Chance Perdomo, Star of ‘Chilling Adventures of Sabrina’ and ‘Gen V,’ Dies in Motorcycle Crash at 27

This undated photo provided by Shelter PR shows Chance Perdomo. Perdomo, who rose to fame as a star of “Chilling Adventures of Sabrina” and “Gen V,” has died at age 27, following a motorcycle crash, his publicist said, Saturday, March 30, 2024. (Gray Hamner/Chance Perdomo and Shelter PR via AP)
This undated photo provided by Shelter PR shows Chance Perdomo. Perdomo, who rose to fame as a star of “Chilling Adventures of Sabrina” and “Gen V,” has died at age 27, following a motorcycle crash, his publicist said, Saturday, March 30, 2024. (Gray Hamner/Chance Perdomo and Shelter PR via AP)
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Chance Perdomo, Star of ‘Chilling Adventures of Sabrina’ and ‘Gen V,’ Dies in Motorcycle Crash at 27

This undated photo provided by Shelter PR shows Chance Perdomo. Perdomo, who rose to fame as a star of “Chilling Adventures of Sabrina” and “Gen V,” has died at age 27, following a motorcycle crash, his publicist said, Saturday, March 30, 2024. (Gray Hamner/Chance Perdomo and Shelter PR via AP)
This undated photo provided by Shelter PR shows Chance Perdomo. Perdomo, who rose to fame as a star of “Chilling Adventures of Sabrina” and “Gen V,” has died at age 27, following a motorcycle crash, his publicist said, Saturday, March 30, 2024. (Gray Hamner/Chance Perdomo and Shelter PR via AP)

Actor Chance Perdomo, who rose to fame as a star of “Chilling Adventures of Sabrina” and “Gen V,” has died at age 27 following a motorcycle crash.

“On behalf of the family and his representatives, it is with heavy hearts that we share the news of Chance Perdomo’s untimely passing as a result of a motorcycle accident,” a publicist said in a statement issued Saturday evening.

The statement said no one else was involved in the crash. No details about the crash, including when and where it took place, were immediately released.

Perdomo most recently played Andre Anderson on the first season of “Gen V,” the college-centric spin-off of Amazon Prime’s hit series “The Boys,” set in a universe where superheroes are celebrities — and behave as badly as the most notorious.

Perdomo’s character was a student at Godolkin University, founded by the sinisterly omnipresent Vought International corporation, where “supes” train; his power involved the manipulation of metal.

Amazon MGM Studios and Sony Pictures Television, the makers of “Gen V,” said the show’s family was “devastated by the sudden passing.”

“We can’t quite wrap our heads around this. For those of us who knew him and worked with him, Chance was always charming and smiling, an enthusiastic force of nature, an incredibly talented performer, and more than anything else, just a very kind, lovely person,” the producers of “Gen V” said in a statement. “Even writing about him in the past tense doesn’t make sense.”

It wasn’t immediately clear from the statements how Perdomo’s death would affect production on the show, which also featured Jaz Sinclair, Patrick Schwarzenegger and Shelley Conn among its sprawling ensemble cast.

One of Perdomo’s most famous roles was as Ambrose Spellman, a lead character on “Chilling Adventures of Sabrina.” The four-season show was a far cry from the Melissa Joan Hart-fronted “Sabrina the Teenage Witch.” Created by Roberto Aguirre-Sacasa, the Netflix show set its Archie Comics characters a town over from the titular location of Aguirre-Sacasa’s “Riverdale,” and employed a more spooky and salacious tone than its forerunner — although some of the original “Sabrina” actors came calling.

Perdomo’s character was a cousin to Sabrina Spellman and a powerful warlock who specialized in necromancy and is initially under house arrest. He often served as a sort of voice of reason on the show, which wrapped in 2020. He starred alongside Kiernan Shipka, Miranda Otto, Tati Gabrielle, Ross Lynch and, again, Sinclair.

Perdomo, who was Black and Latino, was born in Los Angeles and raised in England.

“I was always getting into fights until I put my energy into acting. Then my grades picked up, and I became president of the student union. Before that, I was similar to Ambrose being so pent up. He doesn’t know what to do with his energy because he’s trapped,” Perdomo told them.us in 2018.

“At the same time, he’s very open and loving. I identify with that now more than ever, because being away from family for so long really puts things into perspective. No matter the occasion, if I get that FaceTime or phone call from mom or my brothers, I’m picking it up right away. It’s family first for Ambrose, and I’m the same way,” he continued.

Perdomo also acted in several of the “After” movies and is credited in the upcoming “Bad Man” alongside Seann William Scott and Rob Riggle.

“His passion for the arts and insatiable appetite for life was felt by all who knew him, and his warmth will carry on in those who he loved dearest,” the statement from Perdomo’s publicist said.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".