Alien Fever Dreams Fuel Peruvian Grave Robbings

Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights
Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights
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Alien Fever Dreams Fuel Peruvian Grave Robbings

Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights
Photo by REUTERS/Sebastian Castaneda Purchase Licensing Rights

Leandro Rivera says he chanced upon the cave in Peru's remote Nazca region that contained hundreds of pre-Hispanic artifacts – including human bodies with elongated heads and what appeared to be only three fingers on each hand.
The plateau is famous for the Nazca lines, incisions on the desert floor forming birds and other animals visible from the air. The ancient geoglyphs have long intrigued anthropologists and exert a powerful fascination over some believers in extraterrestrials.
Nazca is also known for salt flats that dehydrate and preserve human and animal remains, making it the site of important archeological finds that have deepened modern understanding of ancient cultures – and attracted grave robbers.
Rivera was convicted in 2022 of assault on public monuments for unearthing the artifacts. He received a four-year suspended sentence and was fined about 20,000 Peruvian soles ($5,190), short of the maximum penalty of an eight-year prison term.
His haul was thrust into the spotlight last year when two of the mummies ended up in Mexico as the centerpiece of congressional hearings on UFOs and extraterrestrial life. Mexican journalist Jaime Maussan presented the bodies as a sign of life beyond Earth – a claim dismissed by scientists.
In an interview with Reuters, Rivera said he removed as many as 200 sets of remains from the cave, and some bodies had been smuggled out of Peru to France, Spain and Russia.
The presentation of bodies in Mexico – as well as Rivera's claims to have dozens more – have prompted some experts to ask whether Peru is losing the battle to stop the plunder of its archaeological sites to feed a lucrative black market for mummies and other pre-Hispanic artifacts.
"Peru has done a lot of work to try and control this trade," said Christopher Heaney, a Latin American history professor at Penn State University and author of a book on Peruvian mummies. "But this implies that these claims for government success need to be re-examined a bit if objects like (the bodies in Mexico) can leave the country."
Peru's Culture Ministry did not respond to questions about the effectiveness of its efforts to control trafficking.
Reuters was granted rare access to the ministry's anti-smuggling unit at Lima's international airport and spoke to four government officials who said stricter penalties, more resources and better coordination were needed to fight the looting.
The news agency was unable to verify independently key details of Rivera's account. The public prosecutor's office of the culture ministry said in a statement to Reuters that its investigation into Rivera yielded just two altered bodies and two partial sets of bones.
Evelyn Centurion, head of cultural heritage recovery for the ministry, said the government is working on a task force with police, the attorney general, the foreign ministry and other departments to toughen penalties for looting cultural artifacts.
"The looting has not stopped," Centurion said in an interview. "We need greater collaboration from local governments and local authorities to prevent these illicit acts."



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.