US Vows More Returns of Looted Antiquities as Italy Celebrates Latest Haul of 600 Artifacts 

A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)
A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)
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US Vows More Returns of Looted Antiquities as Italy Celebrates Latest Haul of 600 Artifacts 

A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)
A view of some of the works of art that have been repatriated from the United States of America by the Carabinieri for the Protection of Cultural Heritage (TPC) on display at the Central Institute for Restoration in Rome, Italy, 28 May 2024. (EPA)

Italy on Tuesday celebrated the return of around 600 antiquities from the US, including ancient bronze statues, gold coins, mosaics and manuscripts valued at 60 million euros ($65 million), that were looted years ago, sold to US museums, galleries and collectors and recovered as a result of criminal investigations.

US Ambassador Jack Markell, Matthew Bogdanos, the head of the antiquities trafficking unit of the New York district attorney's office, and members of the US Homeland Security Investigations department were on hand for the presentation alongside the leadership of Italy’s Culture Ministry and Carabinieri art squad.

It was the latest presentation of the fruits of Italy’s decades-old effort to recover antiquities that were looted or stolen from its territory by “tombaroli” tomb raiders, sold to antiquities dealers who often forged or fudged provenance records to resell the loot to high-end buyers, auction houses and museums.

Markell said that Washington was committed to returning the stolen loot “to where it belongs” as a sign of respect for Italy and its cultural and artistic heritage.

“We know that safeguarding this history requires care and vigilance, and this is why we do what we do,” he said, adding that the US was keeping a close eye on the latest target for art traffickers: Ukraine.

Not included in the latest haul from the US was the “Victorious Youth” ancient Greek bronze statue, the object of a decades-long court battle between Italy and the Malibu, California-based Getty Museum. The prized statue recently made headlines anew when the European Court of Human Rights strongly backed Italy's right to seize it, reaffirming that it had been illegally exported from Italy.

Bogdanos and Homeland Security officials declined to comment on whether or when the “Victorious Youth” might be returned, saying it's part of an ongoing investigation.

Among the most valuable artifacts on display Tuesday was a fourth-century Naxos silver coin depicting god of wine Dionysius that was looted from an illicit excavation site in Sicily before 2013 and smuggled to the United Kingdom. Bogdanos said the coin, which was being offered for sale for $500,000, was found in New York last year as part of an investigation into a noted British coin dealer.

He said that other items were returned from New York’s Metropolitan Museum of Art and some of the well-known New York philanthropists who donated artifacts to its collections that turned out to have been stolen.

The returned artifacts, ranging from the ninth century B.C. to the second century, also included a life-sized bronze figure, as well as bronze heads and multiple Etruscan vases. Other items, including oil paintings from the 16th and 19th centuries, had been stolen from Italian museums, religious institutions and private homes in well-documented thefts, the carabinieri said.

Bogdanos, who forged an alliance with the Italian carabinieri art squad as they tried to recover Iraq’s stolen antiquities after the US invasion, said that Washington doesn’t distinguish between items taken during illicit excavations or those stolen in thefts: it all amounts to looting.

“Looting is local,” Bogdanos said. Locals “know when the security guards come on, they know when they come off. They know when the security guards are guarding particular sites and not others. They know when there are scientific, proper, approved archeological excavations, and then they know when those archaeological excavations close for example, for the winter or for lack of funding.”

Given that, he said, there will always be looting.

“Our job is to minimize it, increase the risk to those who would engage in this traffic, convict them and where appropriate, sentence them,” Bogdanos said.



Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture
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Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

The Saudi Ministry of Culture and the UK Department for Culture, Media and Sport have announced the year 2029 as the official Saudi-UK Year of Culture, reported the Saudi Press Agency on Wednesday. The announcement follows an official visit by Britain’s Prince William to Saudi Arabia this week.

For nearly a century, formal relations between Saudi Arabia and the UK and Northern Ireland have evolved into a multifaceted international relationship that has expanded across culture, education, and innovation, reflecting shared values and a mutual commitment to long-term cooperation.

In recent years, cultural exchange has emerged as a cornerstone of Saudi-British relations, driven by joint initiatives in heritage conservation, visual and culinary arts, architecture, and higher education.

This ongoing expansion of cultural exchange lays the foundation for the Saudi-UK Year of Culture 2029, a year-long program celebrating creative dialogue and the shared heritage of Saudi Arabia and the UK, while deepening cultural ties for generations to come. It will also be a great opportunity for young people in both countries to connect in new ways.

Supported by Saudi Vision 2030 and the United Kingdom’s continued promotion of cultural innovation and creativity, the Saudi-UK Year of Culture 2029 will be an important milestone for both countries.


Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
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Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)

Britain’s Prince William visited a number of historic, natural, and cultural sites in Saudi Arabia’s AlUla, accompanied by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Bader bin Abdullah bin Farhan, reported the Saudi Press Agency on Wednesday.

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development, in line with the objectives of Saudi Vision 2030.

During his tour, Prince William reviewed a number of environmental initiatives at Sharaan Nature Reserve, including ecosystem restoration and biodiversity conservation efforts. He was briefed on programs to rehabilitate natural habitats, restore ecological balance, and reintroduce species such as the Arabian oryx and mountain ibex, contributing to long-term goals for the recovery of the Arabian leopard in its natural environment.

He received an overview of the history of AlUla Old Town and the Incense Road, and the role of culture and arts as a bridge for cultural exchange between the two countries. The visit included viewing artworks at AlUla Arts Festival 2026.

Prince William met with Saudi youths participating in joint cultural programs and initiatives between the two countries. The visit also featured a tour of AlUla Oasis Cultural District.

The visit highlighted the strategic importance of the partnership between the Royal Commission for AlUla and British cultural institutions within an organized framework of cooperation encompassing cultural, educational, and environmental entities, supporting balanced and sustainable development in AlUla and reinforcing its status as a global destination for heritage, culture, and nature.


Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
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Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA

The Saudi Ministry of Culture organized a specialized workshop to review and develop the third edition of the Cultural Heritage Documentation and Digital Archiving Guide in the Kingdom.

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners, as part of the center’s efforts to standardize methodologies for documenting and archiving cultural heritage and to enhance institutional practices for managing national cultural memory.

The workshop forms part of the Ministry of Culture’s ongoing efforts to establish national standard frameworks for the management and digital documentation of cultural heritage, strengthen integration among entities, and equip practitioners with the necessary tools and methodologies.

These efforts reinforce the role of the Saudi cultural memory center in preserving the Kingdom’s cultural memory and support the objectives of the National Culture Strategy under Saudi Vision 2030.