Crew of NASA's Earthbound Simulated Mars Habitat Emerge after a Year

In this still image taken from a July 6, 2024, NASA TV broadcast, volunteer crew commander Kelly Haston speaks alongside crewmates (L-R) Ross Brockwell, Nathan Jones and Anca Selariu, as they exit the first simulated yearlong Mars habitat mission at Johnson Space Center in Houston, Texas. (Photo by Jose ROMERO / NASA TV / AFP)
In this still image taken from a July 6, 2024, NASA TV broadcast, volunteer crew commander Kelly Haston speaks alongside crewmates (L-R) Ross Brockwell, Nathan Jones and Anca Selariu, as they exit the first simulated yearlong Mars habitat mission at Johnson Space Center in Houston, Texas. (Photo by Jose ROMERO / NASA TV / AFP)
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Crew of NASA's Earthbound Simulated Mars Habitat Emerge after a Year

In this still image taken from a July 6, 2024, NASA TV broadcast, volunteer crew commander Kelly Haston speaks alongside crewmates (L-R) Ross Brockwell, Nathan Jones and Anca Selariu, as they exit the first simulated yearlong Mars habitat mission at Johnson Space Center in Houston, Texas. (Photo by Jose ROMERO / NASA TV / AFP)
In this still image taken from a July 6, 2024, NASA TV broadcast, volunteer crew commander Kelly Haston speaks alongside crewmates (L-R) Ross Brockwell, Nathan Jones and Anca Selariu, as they exit the first simulated yearlong Mars habitat mission at Johnson Space Center in Houston, Texas. (Photo by Jose ROMERO / NASA TV / AFP)

The crew of a NASA mission to Mars emerged from their craft after a yearlong voyage that never left Earth.
The four volunteer crew members spent more than 12 months inside NASA's first simulated Mars environment at Johnson Space Center in Houston, coming out of the artificial alien environment Saturday around 5 p.m, The Associated Press reported.
Kelly Haston, Anca Selariu, Ross Brockwell and Nathan Jones entered the 3D-printed habitat on June 25, 2023, as the maiden crew of the space agency's Crew Health and Performance Exploration Analog project.
Haston, the mission commander, began with a simple, “Hello.”
“It’s actually just so wonderful to be able to say ‘hello’ to you all,” she said.
Jones, a physician and the mission medical officer, said their 378 days in confinement “went by quickly.”
The quartet lived and worked inside the space of 17,000 square feet (1,579 square meters) to simulate a mission to the red planet, the fourth from the sun and a frequent focus of discussion among scientists and sci-fi fans alike concerning a possible voyage taking humans beyond our moon.
The first CHAPEA crew focused on establishing possible conditions for future Mars operations through simulated spacewalks, dubbed “Marswalks,” as well as growing and harvesting vegetables to supplement their provisions and maintaining the habitat and their equipment.
They also worked through challenges a real Mars crew would be expected to experience including limited resources, isolation and delays in communication of up to 22 minutes with their home planet on the other side of the habitat's walls, NASA said.
Two additional CHAPEA missions are planned and crews will continue conducting simulated spacewalks and gathering data on factors related to physical and behavioral health and performance, NASA said.
Steve Koerner, deputy director of Johnson Space Center, said most of the first crew's experimentation focused on nutrition and how that affected their performance. The work was “crucial science as we prepare to send people on to the red planet,” he said.
“They've been separated from their families, placed on a carefully prescribed meal plan and undergone a lot of observation,” Koerner said.
“Mars is our goal,” he said, calling the project an important step in America's intent to be a leader in the global space exploration effort.
Emerging after a knock on the habitat's door by Kjell Lindgren, an astronaut and the deputy director of flight operations, the four volunteers spoke of the gratitude they had for each other and those who waited patiently outside, as well as lessons learned about a prospective manned mission to Mars and life on Earth.
Brockwell, the crew's flight engineer, said the mission showed him the importance of living sustainably for the benefit of everyone on Earth.
“I’m very grateful to have had this incredible opportunity to live for a year within the spirit of planetary adventure towards an exciting future, and I’m grateful for the chance to live the idea that we must utilize resources no faster than they can be replenished and produce waste no faster than they can be processed back into resources," Brockwell said.
“We cannot live, dream, create or explore on any significant timeframe if we don’t live these principles, but if we do, we can achieve and sustain amazing and inspiring things like exploring other worlds," he said.
Science officer Anca Selariu said she had been asked many times why there is a fixation on Mars.
“Why go to Mars? Because it’s possible,” she said. "Because space can unite and bring out the best in us. Because it’s one defining step that ‘Earthlings’ will take to light the way into the next centuries.”



