Louvre Abu Dhabi Reveals Jury Panel, Shortlisted Artists for Art Here 2024 and Richard Mille Art Prize

The Louvre museum in Abu Dhabi. Reuters
The Louvre museum in Abu Dhabi. Reuters
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Louvre Abu Dhabi Reveals Jury Panel, Shortlisted Artists for Art Here 2024 and Richard Mille Art Prize

The Louvre museum in Abu Dhabi. Reuters
The Louvre museum in Abu Dhabi. Reuters

Louvre Abu Dhabi and Swiss watchmaking brand Richard Mille have announced the jury and shortlisted artists for the fourth edition of the much-anticipated annual exhibition and competition, Art Here 2024 and the Richard Mille Art Prize, Emirates News Agency (WAM) reported Thursday.

The jury for this year’s edition, now expanded to include North Africa alongside the GCC, comprises distinguished members from diverse backgrounds in the cultural world, each bringing a unique perspective to the selection process, WAM said.

Returning to the jury are Sheikh Zayed bin Sultan bin Khalifa Al Nahyan, Adviser to the Ministry of Foreign Affairs (MoFA), Founder and Chairman of the satellite art platform ‘UAE Unlimited’, a prominent patron and collector of the arts and a board member of the British Museum and Centre Pompidou for the acquisition of Middle Eastern Art, in addition to Guilhem André, Scientific Curatorial and Collection Management Director at Louvre Abu Dhabi, a seasoned museum professional, and art historian.

New jury members include Simon Njami, independent curator, lecturer, art critic and novelist; Nujoom Alghanem, a renowned Emirati poet, artist and multi-award-winning film director; and Maya Allison, Founding Director of the Art Gallery and Chief Curator at New York University Abu Dhabi.

This year, Louvre Abu Dhabi and guest curator, Simon Njami, invited artists to respond to the theme Awakenings. The shortlisted artists are tasked with translating the concept of openness into visual forms. Openness signifies beginnings where possibilities are available at any given moment and implies the choices and decisions that lead to the direction one chooses to follow. The shortlisted artists will produce sculptures or audiovisual installations that address questions of today and the near future. Produced artworks will be showcased at the museum from September 20 to December 15.

Director of Louvre Abu Dhabi Manuel Rabaté said the collaboration with Richard Mille for the fourth year “enables the museum to continuously innovate and present new, creative themes, such as Awakenings, inviting artists to engage in and translate the concept of openness into visual forms.”

“Notably, for the first time, our open call extended to North Africa, underscoring our dedication to expanding to new geographies, and we are happy to produce and display the artworks of five shortlisted artists. This initiative reaffirms our commitment to enriching the region’s cultural ecosystem and our mission to narrate stories from diverse cultures around the globe.”

This year's edition has attracted submissions from a wide array of talent residing across the UAE, GCC, North Africa, and beyond. Works by five exceptional artists from the UAE, Tunisia and Egypt, have been shortlisted from 230 total submissions to be featured in the 2024 Art Here exhibition, each bringing unique perspectives and artistic practices. These artists' works will be showcased at Louvre Abu Dhabi from September 20, each competing for the prestigious Richard Mille Art Prize and its accompanying $60,000 cash award, WAM said.



Gaza Cultural Heritage Brought to Light in Geneva

This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
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Gaza Cultural Heritage Brought to Light in Geneva

This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)

Archaeological treasures from the Gaza Strip are going on display in Geneva, with the Swiss city protecting the heritage of a territory devastated by a year of war.

Amphoras, statuettes, vases, oil lamps and figurines are among the 44 objects unearthed in Gaza going on show in the "Patrimony in Peril" exhibition at the Museum of Art and History (MAH).

"It's a part of Gaza's soul. Its identity, even," Beatrice Blandin, the exhibition's curator, told AFP. "Heritage is really the history of this strip of land, the history of the people who live there."

The artifacts are from a collection of more than 530 objects that have been stored in crates in a secure warehouse in Geneva since 2007, unable to return to Gaza.

The exhibition, which runs from Saturday until February 9, also includes artifacts from Sudan, Syria and Libya.

It was staged to mark the 70th anniversary of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict.

The exhibition looks at the responsibility of museums in saving such property from damage, looting and conflict, reminding visitors that deliberately destroying heritage is a war crime.

- Cultural damage in Gaza -

"The forces of obscurantism understand that cultural property is what is at stake for civilization, because they have never stopped wanting to destroy this heritage, as in Mosul," said Geneva city councilor Alfonso Gomez -- a reference to the northern Iraqi city captured by the ISIS group in 2014.

MAH director Marc-Olivier Wahler told AFP: "Unfortunately, in the event of conflict, many aggressors attack cultural heritage because it is obviously erasing the identity of a people, erasing its history."

Thankfully, "there are museums, rules and conventions that protect this heritage".

Since Israel's offensive in Gaza began following the October 7, 2023 attack by Hamas, cultural sites in the Palestinian territory have paid a heavy price, says the United Nations' cultural organization.

UNESCO has verified damage to 69 sites: 10 religious sites, 43 buildings of historical and/or artistic interest, two depositories of movable cultural property, six monuments, one museum and seven archaeological sites.

- Stuck in Swiss warehouse -

At a time when Palestinian cultural heritage is "the victim of unprecedented destruction, the patrimonial value of the Gazan objects held in Geneva seems greater than ever", said the MAH.

Some of the objects belonged to the Palestinian Authority. The rest belonged to the Palestinian entrepreneur Jawdat Khoudary, but he later gave ownership of them to the PA in 2018.

These artifacts, evoking daily, civil and religious life from the Bronze Age to the Ottoman era, arrived in Geneva in 2006 to be shown at the "Gaza at the Crossroads of Civilizations" exhibition, inaugurated by Palestinian President Mahmud Abbas.

They had been meant to form the foundation of an archaeological museum to be built in Gaza.

Instead, they were stuck in Geneva for 17 years, the conditions for their safe return having never been met.

- Saved by circumstances -

"At the time when the objects were due to leave, Hamas took over the Gaza Strip and there were geopolitical tensions between Palestine and Israel," said Blandin.

This "coincidence of circumstances," she said, ultimately saved the artifacts: the rest of Khoudary's private collection, which remained in Gaza, has been "totally destroyed" since October 7 last year.

Following a new cooperation agreement signed last September between the Palestinian Authority and Geneva, the Swiss city has committed to looking after the artifacts for as long as necessary.

The MAH also served as a refuge, in 1939 when the Spanish Republicans evacuated by train the greatest treasures from the Museo del Prado in Madrid and several other major collections.

And last year, Geneva hosted an exhibition of Ukrainian works of art.

According to the Swiss Museums Association, Switzerland, along with counterparts in other countries, has also been able to help more than 200 museums in Ukraine preserve their collections after Russia's full-scale invasion in February 2022.