Jewels Stolen in Germany’s Green Vault Heist Back on Display

The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)
The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)
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Jewels Stolen in Germany’s Green Vault Heist Back on Display

The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)
The jewelry piece "Aigrette for the hair in the shape of a sun" by August Gotthelf Globig (C) shows a missing piece during the presentation of recovered jewels from a burglary at the Historic Green Vault (Gruenes Gewoelbe) in Dresden, Germany, 13 August 2024. (EPA)

Nearly five years after millions of euros' worth of jewellery was stolen in a museum heist in eastern Germany, visitors can once again admire nearly all of the precious pieces in person.

In November 2019, thieves stole pieces that contained more than 4,300 diamonds with an estimated value of over 113 million euros ($124 million), from the Gruenes Gewoelbe (Green Vault) museum in Dresden, in the eastern German state of Saxony.

Police have said most of the jewels stolen from the museum, which houses one of Europe's greatest art collections, have been recovered. Pieces still missing include an epaulette on which a precious stone known as the Dresden White Diamond was mounted.

Starting this week, the jewellery pieces will be back on display in their original spots - albeit in the same condition in which they were recovered in December 2022 as they are part of ongoing legal proceedings and still considered court property.

"There are certain things that perhaps absolute experts can see; we with the naked eye can actually barely see the damage," said Marion Ackermann, Dresden State Museums director general.

"And this damage is mainly due to the fact that they were either broken out during the crime ... or improperly stored by the perpetrators after the crime," Ackermann added.

Five men, all members of the same family, were sentenced to several years behind bars in May 2023 for their involvement.

The heist was a bitter lesson about security at the museum, which before had been considered one of the safest buildings in Europe, said Saxony premier Michael Kretschmer.

"We were shocked that it was actually possible, but we have drawn the necessary conclusions," he said on Tuesday.

The stolen Dresden collection was assembled in the 18th century by Augustus the Strong, Elector of Saxony and later King of Poland, who commissioned ever more brilliant jewellery as part of his rivalry with France's King Louis XIV.

The treasures survived Allied bombing raids in World War Two, only to be carted off as war booty by the Soviet Union.

They were returned to Dresden, the historic capital of the state of Saxony, in 1958.



Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
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Jazan Festival 2026 Kicks Off Thursday with Grand Parade

his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA
his year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity - SPA

The Jazan Festival 2026 will launch on Thursday in a carnival anticipated by thousands of visitors from within the region and beyond.

The festival will open with a grand celebratory parade starting at 3:45 p.m. along the Jazan city waterfront, signaling the start of an entertainment and cultural season that will extend for several months, according to SPA.

This year’s festival offers an unprecedented experience that brings together the charm of the region’s unique geographic diversity, from its towering green mountains and golden beaches to its picturesque islands, alongside the authenticity of its rich heritage, complemented by modern touches in entertainment programs designed to meet the aspirations of all age groups.

Performing arts inspired by local folklore will add an authentic dimension, while moving installations will flow in harmonious rhythm.

Completing the visual spectacle, integrated light and sound shows will create an enchanting atmosphere before the festivities conclude with a dazzling fireworks display lighting up the Jazan sky in vibrant colors.


UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.


Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.