‘I Was Afraid for My Life’ — Orlando Bloom Puts Himself in Peril for New TV Series

 This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
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‘I Was Afraid for My Life’ — Orlando Bloom Puts Himself in Peril for New TV Series

 This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)

Orlando Bloom wanted to test himself for his latest adventure project. Not by eating something gross or visiting a new country. He wanted to risk death — with not one but three extreme sports.

The Peacock series “Orlando Bloom: To the Edge” sees the “Pirates of the Caribbean” star shoot through the sky thousands of feet above the ground, dive into a deep sinkhole and rock climb hundreds of feet.

“While I was at moments scared for my life during the show, having come out the other end of it I feel way more capable,” Bloom tells The Associated Press.

The series, which debuts Thursday, was born from the pandemic, which made outside adventures even more alluring. It met the perfect host in a man who is a natural risk-taker. When he made his Broadway debut in “Romeo and Juliet,” he roared onto the stage on a Triumph motorcycle.

“I’m like a collector of experiences in some ways,” he says. “I’ve been remarkably gifted and fortunate to have some unique ones, but this was definitely like, ‘Oh, wow, I’m capable of this. Therefore I can do anything.’”

First up was wingsuiting — skydiving in a special jumpsuit that adds lift so you can glide longer before opening your parachute. Bloom's goal was to jump out of plane at 13,000 feet (3,962 meters) fly 3 miles (4.8 kilometers) over the Pacific Ocean and land on the beach.

Then he heads to the Bahamas, to a 663-foot-deep (202 meters) hole in the ocean, with the aim of plunging to 100 feet (30.5 meters) on just one breath. After that, it’s off to Utah to climb a 400-foot (122 meter) tower and stand on a summit the size of a pizza box.

“We all experience fear. It’s how we face this fear that defines us,” Bloom says in the first episode. “I never feel so alive being so close to death.”

There were some heart-in-your throat moments, like on his seventh skydiving jump, where Bloom needed to activate his reserve chute, something that is necessary just 1 in 1,000 times. And for his 21st jump, he did it holding hands with his 80-year-old uncle, Christopher Copeland, a master skydiver.

Usually it takes 200 solo skydives before anyone is allowed to wingsuit but Bloom convinces his instructor in just two weeks. Katy Perry, his partner, is on hand for the first wobbly flight, embracing her man after he lands and lovingly calling him “a flying wombat.”

Bloom battles ear pain to attempt the 100-foot (30.5 meter) freedive and practicing a breath exercise leaves him in tears, struggling and sweating. Freediving turns out to require a slowing heart, conserving energy and relaxing — the opposite of most sports.

The rock climbing challenge sees a usual 2-3 year training process condensed into a week. There was added stress because Bloom broke his back in a fall in his 20s and really didn't want to do that again.

“Just remember if everything hurts and you want to puke, you’re doing it right,” an instructor helpfully tells him. Bloom also leans into his Buddhist belief, meditating and chanting in the run-up to each daredevil step.

Bloom joins a crowded field of adventure-seeking celeb TV hosts, which includes Eugene Levy, Zac Efron, José Andrés, Chris Hemsworth, Will Smith, Stanley Tucci, Macaulay Culkin and Ewan McGregor.

Bloom, already a guy who went to the gym twice a day, was a quick learner and even emerged with a skydiving license. But he had one-on-one help from experts usually out of the reach of regular thrillseekers, like Maureen “Mo” Beck, a gold medal at the 2014 Spanish Paraclimbing World Championships, and Camila Jaber, the youngest female freediver to break records.

Bloom credits his instructors for their patience, expertise and teaching him to trust them and their gear. His life was in their hands but very often, their lives were in his hands.

“It wasn’t just as simple as like, ‘I’m just going to go with the flow here.’ No, I learned the tools. There are protocols,” he says. “There is a framework with which I was working. And while I was doing that, I was able to get into a rhythm, into a flow, and achieve things that I never thought I would ever do in my lifetime.”

Bloom hopes viewers will tune in to see a novice achieve remarkable feats but also to inspire them to get outside their comfort zones, be it perhaps by managing public speaking or learning a new language.

“For me, the idea of the show was like, ’Well, what is it for you?” he asks. “What is your version of jumping out of a plane? It doesn’t have to be physical or death defying in some form or another.”

Bloom says he's in a happy place, with a good career, a loving partner and great children. That made the stakes even higher for the new series.

“I’m very grateful for my life,” he says. “I’m even more grateful having survived ‘Orlando Bloom: To the Edge.’”



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.