Reviving Hollywood Glamor of Silent Movie Era, Experts Piece Together Century-old Pipe Organ

A crate containing some of the hundreds of pipes that are part of the Barton Opus 234 theater organ that is undergoing restoration are shown at Carlton Smith Pipe Organ Restorations in Indianapolis, Tuesday, July 2, 2024. (AP Photo/Michael Conroy)
A crate containing some of the hundreds of pipes that are part of the Barton Opus 234 theater organ that is undergoing restoration are shown at Carlton Smith Pipe Organ Restorations in Indianapolis, Tuesday, July 2, 2024. (AP Photo/Michael Conroy)
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Reviving Hollywood Glamor of Silent Movie Era, Experts Piece Together Century-old Pipe Organ

A crate containing some of the hundreds of pipes that are part of the Barton Opus 234 theater organ that is undergoing restoration are shown at Carlton Smith Pipe Organ Restorations in Indianapolis, Tuesday, July 2, 2024. (AP Photo/Michael Conroy)
A crate containing some of the hundreds of pipes that are part of the Barton Opus 234 theater organ that is undergoing restoration are shown at Carlton Smith Pipe Organ Restorations in Indianapolis, Tuesday, July 2, 2024. (AP Photo/Michael Conroy)

A massive pipe organ that underscored the drama and comedy of silent movies with live music in Detroit's ornate Hollywood Theatre nearly a century ago was dismantled into thousands of pieces and stashed away.
The Barton Opus, built in 1927, spent four decades stored in a garage, attic and basement in suburban Detroit. But the towering musical curiosity is being lovingly restored in Indianapolis and eventually will be trucked, piece by piece, to the Rochester Institute of Technology in western New York, to be reassembled and rehoused in a theater specifically designed to accommodate it.
In its heyday, the Barton Opus was able to recreate the sounds of many instruments, including strings, flutes and tubas, says Carlton Smith, who has been restoring the organ since 2020. It also contained real percussion instruments such as a piano, xylophone, glockenspiel, cymbals and drums and could produce sound effects including steamboat and bird whistles, Smith says.
For many moviegoers, the organs — and the organists — were the stars, The Associated Press reported.
“One guy could do it all,” Smith says. “In the big cities, they were literally filling the theaters’ thousands of seats multiple times during the day. They were showing live shows along with the films. It was a big production.”
The Barton Opus enjoyed good acoustics at the Hollywood Theatre, according to the Detroit Theatre Organ Society. The theaters in Detroit at that time, the golden age of the city's auto industry, were as glamorous as any in New York, Chicago, Los Angeles and San Francisco, according to John Lauter, an organist and organ technician.
“We were such a rich market for moviegoers that the theater owners built these palatial places,” Lauter says. “There were no plain Jane movie houses back then.”
Lauter, who also is the director of the Detroit Theatre Organ Society and president of the Motor City Theatre Organ Society, says the Hollywood Theatre organ was one of the largest made by the Bartola Musical Instrument Co. of Oshkosh, Wisconsin. Only three were sold, while the other two were installed in the Highland Theatre in Chicago and the Rialto Square Theatre in Joliet, Illinois.
Of the three, this is “the last one left that hasn’t been altered," Smith says.
In the decades that followed, televisions began to appear in living rooms across the nation and silent movie houses fell out of favor. The Hollywood Theatre closed in the 1950s, its fixtures were sold and its famed Barton Opus was on the verge of being lost to history.
But in the early 1960s, Lauter’s friend, Henry Przybylski, bought it at auction for about $3,500. Przybylski scrambled to remove the massive instrument, parts of which stood two stories tall, before the theater was demolished.
“He pulled together all of his friends in the winter of 1963,” Lauter says. “The building had no electricity and no heat. They came in with Coleman lanterns and block and tackle.”
They took the organ apart and Przybylski — an engineer and organ buff — transported the thousands of pieces back to his Dearborn Heights home where it would remain, unassembled, for about 40 years.
“He never heard or played that instrument ever,” Lauter says. “He lived a majority of his life owning that thing. He’d roll up the garage door and there would be that console in there. He made it known it was the very best there was.”
Przybylski died in 2000, but that did not spell the end of the Barton Opus' odyssey.
Steven Ball, a professional organist who taught at the University of Michigan's Organ Department, asked Przbylski's widow in 2003 if the pipe organ was for sale.
“I came up with every last bit of cash I could,” Ball says.
But he also put the pipe organ straight into storage.
“This whole project was to see this organ through to safety, until I could find an institution to restore it to what it was," Ball says, adding that he had always hoped the Barton Opus would end up in a theater mirroring its original home.
In 2019, Rochester Institute of Technology President David C. Munson reached out to Ball, whom he had known since Munson served as the dean of engineering at the University of Michigan years earlier.
“I contacted Steven and asked where we could acquire the best theater organ,” Munson says. "Steven said, ‘Well that would be mine.’”
Ball will donate his Barton Opus to the school, where it will be the centerpiece of the new performing arts center. The theater that will house the organ is expected to open by January 2026. Restoration work on the organ is a little over two-thirds complete, according to Smith.
“The theater is designed to accommodate exactly this organ,” Munson says, adding that the architect, Michael Maltzan, "designed the pipe chambers to have the same dimension as in the Hollywood Theatre. We have all the original plans for that organ and how the pipes were laid out.”
The exact cost of the work hasn’t yet been determined, Munson says, adding, “It’s an investment we’re making, but I think the results are going to be remarkable.”



