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US Returns to Iran Latest Batch of Ancient Clay Tablets

Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP
Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP
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US Returns to Iran Latest Batch of Ancient Clay Tablets

Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP
Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP

The United States has returned to Iran more than 1,000 clay tablets dating from the Achaemenid-era, official media said, reporting the sixth such handover of its kind.

Iran's official IRNA news agency said Thursday evening that the tablets, 1,100 in all, were returned with President Masoud Pezeshkian who had attended the United Nations General Assembly in New York.

Found at the ruins of Persepolis, the capital of the Persian Achaemenid Empire which ruled from the 6th to 4th centuries BC in southern Iran, the repatriated tablets reflect how the ancient society was organised and its economy managed.

According to AFP, the tablets constitute records of "the rituals and the way of life of our ancestors", said Ali Darabi, vice-minister of cultural heritage, cited by IRNA.

The tablets were returned to Iran by the University of Chicago's Institute for the Study of Ancient Cultures, West Asia & North Africa, formerly known as the Oriental Institute.

A large portion of the tablets were returned in three batches between 1948 and 2004 before the rest were blocked by legal action until 2018.

More than 3,500 tablets were repatriated in September, 2023.

"The American side undertook to return the rest," Darabi said, cited by Iran's ISNA news agency.

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Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
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Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA

The Museums Commission inaugurated on Thursday the exhibition "The Writings of Today Are a Promise for Tomorrow" at the Saudi Arabia Museum of Contemporary Art at Jax, introducing contemporary artists of Chinese origin to Saudi Arabia for the first time.
Bringing together over 30 artists of different generations and cultural backgrounds, the exhibition showcases a collection of over 50 art pieces, offering diverse and nuanced perspectives on the profound transformation of our contemporary society.
The exhibition draws fascinating parallels between Arab and Chinese traditions by exploring two central elements they have in common: calligraphy and the garden. The exhibition highlights the profound significance of calligraphy as a cultural and societal practice in both Arabic and Chinese cultures, in which the written word and script are revered not only as a form of communication but also as a spiritual endeavor.
The balance between discipline and naturalness, a requirement for masterful calligraphy, links the field of writing with the domain of the garden. By definition, the garden is nature in an arranged order, and it is considered in both cultures a representation of creation, designed for the appreciation of beauty and spirituality, and for contemplation and conviviality.
"The Writings of Today Are a Promise for Tomorrow" exhibition also reflects an aspiration towards future possibilities and ongoing dialogue, addressing the concepts of energy flow and synergy. Writing here is understood in a larger sense as the trace of a meaningful act of participation and communication.
The exhibition is designed as a stroll through a series of thematic stages, exploring the interplay between presence and absence, action and contemplation, memory and imagination
Visitors will have the opportunity to explore pieces from two notable Paris-based collections of contemporary Chinese art, the Donnersberg Collection and the dslcollection, as well as direct contributions from artists and site-specific works produced in Saudi Arabia for the exhibition. They will also see the works of a French-Algerian artist Adel Abdessemed and Taiwanese artist Michael Lin, showing for the first time in Saudi Arabia.
The exhibition showcases how the art of today continues to evolve, reflecting and reshaping the flow of cultural energy, connecting past and future, and embodying the promise of tomorrow.
The exhibition will run until January 18, 2025.