After 4 Decades in Music and Major Vocal Surgery, Jon Bon Jovi Is Optimistic and Still Rocking 

Jon Bon Jovi poses for a portrait in New York on Sept. 23, 2020 to promote his new album "2020". (AP)
Jon Bon Jovi poses for a portrait in New York on Sept. 23, 2020 to promote his new album "2020". (AP)
TT

After 4 Decades in Music and Major Vocal Surgery, Jon Bon Jovi Is Optimistic and Still Rocking 

Jon Bon Jovi poses for a portrait in New York on Sept. 23, 2020 to promote his new album "2020". (AP)
Jon Bon Jovi poses for a portrait in New York on Sept. 23, 2020 to promote his new album "2020". (AP)

When Jon Bon Jovi agreed to let director Gotham Chopra follow him with a documentary camera to delve into the history of his band, Bon Jovi, he didn't anticipate it would catch him at a major low point in his career.

The band was launching a tour, and despite doing all he could do to be vocally ready, the “Livin' on a Prayer” singer struggled through songs and couldn't hit the notes the way he used to.

Critics noticed and wrote about it. A review from Pioneer Press in St. Paul, Minnesota, said: “It felt like he had forgotten how to sing.”

In a recent interview with The Associated Press, Bon Jovi said the reaction at the time was “heartbreaking." After exhausting holistic options, he saw a doctor who said one of his vocal cords was atrophying.

“This was unique. It wasn't a nodule. The strong (vocal cord) was pushing the weak one around, and suddenly, my inabilities were just exacerbated," said Bon Jovi. He underwent major surgery and is still recovering.

“Every day is sort of like doing curls with weights and just getting them both to be the same size and to function together.”

This year has been a turning point. In February, he performed for an audience for the first time since his surgery at the MusiCares Person of the Year benefit gala where he was also named Person of The Year. The band's next album, “Forever” hits stores June 7, and its first single “Legendary” is out now. The four-part, “Thank You, Goodnight: The Bon Jovi Story,” debuts Friday on Hulu.

In a Q&A, Bon Jovi talks about his voice, his famous hair, the music industry and his work ethic.

Answers have been edited for clarity and brevity.

AP: The work you put in behind-the-scenes is like a quarterback in between football games. Are you still rehearsing at that intensity, and how are you now?

BON JOVI: I’m doing great. The record was easy to do. The process has been steady. Would I like it to be a light switch? Yeah. I said to the doctor, 'I want to flip the switch and be done with this.’ It’s just not how it works. Like an athlete coming back from an ACL tear or whatever, it just takes time. The therapy is still intensive and yet I’m confident that it gets progressively better.

AP: We learn in the docuseries that your father was a barber. You've always been known for having good hair, especially in the 1980's. Does that come from your dad?

BON JOVI: Not in as much where he sat down and said, “I’ve got this idea.” Really, I was a byproduct of what was the 80s. Those were my baby pictures. I love laughing at them. Now, I can jokingly at least say, “After 40 years of a career, I still have all my hair.” That is a good thing. Genetics works in my favor.

AP: Do you ever think about acting again?

BON JOVI: I do, on occasion. My day job then comes back to get in the way. In truth, I've got a big record coming out, and I’m hoping to go out on the road, so I don’t have time for it. And I respect the craft far too much to think I’m going to walk on a set and hit my marks and call that acting.

AP: Your work ethic stands out in “Thank You, Goodnight.” We see in the early days you would sleep at the music studio. Where does that come from?

BON JOVI: If you’re not going to be great, the guy that’s coming in tomorrow night is going to be better. This isn’t a career that you should take lightly. There’s a million other young guys that are waiting to take your spot. And there are no guarantees in this business...You have to win hearts in order to win people's hard-earned dollar. If you’re asking them to stay with you for four decades, that’s a task. You better be one of the greats or else good luck.

AP: Richie Sambora is interviewed in the series. The fans love seeing him. Do you think you will ever perform together again?

BON JOVI: We never had a big falling out. He quit 10 years ago. It’s not that we’re not in contact or anything like that, but he was choosing to, as a single dad, raise his child. The door is always open if he wants to come up and sing a song. I mean, there’s many of them that we co-wrote together. That's a great part of both of our lives. There’s no animosity here.