Oscars Museum Dives into World of Miyazaki’s ‘Ponyo’ 

A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
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Oscars Museum Dives into World of Miyazaki’s ‘Ponyo’ 

A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)

With simulated waves, animation tables, and dozens of original sketches on display, a new exhibition in the Oscars museum offers immersion into the aquatic world of "Ponyo," Hayao Miyazaki's cinematic classic.

The Academy Museum of Motion Pictures opened in 2021 with a retrospective dedicated to the grand master of Japanese animation.

Nearly five years later, dozens of drawings, storyboards and other elements created for the film and gifted to the Los Angeles institution by Miyazaki's world-famous Studio Ghibli are going on display.

"It's such a treasure to have, we should share it with our visitors," the exhibit's curator, Jessica Niebel, told AFP.

The museum has dedicated over 350 square meters (nearly 3,800 square feet) to the magical 2008 movie.

Inspired by the Hans Christian Andersen fairy tale "The Little Mermaid," Miyazaki's story centers around a goldfish with a girl's face who is rescued by a five-year-old boy, Sosuke.

Despite the reluctance of her father, the underwater wizard Fujimoto, little Ponyo falls in love with her new friend and gives up her magical powers to become human.

Entirely hand drawn, the film was hailed as a visual masterpiece marking Miyazaki's return to the traditional animation of his early career, after incorporating computer generated images in "Spirited Away" and "Howl's Moving Castle."

"What's really special about 'Ponyo' is he instructed his team right from the beginning that everything in this movie needs to move," said Niebel, recalling how the artists created a lush aquatic world, with swirling colors underwater and waves that shifted with the weather.

Animation enthusiasts will find sketches of some of the film's key sequences, drawn in pencil, and projections of its most majestic moments.

But the immersive exhibition is above all "geared towards children," the film's primary audience, Niebel said.

Younger kids can romp around on rolling blue installations that mimic waves, slide a "Ponyo" figure across an ocean wall, or hide in a replica of Sosuke's green bucket which he used to collect goldfish.

Children and their parents are urged to sit at animation tables to position sharks, jellyfish and crabs, taking photos frame by frame to create their own animated sequence -- all under the benevolent eyes of the film's elders at a retirement home threatened by rising waters.

Niebel said she hopes the exhibit might "invite the younger generation to maybe think about becoming a filmmaker" or a creative artist.

The exhibit opens Saturday and runs until January 2027. Admission is free for children under 17.


Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
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Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)

Actor Blake Lively and director Justin Baldoni came to a New York courthouse on Wednesday to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial.

The talks between lawyers went on over a six-hour period before Lively and Baldoni left the Manhattan federal courthouse separately and went straight to their waiting cars without saying anything. Lively looked stern as she walked out while Baldoni was smiling.

Baldoni's attorney Bryan Freedman said in an email that the talks did not result in a settlement, The Associated Press said.

Mandatory settlement talks are generally required before a civil case proceeds to trial. They are not held in public.

Their acrimonious yearlong litigation has cast a wide net across the entertainment world, drawing into the headlines other actors, musicians and celebrities and raising questions about the power, influence and gender dynamics in Hollywood.

Lively sued Baldoni and his hired crisis communications expert alleging harassment and a coordinated campaign to attack her reputation after she complained about his treatment of her on the movie set.

Baldoni and his Wayfarer Studios production company countersued Lively and her husband, “Deadpool” actor Ryan Reynolds, accusing them of defamation and extortion. Judge Lewis J. Liman dismissed that suit last June.

The trial, scheduled for May 18, was expected to be star-studded. Lively’s legal team had indicated in court papers that people likely to have information about the case included singer Taylor Swift, model Gigi Hadid, actors Emily Blunt, Alexis Bledel, America Ferrera and Hugh Jackman, influencer Candace Owens, media personality Perez Hilton and designer Ashley Avignone.


'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
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'Dawson's Creek' Star James Van Der Beek Has Died at 48

(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)
(FILES) Actor James Van Der Beek arrives for a special screening of 'Downsizing' on December 18, 2017 at the Regency Village Theatre in Los Angeles, California. (Photo by Robyn Beck / AFP)

James Van Der Beek, a heartthrob who starred in coming-of-age dramas at the dawn of the new millennium, shooting to fame playing the titular character in “Dawson’s Creek” and in later years mocking his own hunky persona, has died. He was 48.

“Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come,” said a statement from the actor's family posted on Instagram.

“For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother and friend.”

Van Der Beek revealed in 2024 that he was being treated for colorectal cancer.

Van Der Beek made a surprise video appearance in September at a “Dawson's Creek” reunion charity event in New York City after previously dropping out due to illness.

He appeared projected onstage at the Richard Rodgers Theatre during a live reading of the show’s pilot episode to benefit F Cancer and Van Der Beek. Lin-Manuel Miranda subbed for him on stage.

"Thank you to every single person here,” The Associated Press quoted Van Der Beek as saying.

A one-time theater kid, Van Der Beek would star in the movie “Varsity Blues” and on TV in “CSI: Cyber” as FBI Special Agent Elijah Mundo, but was forever connected to “Dawson’s Creek,” which ran from 1998 to 2003 on The WB.

The series followed a group of high school friends as they learned about falling in love, creating real friendships and finding their footing in life. Van Der Beek, then 20, played 15-year-old Dawson Leery, who aspired to be a director of Steven Spielberg quality.