‘I Was Afraid for My Life’ — Orlando Bloom Puts Himself in Peril for New TV Series

 This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
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‘I Was Afraid for My Life’ — Orlando Bloom Puts Himself in Peril for New TV Series

 This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)

Orlando Bloom wanted to test himself for his latest adventure project. Not by eating something gross or visiting a new country. He wanted to risk death — with not one but three extreme sports.

The Peacock series “Orlando Bloom: To the Edge” sees the “Pirates of the Caribbean” star shoot through the sky thousands of feet above the ground, dive into a deep sinkhole and rock climb hundreds of feet.

“While I was at moments scared for my life during the show, having come out the other end of it I feel way more capable,” Bloom tells The Associated Press.

The series, which debuts Thursday, was born from the pandemic, which made outside adventures even more alluring. It met the perfect host in a man who is a natural risk-taker. When he made his Broadway debut in “Romeo and Juliet,” he roared onto the stage on a Triumph motorcycle.

“I’m like a collector of experiences in some ways,” he says. “I’ve been remarkably gifted and fortunate to have some unique ones, but this was definitely like, ‘Oh, wow, I’m capable of this. Therefore I can do anything.’”

First up was wingsuiting — skydiving in a special jumpsuit that adds lift so you can glide longer before opening your parachute. Bloom's goal was to jump out of plane at 13,000 feet (3,962 meters) fly 3 miles (4.8 kilometers) over the Pacific Ocean and land on the beach.

Then he heads to the Bahamas, to a 663-foot-deep (202 meters) hole in the ocean, with the aim of plunging to 100 feet (30.5 meters) on just one breath. After that, it’s off to Utah to climb a 400-foot (122 meter) tower and stand on a summit the size of a pizza box.

“We all experience fear. It’s how we face this fear that defines us,” Bloom says in the first episode. “I never feel so alive being so close to death.”

There were some heart-in-your throat moments, like on his seventh skydiving jump, where Bloom needed to activate his reserve chute, something that is necessary just 1 in 1,000 times. And for his 21st jump, he did it holding hands with his 80-year-old uncle, Christopher Copeland, a master skydiver.

Usually it takes 200 solo skydives before anyone is allowed to wingsuit but Bloom convinces his instructor in just two weeks. Katy Perry, his partner, is on hand for the first wobbly flight, embracing her man after he lands and lovingly calling him “a flying wombat.”

Bloom battles ear pain to attempt the 100-foot (30.5 meter) freedive and practicing a breath exercise leaves him in tears, struggling and sweating. Freediving turns out to require a slowing heart, conserving energy and relaxing — the opposite of most sports.

The rock climbing challenge sees a usual 2-3 year training process condensed into a week. There was added stress because Bloom broke his back in a fall in his 20s and really didn't want to do that again.

“Just remember if everything hurts and you want to puke, you’re doing it right,” an instructor helpfully tells him. Bloom also leans into his Buddhist belief, meditating and chanting in the run-up to each daredevil step.

Bloom joins a crowded field of adventure-seeking celeb TV hosts, which includes Eugene Levy, Zac Efron, José Andrés, Chris Hemsworth, Will Smith, Stanley Tucci, Macaulay Culkin and Ewan McGregor.

Bloom, already a guy who went to the gym twice a day, was a quick learner and even emerged with a skydiving license. But he had one-on-one help from experts usually out of the reach of regular thrillseekers, like Maureen “Mo” Beck, a gold medal at the 2014 Spanish Paraclimbing World Championships, and Camila Jaber, the youngest female freediver to break records.

Bloom credits his instructors for their patience, expertise and teaching him to trust them and their gear. His life was in their hands but very often, their lives were in his hands.

“It wasn’t just as simple as like, ‘I’m just going to go with the flow here.’ No, I learned the tools. There are protocols,” he says. “There is a framework with which I was working. And while I was doing that, I was able to get into a rhythm, into a flow, and achieve things that I never thought I would ever do in my lifetime.”

Bloom hopes viewers will tune in to see a novice achieve remarkable feats but also to inspire them to get outside their comfort zones, be it perhaps by managing public speaking or learning a new language.

“For me, the idea of the show was like, ’Well, what is it for you?” he asks. “What is your version of jumping out of a plane? It doesn’t have to be physical or death defying in some form or another.”

Bloom says he's in a happy place, with a good career, a loving partner and great children. That made the stakes even higher for the new series.

“I’m very grateful for my life,” he says. “I’m even more grateful having survived ‘Orlando Bloom: To the Edge.’”



Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”