Looted Gold, Royal Treasures Go on Show Back Home in Ghana

 Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
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Looted Gold, Royal Treasures Go on Show Back Home in Ghana

 Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)

Gold neck discs, a sword, a royal chair and dozens of other treasures looted during British colonial rule went on show in Ghana this week for the first time since their historic return.

People travelled from across the West African country to see the repatriated plunder in the city of Kumasi, the seat of Asante King Otumfuo Osei Tutu II, known as the Asantehene.

"The items that came back are virtually the soul of the people of Asante," the monarch said at the exhibition, which marks his silver jubilee.

The gold regalia was looted during Britain's 1821-1957 colonization of what is now Ghana, much of it taken during violent battles with the Asante kingdom and placed in museums.

London's British and Victoria & Albert museums, and the Fowler Museum at the University of California, sent the artefacts back earlier this year - part of a growing move by Western institutions to reexamine colonial legacies.

Negotiations to return the items took more than 50 years, the Asantehene said.

Other museums in the US and Europe have agreed to hand back treasures taken from the Kingdom of Benin in modern-day Nigeria and received requests for returns from other states across the continent, including Egypt and Ethiopia.

"Most of our things are not written, they are expressed in the art we see," documentary-maker Lawer Akunor said at the show.

"Bringing these (back) is bringing the history to whom it belongs."

Most of the 42 items on display at Kumasi's Manhyia Palace Museum were taken during five battles between the Asante Kingdom and Britain known as the Anglo-Asante wars. Many were pillaged directly from the Asante palace.

Some of Britain's main national museums are banned by law from handing over or disposing of the bulk of their collections. So 32 objects from the British Museum and the Victoria & Albert Museum (V&A) are in Ghana on loan.

"We acknowledge the very painful history surrounding the acquisition of these objects. A history tainted by the scars of imperial conflict and colonialism," V&A Director Tristram Hunt said at the opening.

The V&A has loaned 17 items to the Manhyia museum for three years, with the possibility of another three-year renewal. Objects include a gold peace pipe and gold discs worn during royal ceremonies.

Sculptor Gabriel Bekoe said he was inspired by the display.

"Seeing them will help me know what I used to be and that will influence the ideas and concepts I build afterward," he said.



Thousands Greet the Winter Solstice at the Ancient Stonehenge Monument

A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
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Thousands Greet the Winter Solstice at the Ancient Stonehenge Monument

A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)

Thousands of tourists, pagans, druids and people simply yearning for the promise of spring marked the dawn of the shortest day of the year at the ancient Stonehenge monument on Saturday.

Revelers cheered and beat drums as the sun rose at 8:09 a.m. (0809 GMT) over the giant standing stones on the winter solstice — the shortest day and the longest night in the Northern Hemisphere. No one could see the sun through the low winter cloud, but that did not deter a flurry of drumming, chanting and singing as dawn broke.

There will be less than eight hours of daylight in England on Saturday — but after that, the days get longer until the summer solstice in June.

The solstices are the only occasions when visitors can go right up to the stones at Stonehenge, and thousands are willing to rise before dawn to soak up the atmosphere.

The stone circle, whose giant pillars each took 1,000 people to move, was erected starting about 5,000 years ago by a sun-worshiping Neolithic culture, according to The AP. Its full purpose is still debated: Was it a temple, a solar calculator, a cemetery, or some combination of all three?

In a paper published in the journal Archaeology International, researchers from University College London and Aberystwyth University said the site on Salisbury Plain, about 128 kilometers (80 miles) southwest of London, may have had political as well as spiritual significance.

That follows from the recent discovery that one of Stonehenge’s stones — the unique stone lying flat at the center of the monument, dubbed the “altar stone” — originated in Scotland, hundreds of miles north of the site. Some of the other stones were brought from the Preseli Hills in southwest Wales, nearly 240 kilometers (150 miles) to the west,

Lead author Mike Parker Pearson from UCL’s Institute of Archaeology said the geographical diversity suggests Stonehenge may have served as a “monument of unification for the peoples of Britain, celebrating their eternal links with their ancestors and the cosmos.”