France Accuses Iran of ‘Repression’ in Sentence for Nobel Laureate

People cross an intersection in downtown Tehran, Iran, Monday, Feb. 9, 2026. (AP)
People cross an intersection in downtown Tehran, Iran, Monday, Feb. 9, 2026. (AP)
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France Accuses Iran of ‘Repression’ in Sentence for Nobel Laureate

People cross an intersection in downtown Tehran, Iran, Monday, Feb. 9, 2026. (AP)
People cross an intersection in downtown Tehran, Iran, Monday, Feb. 9, 2026. (AP)

France accused Iran on Monday of "repression and intimidation" after a court handed Nobel Peace Prize laureate Narges Mohammadi a new six-year prison sentence on charges of harming national security.

Mohammadi, sentenced Saturday, was also handed a one-and-a-half-year prison sentence for "propaganda" against Iran's system, according to her foundation.

"With this sentence, the Iranian regime has, once again, chosen repression and intimidation," the French foreign ministry said in a statement, describing the 53-year-old as a "tireless defender" of human rights.

Paris is calling for the release of the activist, who was arrested before protests erupted nationwide in December after speaking out against the government at a funeral ceremony.

The movement peaked in January as authorities launched a crackdown that activists say has left thousands dead.

Over the past quarter-century, Mohammadi has been repeatedly tried and jailed for her vocal campaigning against Iran's use of capital punishment and the mandatory dress code for women.

Mohammadi has spent much of the past decade behind bars and has not seen her twin children, who live in Paris, since 2015.

Iranian authorities have arrested more than 50,000 people as part of their crackdown on protests, according to US-based Human Rights Activists News Agency (HRANA).


Mohammed bin Salman Takes Prince William on Tour of Diriyah

Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, and Britain's Prince William, Prince of Wales pose for a photograph at the UNESCO World Heritage site At-Turaif, February 9, 2026, in Riyadh, Saudi Arabia. (Reuters)
Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, and Britain's Prince William, Prince of Wales pose for a photograph at the UNESCO World Heritage site At-Turaif, February 9, 2026, in Riyadh, Saudi Arabia. (Reuters)
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Mohammed bin Salman Takes Prince William on Tour of Diriyah

Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, and Britain's Prince William, Prince of Wales pose for a photograph at the UNESCO World Heritage site At-Turaif, February 9, 2026, in Riyadh, Saudi Arabia. (Reuters)
Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, and Britain's Prince William, Prince of Wales pose for a photograph at the UNESCO World Heritage site At-Turaif, February 9, 2026, in Riyadh, Saudi Arabia. (Reuters)

Prince Mohammed bin Salman, Saudi Crown Prince and Prime Minister, took on Monday Britain’s Prince William on a tour of Diriyah in the At-Turaif UNESCO World Heritage Site 

Prince William had arrived in Saudi Arabia earlier on Monday for a first official visit, aimed at deepening economic cooperation. 

He was greeted at the airport by the deputy governor of the Riyadh region, Prince Mohammed bin Abdulrahman bin Abdulaziz, the official Saudi Press Agency reported. 

The trip, which will wrap up on Wednesday, aims to celebrate growing trade, energy and investment ties ahead of the two nations marking a century of diplomatic relations. 

William, a keen environmentalist, is also set to visit the historic city of AlUla, where he will learn about conservation efforts, according to Kensington Palace. 


Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.