'Soul of Old Baghdad': City Center Sees Timid Revival

Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
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'Soul of Old Baghdad': City Center Sees Timid Revival

Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP
Iraqi students walk through Bab al-Wastani on a walking tour of the historic center of Baghdad. AHMAD AL-RUBAYE / AFP

An Iraqi professor leading a group of students on a walking tour of Baghdad's historic center invites them to stop and admire a centuries-old stone wall erected to shield the city from Mongol invaders.
Such a tour would have been unthinkable in the Iraqi capital through much of recent decades due to the country's successive wars, which saw Baghdad pounded from the air, targeted by suicide bombers and hit with car bomb attacks.
"Several caliphs worked on it," tour leader and professor Muaffaq al-Tai, 83, told the group as they passed under an impressive brick dome, smart phones and cameras in hand.
Braving an autumn heatwave, one of the tour organizers, Abdullah Imad, relished being able to help offer a deeper understanding of his hometown's history.
"Before, there were security events... interest was limited, almost non-existent," said architecture student Imad, 23.
"Now interest is growing... Stability has gradually returned to Baghdad," he told AFP.
"We want to show the public what Baghdad has to offer in terms of Islamic architecture, its value and identity."
Baghdad, founded in 762 AD by Abbasid caliph Abu Jaafar al-Mansur along the Tigris River, has long been a key hub in Arab and Islamic society.
In the 20th century, it thrived as a modern Arab city with top universities, a vibrant cultural scene and excellent healthcare.
However, decades of war and oppression from the late 1970s, including sectarian violence after the 2003 US-led invasion and the rise of the ISIS group in 2014, led to significant decline.
'Sites worth visiting'
A fragile stability has emerged since the defeat of ISIS in 2017 that has allowed a greater focus on Baghdad's infrastructure and cultural scene.
Around 30 students and amateur photographers strolled through downtown, passing an 800-year-old Abbasid palace with an inner courtyard adorned with brick facades, arches and arabesque reliefs.
They also visited Bab al-Wastani, or the Central Gate, built around the 12th century, featuring battlements and flanked by thick walls.
Fatima al-Moqdad, a 28-year-old architect, said the renewed interest in Iraq's heritage is "a source of hope for a positive change in our identity, and our heritage and its preservation".
"When young people surf the internet, they see how other nations look after their heritage. They want and deserve the same," she added.
"To be a tourist, you don't necessarily have to go abroad."
In Baghdad, home to nine million people, tuk-tuks, motorcycles and yellow cabs compete for space with porters pushing carts piled high with goods.
They push their way through the fish stalls, sunglasses vendors and counterfeit sneaker stands that have taken over the pavements of the historic center.
On the eastern bank of the Tigris, brutalist buildings from the 1960s stand alongside elaborate facades from the 1920s, decorated with flowery moldings and sagging wrought-iron balconies.
Around 2,400 buildings are registered in the historic center, but around 15 percent have been destroyed or altered, according to the municipality.
Many of the properties once belonged to Jewish families or other Iraqis driven out during one of the country's many upheavals.
The waves of emigration also resulted in a brain drain, depriving Iraq of expertise particularly in architectural restoration.
Restoration drive
The municipality, in partnership with an association of private banks, has taken on two major restoration projects, including Al-Mutanabi Street, famous for its many bookshops.
They are also restoring another street that houses the old Serail, or Ottoman Empire's seat of government.
The restoration has primarily involved repaving sidewalks, updating lighting and cleaning up facades.
Mohammed al-Soufi, an architect overseeing the restoration, noted the "aesthetic value of the brick buildings", dating from the 19th century and the 1920s and 1930s.
Among the many challenges in restoring the area is the difficulty in obtaining permission from the original owners, many of whom no longer live in Iraq, as well as a lack of funding.
The Baghdad municipality's next focus will be Al-Rashid Street, inaugurated in 1916.
"It's the soul of old Baghdad, its identity," said the municipality's head of communications Mohammed al-Rubaye.
But the once-vital artery now houses mostly warehouses, industrial machinery and motor oil stores. Authorities plan to move these activities to the outskirts.
"We're not telling people to leave. We're telling them to stay, but let's turn the wholesale warehouses into stores, cafes, cinemas and cultural and heritage sites," Rubaye said.



Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
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Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)

French investigators remain determined to find the imperial jewels stolen from the Louvre in October, a prosecutor has told AFP.

Police believe they have arrested all four thieves who carried out the brazen October 19 robbery, making off with jewelry worth an estimated $102 million from the world-famous museum.

"The interrogations have not produced any new investigative elements," top Paris prosecutor Laure Beccuau said this week, three months after the broad-daylight heist.

But the case remains a top priority, she underlined.

"Our main objective is still to recover the jewelry," she said.

That Sunday morning in October, thieves parked a mover's truck with an extendable ladder below the Louvre's Apollo Gallery housing the French crown jewels.

Two of the thieves climbed up the ladder, broke a window and used angle grinders to cut glass display booths containing the treasures, while the other two waited below, investigators say.

The four then fled on high-powered motor scooters, dropping a diamond-and-emerald crown in their hurry.

But eight other items of jewelry -- including an emerald-and-diamond necklace that Napoleon I gave his second wife, Empress Marie-Louise -- remain at large.

Beccuau said investigators were keeping an open mind as to where the loot might be.

"We don't have any signals indicating that the jewelry is likely to have crossed the border," she said, though she added: "Anything is possible."

Detectives benefitted from contacts with "intermediaries in the art world, including internationally" as they pursued their probe.

"They have ways of receiving warning signals about networks of receivers of stolen goods, including abroad," Beccuau said.

As for anyone coming forward to hand over the jewels, that would be considered to be "active repentance, which could be taken into consideration" later during a trial, she said.

A fifth suspect, a 38-year-old woman who is the partner of one of the men, has been charged with being an accomplice but was released under judicial supervision pending a trial.

Investigators still had no idea if someone had ordered the theft.

"We refuse to have any preconceived notions about what might have led the individuals concerned to commit this theft," the prosecutor said.

But she said detectives and investigating magistrates were resolute.

"We haven't said our last word. It will take as long as it takes," she said.


Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
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Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA

Arts AlUla has announced the lineup of Saudi and international artists participating in the fourth edition of Desert X AlUla, the international open-air art exhibition held in collaboration with Desert X.

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks, ranging from large-scale installations and sound pieces that stretch across and beneath the desert landscape, to kinetic works and immersive interactive experiences.

The showcase reflects a deep connection to AlUla’s unique environment, its dramatic natural landscapes, and rich cultural heritage.

Desert X AlUla, the region’s first public art biennial, will feature 11 artists presenting diverse perspectives, materials, and artistic traditions in their large-scale works in its 2026 edition.

The program offers a delightful mix of performances and interactive family activities, alongside dedicated programs that blend sound, movement, storytelling, and play.

Also, the visitor pavilion will host a live music program curated in collaboration with AlUla Music Hub, creating moments where art, nature, and community converge in a shared experience shaped by rhythm and a strong sense of place.

Arts AlUla confirmed that Desert X AlUla 2026 will be open to the public.


Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
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Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.