Peter Safran were plotting the projects with which they wanted to launch their era of DC Studios, writer-director Mike Flanagan came in with a pitch that would fuse both genres.

Neither Safran nor Gunn were looking for a standalone movie about Clayface, a lesser-known villain from the Batman comics. But they were won over by Flanagan’s vision, which eventually became a script by Flanagan and Hossein Amini.

“It fit within the broader framework of how James and I saw the broad spectrum of film and television shows we want to make,” says Safran. “But it really was Mike Flanagan’s passion and pitch. You always look for volunteers and not recruits.”

Not many studios would push “Clayface” to the front of the pack, but Gunn, who started in horror, and Safran, who helped launch “The Conjuring” franchise, made “Clayface” — with James Watkins eventually coming on to direct — part of their first wave of DCU films, following “Superman” and “Supergirl.”

“Clayface” is a darker detour for DC. And, if it proves successful, it just might open up a darker frontier for comic book movies.

“From the get-go, this was not designed to be a traditional superhero movie,” Safran says. “It was always supposed to be a character-driven story that uses the DC mythology. If you took the DC elements out of it, it would just be a great horror movie.”

That makes “Clayface” something unusual in the normally calculated realm of superhero movies. It’s R-rated. It’s modestly budgeted at $40 million. And it stars the relatively unknown Tom Rhys Harries as a little-known DC villain.

“A lot of people wouldn’t necessarily know who Clayface is, but they wouldn’t need to,” says Watkins, the Welsh filmmaker of “Speak No Evil” and “The Woman in Black.” “It’s its own movie.”

‘Supergirl’ disappointment puts pressure on ‘Clayface’

That, Safran says, is by design. He and Gunn have emphasized filmmaker-first projects at DC, carving a more idiosyncratic, multi-genre path that has won them fans but also added some degree of risk.

“Clayface,” which opens in theaters Oct. 22, will debut shortly after Skydance and David Ellison’s takeover of Warner Bros. Ellison is keeping Gunn and Safran to lead DC, even though they’re coming off a misfire in the box-office disappointment of “Supergirl.” That puts more pressure on “Clayface” to perform.

“If you look at the cumulative choices that we’ve made, I think it’s pretty clear we’re trying to do things differently,” says Safran. “Not everything is going to work. The pressure we feel for ‘Clayface’ is honestly the pressure we feel for everything we put into the world.”

There have been a few movies to meld horror and superheroes together, including Wes Craven’s “Swamp Thing” (1982), Sam Raimi’s “Darkman” (1990) and “Brightburn” (2019), a sinister twist on the “Superman” origin story that Gunn produced.

But Clayface, a Batman villain created in 1940 by Bill Finger and Bob Kane, is still an unlikely character to put center stage. In the comics, he began as Basil Karlo, a B-list actor who, furious that he wasn’t cast in a horror remake he had previously starred in, wears the movie’s Clayface costume to kill the film's actors.

Winning over skeptical DC fans

Some fan skepticism has followed “Clayface.” Last week, Gunn defended the choice on the social media platform Threads after a user asked, “Who the (expletive) asked for a ‘Clayface’ movie?”

Gunn replied: “Although it may seem like it, Hollywood isn’t a place where the only way to make a movie is the public voting on what IP they want to see that they’ve seen countless times before.”

Watkins’ film, taking inspiration from the two-part episode “Feat of Clay” from “Batman: The Animated Series,” twists the original Clayface story slightly. Rising movie star Matt Hagen (Harries) is disfigured by a mob boss (Eddie Marsan) and rapidly falls out of Hollywood. After numerous unsuccessful surgeries, he resorts to an experimental process created by the scientist Dr. Caitlyn Corr (Naomi Ackie) that uses an untested, claylike living organism to rehabilitate his face.

“Part of the joy was being surprised at what’s looking back at me in the mirror every day,” says Harries, smiling.

To a large degree, “Clayface” progresses as a character study, one of an actor whose livelihood falls away from him and whose attempts to get back on the red carpet turn increasingly dark. His journey, though, hinges less on vanity than on his relationship with Caitlyn.

“I was approaching it the whole time like: Matt thinks he’s in a romantic comedy,” says Harries. “The fulcrum of the whole thing is his relationship with Caitlyn Corr. Without that, you don’t get the propulsion for Matt to be doing what he decides he needs to.”

Shape-shifting in genre and body

As “Clayface” devolves, Matt’s face and body increasingly shape-shift in chilling body horror transformations. That can include his own body changing or Matt taking the form of other characters around him. While CGI and visual effects were used, Watkins leaned into practical effects.

“I like horror when it’s most relatable, when it actually gets under the skin,” Watkins says.

In the third act of “Clayface,” that’s taken to body-changing extremes as Matt dons the appearance of those around him. Often, actors were swapping into scenes moment to moment with Harries.

“We’d often play a scene with Tom and then someone else would play the same scene,” says Watkins. “Sometimes Tom would copy them, sometimes they would copy Tom.”

If the superhero movie has sometimes been too rigidly formulaic, “Clayface” proves the genre has more elasticity than it's been shown to have. In “Clayface,” even the lead role was an ensemble piece.

“I won’t mention any actor’s name because it’s a bit of a spoiler,” Watkins says. “But one of the cast members was saying to me his son asked, ‘So who are you in the movie?’ And he said, ‘I’m Clayface.’”

Entertainment

Bollywood Actor Tiger Shroff Shot at in Mumbai, Three Suspects Held

Bollywood actor Tiger Shroff at the screening of 'Ikkis' in Mumbai in December 2025. Sujit JAISWAL / AFP/File
Bollywood actor Tiger Shroff at the screening of 'Ikkis' in Mumbai in December 2025. Sujit JAISWAL / AFP/File
TT
TT

Bollywood Actor Tiger Shroff Shot at in Mumbai, Three Suspects Held

Bollywood actor Tiger Shroff at the screening of 'Ikkis' in Mumbai in December 2025. Sujit JAISWAL / AFP/File
Bollywood actor Tiger Shroff at the screening of 'Ikkis' in Mumbai in December 2025. Sujit JAISWAL / AFP/File

Indian actor Tiger Shroff was shot at in Mumbai on Sunday, police said, adding that three suspects have been detained.

Shooters opened fire at the 36-year-old actor as he was leaving a private event in the city's upscale Juhu area on Sunday evening, according to Police official Mohit Garg.

Aside from being India's financial capital, Mumbai is also the heart of Bollywood, the country's Hindi-language film industry, said AFP.

"Tiger Shroff is safe and Mumbai police has deployed different teams to investigate further," Garg told reporters.

Two people were injured in the incident, including the actor's driver, though Shroff did not sustain gunshot wounds, police said.

Three suspects have been rounded up in Rajasthan, another Indian state.

"Preliminary questioning revealed that two of them have one case each against them, one related to theft and the other under the Arms Act," police official Tejaswani Gautam told reporters.

Police have yet to establish a motive for the shooting.

Shroff is known for action films including the "Baaghi" franchise and "War".