AP: A lot of musicians are selling their music catalog. Would you?

BON JOVI: For some, it makes sense because they need to. For some, it makes sense because they want to. I just find (Bon Jovi's music) to be my baby, and I have no desire at this juncture in my life to ever even consider it.

AP: You're one of New Jersey's favorite sons like Bruce Springsteen. It's a point of pride for New Jersey residents that you're from there, but you moved to Florida?

BON JOVI: Part-time! My license is still New Jersey. I still vote in New Jersey.

AP: The music industry is such a singles market now. Did you ever consider just putting out some new songs and not an entire album?

BON JOVI: See, I’m the opposite. I can only put out an album. I do all I know how to do. I have to tell the complete story. It has to be the beginning, a middle and an end because that's who and what we are.

AP: How do you describe the new album?

BON JOVI: What comes through is joy. My goal with this record was to capture joy which for these last few years has been difficult, whether it’s the dark cloud of COVID that the world experienced or my own personal journey. With this record, I think we captured joy.



First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
TT

First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
TT

Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”


Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
TT

Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)

Rapper Nicki Minaj on Sunday made a surprise appearance at a gathering of conservatives in Arizona that was memorializing late activist Charlie Kirk, and used her time on stage to praise President Donald Trump and Vice President JD Vance, calling them “role models” for young men.

The rap star was interviewed at Turning Point USA’s AmericaFest convention by Erika Kirk, the widow of Charlie Kirk, about her newly found support for Trump — someone she had condemned in the past — and about her actions denouncing violence against Christians in Nigeria.

The Grammy-nominated rapper's recent alignment with the Make America Great Again movement has caught some interest because of her past criticism of Trump even when the artist's own political ideology had been difficult to pin down. But her appearance Sunday at the flagship event for the powerful conservative youth organization may shore up her status as a MAGA acolyte.

Minaj mocked California Gov. Gavin Newsom, referring to him as New-scum, a nickname Trump gave him. Newsom, a Democrat, has 2028 prospects. Minaj expressed admiration for the Republican president and Vance, who received an endorsement from Erika Kirk despite the fact he has not said whether he will run for president. Kirk took over as leader of Turning Point.

“This administration is full of people with heart and soul, and they make me proud of them. Our vice president, he makes me ... well, I love both of them,” The Associated Press quoted Minaj as saying. “Both of them have a very uncanny ability to be someone that you relate to.”

Minaj’s appearance included an awkward moment when, in an attempt to praise Vance’s political skills, she described him as an “assassin.”

She paused, seemingly regretting her word choice, and after Kirk appeared to wipe a tear from one of her eyes, the artist put her hand over her mouth while the crowd murmured.

“If the internet wants to clip it, who cares? I love this woman,” said Erika Kirk, who became a widow when Charlie Kirk was assassinated in September.

Last month, the rapper shared a message posted by Trump on his Truth Social network about potential actions to sanction Nigeria saying the government is failing to rein in the persecution of Christians in the West African country. Experts and residents say the violence that has long plagued Nigeria isn’t so simply explained.

“Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God,” Minaj shared on X. She was then invited to speak at a panel at the US mission to the United Nations along with US Ambassador Mike Waltz and faith leaders.

Minaj said she was tired of being “pushed around,” and she said that speaking your mind with different ideas is controversial because “people are no longer using their minds.” Kirk thanked Minaj for being “courageous,” despite the backlash she is receiving from the entertainment industry for expressing support for Trump.

“I didn’t notice,” Minaj said. “We don’t even think about them.” Kirk then said “we don’t have time to. We’re too busy building, right?”

“We’re the cool kids,” Minaj said.

The Trinidadian-born rapper is best known for her hits “Super Freaky Girl,” “Anaconda” and “Starships.” She has been nominated for 12 Grammy Awards over the course of her career.

In 2018, Minaj was one of several celebrities condemning Trump’s zero-tolerance immigration policy that split more than 5,000 children from their families at the Mexico border. Back then, she shared her own story of arriving to the country at 5 years old, describing herself as an “illegal immigrant.”

“This is so scary to me. Please stop this. Can you try to imagine the terror & panic these kids feel right now?” she posted then on Instagram.

On Sunday on stage with Erika Kirk, Minaj said, “it’s OK to change your mind.”